Apple TV is diving headfirst into mythology with a family-friendly twist. The platform has unveiled a first look at My Brother the Minotaur , a brand-new animated adventure series set to premiere globally on April 24, and it’s already shaping up to be one of the more intriguing additions to the kids and family lineup this year. Landing on Apple TV, the series centers on a young minotaur, half boy, half bull, who has been raised in the human world. While that alone is enough to spark curiosity (and probably a few awkward school days), the story quickly expands into a larger mystery about his origins and destiny. With the help of his loyal human brother and a tight-knit group of friends, he sets out to uncover the truth about his past all while facing off against looming dark forces that would rather keep those secrets buried. The premise taps into familiar but effective themes: identity, belonging, and the universal feeling of being just a little bit different. It’s the kind of emotional backbone that tends to resonate across age groups, giving the series the potential to appeal to both younger viewers and the adults watching alongside them. Behind the scenes, there’s serious creative credibility. The show comes from Cartoon Saloon, the Academy Award-nominated studio known for its visually distinctive storytelling and children’s media company Dog Ears. That combination suggests a strong emphasis on both artistic quality and meaningful storytelling. The voice cast also adds some notable star power. Rising talents like Ely Solan, Billy Jenkins, Luciana Akpobaro, and Billie Boullet lead the charge, joined by an impressive lineup that includes Michael Sheen, Brian Cox, Paul Kaye , and T’Nia Miller. For a kids’ series, that’s a cast that definitely raises eyebrows, in a good way. Created by Donal Mangan and directed by Maurice Joyce, the series blends folklore, adventure, and mystery into what looks like a character-driven journey about discovering where you truly belong. It’s a concept that feels both timeless and timely, especially as family programming continues to lean into more layered, emotionally grounded storytelling. With its first look now out in the wild, My Brother the Minotaur  is positioning itself as a visually rich, story-forward addition to Apple TV’s growing slate of original programming. Whether it becomes the next must-watch family hit remains to be seen but for now, it’s definitely one to keep on the radar. Mark the calendar for April 24 because this mythical coming-of-age story might just have some real bite.

Hulu has officially greenlit Paradise Season 3 , ensuring that our Tuesday nights will continue to be occupied by Sterling K. Brown looking perpetually stressed in expensive linen. The announcement dropped just as Season 2 is barreling toward its finale on March 30, proving that Hulu knows exactly how to keep us hooked. With the series already racking up over 30 million hours of watch time this season alone, the renewal wasn't exactly a shocker, but it certainly validates our collective habit of yelling at the screen every time Xavier Collins makes a questionable life choice. The Three-Season Plan (And Why We’re Scared) Fogelman has never been one for aimless storytelling. Much like he did with This Is Us , he’s reportedly approached this mystery with a specific "beginning, middle, and end" in mind. Executive producer John Hoberg has been dropping hints that Season 3 is the natural finish line, noting that the planned ending is so definitive it would make a Season 4 nearly impossible. It’s refreshing to see a showrunner who knows when to leave the party before the drinks run out, even if it means our favorite characters are headed for a crash landing. What’s Next for Xavier? Sterling K. Brown’s Xavier remains the magnetic, albeit deeply flawed, center of this tropical storm. As we head into the final act, the stakes aren’t just about survival anymore, they’re about the total collapse of the carefully curated world these people have built. Production is rumored to kick off as early as late March 2026, which means we might not have to wait a lifetime to see how this beautiful mess resolves itself. While the plot details for the third outing are currently locked tighter than a vault in a gated community, the trajectory suggests that the "paradise" we've come to know is about to be thoroughly dismantled. Expect more secrets, more betrayal, and hopefully, a few answers to the questions that have been kept us up at night since the pilot. Do you think Season 3 should be the final chapter , or is there enough mystery left to justify even more episodes ?

The end of an era is officially in sight. Paramount+ has unveiled the first look at the eighth and final season of The CHI and the preview makes one thing crystal clear: this farewell won’t be quiet, tidy, or sentimental in the conventional sense. It’s set to be intense, icy, and packed with consequences. For fans who’ve followed the series from its early days, the final chapter promises to deliver legacy-defining drama as the long-running series prepares to sign off later this year. Production on the new season began in January, signaling that the countdown to the end has begun. As The CHI  enters its “coldest winter ever,” the stakes are higher than ever. According to the official synopsis, life-or-death decisions will drive the narrative, forcing characters to confront loyalty, legacy, conflict, joy, and pain. In other words, the show isn’t easing into retirement, it’s going out swinging. The first-look tease reinforces what has made the series a staple of modern television storytelling: layered character arcs, emotional complexity, and a sharp focus on community dynamics. With returning cast members including Jacob Latimore, Birgundi Baker, Luke James, Shamon Brown Jr., Michael V. Epps, Hannaha Hall, and Jason Weaver, the final season keeps its core ensemble intact. That continuity suggests the series plans to honor its roots while pushing its characters into uncharted territory. Behind the scenes, the creative team remains anchored by Emmy® winner Lena Waithe, who created the series under her Hillman Grad banner. Executive producers Justin Hillian and Jewel Coronel continue steering the show as co-showrunners, ensuring consistency as the story reaches its conclusion. With production powerhouse 20th Television backing the series, expectations are understandably high for a finale that feels both cinematic and character-driven. All previous seasons are currently available to stream on Paramount+ with the Paramount+ Premium Plan, making now the perfect time for viewers to revisit the journey — or catch up before the final snowfall hits. As The CHI  prepares to wrap its eighth and final season, the first look signals a thoughtful, emotionally charged conclusion. Fans can expect hard choices, evolving relationships, and plenty of drama as the series closes the book on one of television’s most culturally resonant stories. Stay tuned to The TV Cave for continued coverage, previews, and final-season updates as the farewell unfolds.

The world of entertainment is mourning the loss of a television trailblazer following the news that Kiki Shepard died on March 16, 2026. Known globally as the long-time co-host of the legendary music showcase Showtime at the Apollo, Shepard was a foundational figure in Black excellence on screen. Her representative confirmed that the television personality passed away in Los Angeles after suffering a massive heart attack. This sudden event occurred just days after Shepard appeared at a high-profile International Women’s Day event, marking the end of a career that spanned dance, acting, and advocacy. A Career Defined by Grace and the Apollo Kiki Shepard rose to national prominence in 1987 when she joined Showtime at the Apollo. For fifteen years, she served as the elegant counterpart to hosts such as Steve Harvey and Sinbad, helping to guide the high-energy competition at the historic Harlem theater. Her presence was instrumental in the show's success during its peak years, providing a professional balance to the unpredictable nature of the Apollo’s amateur night. Beyond her hosting duties, Shepard was a classically trained performer. She was a charter member of the District of Columbia Repertory Dance Company and an alumna of Howard University. Her talent extended to Broadway where she performed in the acclaimed production Bubbling Brown Sugar. On television, her credits included roles in A Different World, Baywatch, and Grey’s Anatomy, showcasing a range that allowed her to transition seamlessly between variety television and scripted drama. Advocacy and The KIS Foundation While many recognized her from the television screen, Shepard dedicated much of her life to health advocacy. She was the founder of The KIS Foundation, a non-profit organization focused on raising awareness for Sickle Cell Disease. Through her foundation, she organized high-profile celebrity bowling challenges and educational campaigns to support families affected by the condition. Her work in this sector earned her numerous humanitarian awards and solidified her reputation as a community leader who used her platform for social impact. Final Public Appearances and Tributes Shepard remained active in the industry and community until her final days. On March 8, 2026, she was an honored guest at the International Women’s Day Gospel Brunch held at the Skirball Cultural Center. Colleagues from the industry have noted her consistent support for emerging talent and her commitment to preserving the history of the Apollo Theater. Kiki Shepard leaves behind a legacy of professionalism and service. From the stages of Broadway to the bright lights of Harlem, her influence on television history remains significant. She is remembered as a pioneer who opened doors for future generations of Black hosts and performers. Our thoughts are with her family and loved ones.

If you had “Elle Fanning starts an OnlyFans with help from a pro-wrestler dad” on your 2026 bingo card, congratulations you’re either a psychic or you’ve already read Rufi Thorpe’s bestseller. For the rest of us, Apple TV’s latest dramedy, Margo’s Got Money Troubles , is the chaotic, neon-soaked wake-up call we didn't know we needed. Dropping into a streaming landscape that’s often too polished for its own good, this series is a messy, hilarious, and surprisingly sharp look at what happens when the "American Dream" hits a paywall. The Best Kind of Hot Mess At the center of this hurricane is Margo Millet (Fanning), a college dropout who managed to check off the "affair with a professor" cliché before most people finish their sophomore year. Left with a baby and a bank account in the negatives, Margo doesn't just lean in; she logs on. The premise sounds like a recipe for a preachy "cautionary tale," but David E. Kelley’s adaptation skips the moralizing in favor of something much more interesting: survival. Fanning delivers a performance that reminds us why she’s the reigning queen of playing women who are underestimated. Her Margo is equal parts naive and calculated, navigating the murky waters of internet fame with a grit that feels painfully relatable to anyone who has ever stared at a "Low Balance" notification. A Cast That Actually Earns Their Paycheck While Fanning is the engine, the supporting cast is the high-octane fuel. Michelle Pfeiffer as Margo’s mother, Shyanne, is a masterclass in "former Hooters waitress" energy, protective, slightly unhinged, and possessing a wardrobe that probably glows in the dark. Then there’s Nick Offerman as Jinx, the estranged pro-wrestler father. Offerman provides the show’s soul, offering character-building advice intended for the squared circle that Margo brilliantly translates into digital content strategy. Watching a man who likely smells of Bengay and old leather teach his daughter how to "work the crowd" on OnlyFans is the kind of television magic we deserve. Even Nicole Kidman shows up to remind everyone she’s still the hardest-working woman in Hollywood, adding a layer of sophisticated friction to Margo’s increasingly complicated life. The Verdict from The TV Cave The series manages to tackle the stigma of sex work and the crushing reality of the gig economy without losing its sense of humor. It’s colorful, it’s snarky, and it’s occasionally heartbreaking. While the middle episodes sometimes lean a bit too hard into the quirky-indie-movie tropes, the chemistry between the Millet family keeps the momentum high. Apple TV has found a way to make financial ruin look stylish, but beneath the glossy A24 production values is a story with real teeth. If you’re looking for a show that understands the hustle and the absurdity that comes with it, Margo’s Got Money Troubles is worth every bit of your bandwidth. Are you ready to join Margo's journey, or do you think the "OnlyFans as a plot point" trend is already reaching its expiration date? Let us know in the comments below!

Last week on Beyond The Gates, Jacob continued to make poor decisions, Deanna arrived full of smoke, Vanessa received the tongue-lashing she deserved, and Kat moved in with the grands. Let’s discuss. Monday Smitty tried to help bratty Samantha with her essay, but he kept getting distracted by Jacob’s texts. Insert a gif of me looking frustrated because at this point, Smitty has become his partner. Meanwhile, Martin showed some empathy toward Bill over what happened to Hayley. He was picking up a cake for Samantha and offered Bill advice based on his own experience with trauma responses. It was one of the more grounded moments of the episode. Kat was missing Chelsea, so she went to see Nicole to talk about it. Somehow, Nicole pivoted into talking about Kat’s vendetta against Leslie and Eva, which felt like it came out of nowhere, but it also made my point for me. Nicole told Kat that she was behaving just like Leslie. She made some fair points, but the writers are still consistently beating up on Kat to make Leslie look better. At this point, we know Joey, Leslie, and Ashley are the favorites in the writers’ room, and it shows. It should never show. Still, Nicole gave Kat solid advice when it came to Chelsea, and Kat actually took it. The result was that she and Chelsea made up. Vanessa and Joey talked about the dedication ceremony, and Vanessa made it clear that she wanted Joey to meet Deanna. I am sorry, but I do not get Vanessa, and I do not get this storyline. Joey was right to question whether this was the right time for her grieving daughter to meet her lover, especially when Deanna was taking Doug’s death harder than anybody. What also does not work for me is that Vanessa’s desperation for Joey did not just begin. She has been desperate for that man, even when Doug was alive, and I will never forget the way the writers treated Doug on his way out. You do not have to assassinate one character to lift another. If the story works, it works. Vanessa, however, remained determined. Elsewhere, Chelsea helped Naomi get ready for a night at Uptown, only for Naomi to disinvite her and tell her to go fix things with Kat. Kat and Chelsea made up, and Grayson met Ashley at Uptown. Tuesday Jacob called Grayson and asked him to meet. Want to guess where? Go ahead. If you said the alley, here is your cookie. At this point, I expect half the population of Fairmont Crest to be conducting business back there by next week. At the hospital, Ted and Shanice flirted, and I still cannot help but think Shanice deserves better. Nicole went to visit Smitty after Samantha called because she was worried about him. What stood out to me was that Nicole seems to have softness and compassion for everyone except her daughter. There is actual material there for the writers to explore, but they stay too busy trying to make Kat look irrational in response to Leslie’s actual crimes. Jacob, with his hat turned backward and his pants respectfully still up, tried to put on a tough-guy act with Grayson. He insisted that he was not undercover, just down bad financially. Grayson understood that because it was the same reason he was doing what he was doing, but he did not really believe Jacob, and honestly neither did I. Vanessa was still pressing Joey about dinner with Deanna, while Pam returned to tell Dani about the photo shoot. Dani was not exactly excited because the photographer is ageist. Pam and Andre talked her into approaching it with confidence, and I hope she kills it. Also, why are we not seeing more of Andre and Dani? We love them. Later, Pam wanted to feature Vanessa in a women’s power conference, but Vanessa had to turn it down because of the vetting process. Imagine risking your career and your life for a criminal and then not even being able to attend a power conference because your own bad choices might come back on you. Vanessa turned it down, and Joey felt bad. Shanice gave Ted physical therapy, and during the session, they talked about his game and about Nicole. Later on, Nicole joined Dani and Andre at the club, and Dani was delighted to talk about the basketball game. Andre being visibly uncomfortable throughout it was adorable. Again, why are we not seeing more of Dani? Yes, she is my favorite, and yes, I am biased, but she was on once last week and once this week. What are we doing? The scene itself was funny, with talk of reverse harems flying over Nicole’s head and Dani joking that Andre did not have a scratch on him because Nicole’s men were old and busted. I laughed. Jacob later called Smitty to talk about Grayson and told him Grayson was on board. Meanwhile, Grayson was clearly questioning everything. Wednesday Leslie returned and immediately got to clowning, confusing one of the country club staffers. Vanessa suggested Leslie did not need to make the speech because she could handle it herself, and the two went back and forth. Joey told Marcel that he needed to put more effort into satisfying his crazy girlfriend because he was tired of her flirting with him. I definitely had thoughts about that conversation, but I am going to leave them right there for now. Kat noticed that her grands looked tired and decided she wanted to move in, partly to help them out. That was actually a sweet beat. Deanna met Vanessa at the country club while Eva tried to play mediator between Vanessa and Leslie. Deanna spent some time walking down memory lane and admitted she had not realized just how sad Doug had been beneath everything else. Meanwhile, Lynette decided she wanted to pursue Bill while openly flirting with Randy. Randy warned her against it. She admitted that she missed Hayley, then fed Randy, and of course Mona showed up, got jealous, and slapped him upside the head. They exchanged words, but I really did not like how this made Mona look so simple and desperate. I did not get it. Mona and Randy actually had some potential, but that scene ruined it for me. Lynette and Randy, however, have fire. Eva and Derek met to discuss the clinic, and Leslie came by just to rant. Thursday The only note I truly wanted to take from this episode was Deanna verbally wearing Vanessa out, because it was deserved. That was the episode for me. Deanna was great. The actress can act, and naturally, this was her last day because she left. She and Donnell had real sibling chemistry, which makes the decision even more frustrating. I do not understand these showrunners. Hopefully, she comes back, because I would actually like to see her and Donnell become part of the college set Tyrell is drifting into. In fact, they really need to age Samantha up. Twitter and Bluesky have already dubbed her Gramantha because, well, she is the oldest of the bunch, technically. There is a younger set here they could actually build up and give real stories to if they wanted to. Friday Kat met Donnell at the café, and they talked about cotillion and a few other things. These were nice scenes. Too bad he is too young for her, because the consensus is that no one likes Tomas. Vanessa wanted to know more about Joey, and we got the Sonny Corinthos sob story version of his past. Quite frankly, I was not interested. And once again, we were told what happened instead of being shown. The clinic opened. Patients were visiting. Supposedly, all of this was happening. But there is no clinic, and by that point, I was done. I barely even wanted to finish the episode. Weekly Wrap The best thing about this week was Deanna’s verbal smackdown of Vanessa. Beyond that, I had more disappointments than highlights, and I am sure you can guess most of them. First, this show still has a serious problem with telling instead of showing. Why build a story around a clinic if we never actually see the clinic? At some point, the audience has to stop filling in the blanks for you. Second, balance is still an issue. You can have more than one storyline going at a time, and you can spread focus around the canvas. We are seeing less of Andre, Dani, and the Duprees while getting more Joey, Vanessa, and Ashley. Speaking of Ashley, why is she being centered again? Everyone keeps warning Grayson not to hurt her like she were some great emotional stake for the audience. Ashley is not, and has never been, an interesting enough character to center this much around. Then there is Undercover Paw Patrol. I wanted to love this story, but they have Jacob moving through this plot like a cartoon detective instead of an actual cop. Nothing about it feels smart. Nothing about it feels layered. And the show clearly does not have enough locations to give the story room to breathe. A backwards hat is not an undercover strategy. It is not even the current fashion. And finally, these stories are dragging. The Kill Bill story has been going on since October. Joey killed Doug sometime in the fall, and it is starting to look like he will never pay for it. Leslie is not paying for her crimes either, and now they seem intent on sweeping everything under the rug while turning what used to be a favorite villain into a clown. I do not have much more to say about this week other than that I was hugely disappointed.

Ready to lock in your couch time? From shocking murders and messy hookups to globe-trotting investigations and late-night laughs, tonight’s TV lineup is serving a little bit of everything. Here’s your can’t-miss breakdown of what’s hitting screens today—so you know exactly where to park your remote. 🌙 LATE-NIGHT LAUGHS (OR VERY EARLY MORNING, DEPENDING ON YOUR SLEEP SCHEDULE) 3:00 AM ET — Mark Normand: None Too Pleased  (Netflix) If you’re up late (or starting your day very  early), this stand-up special is bringing the chaos. Mark Normand dives into marriage, fatherhood, and all the topics people usually avoid at dinner. It’s quick, sharp, and unapologetically unfiltered—perfect for comedy fans who like their jokes fast and fearless. 🔍 8:00 PM ET — CRIME, KISSES & ISLAND MYSTERIES 8:00 PM ET — NCIS  (CBS) McGee’s past comes roaring back when a murdered drone pilot leads the team to a missing woman tied to his history. Old feelings, unresolved business, and a case that could flip his life upside down? Yeah, this one’s personal. 8:00 PM ET — Summer House  (Bravo) The hookups are heating up. Bailey finally gets her moment with Ben, while Jesse and Levi turn up the intensity. Meanwhile, West makes a move on Ciara—because what’s a summer without a little romantic chaos? 8:00 PM ET — Will Trent  (ABC) This case hits close to home. Will heads to Puerto Rico after a murder victim shares his uncle’s name, teaming up with an FBI agent to navigate dense rainforests and buried secrets. The deeper he digs, the more personal it gets. 🚨 9:00 PM ET — HIGH-STAKES INVESTIGATIONS 9:00 PM ET — High Potential  (ABC) A retired astronaut is murdered in plain sight, and the mystery quickly spirals into something bigger. Hidden connections, unexpected twists, and a trip to New York City for a meeting with a powerful fixer? This case is anything but straightforward. 9:00 PM ET — NCIS: Origins  (CBS) A body tied to a smuggling ring pulls in international players—and brings Gibbs face-to-face with a familiar enemy. Expect tension, history, and a whole lot of unfinished business. 🔥 10:00 PM ET — SCANDALS, SECRETS & BIG PREMIERES 10:00 PM ET — NCIS: Sydney  (CBS) A naval officer’s sudden death uncovers a deeply buried secret just as his future was about to change forever. The investigation takes a turn that no one saw coming. 10:00 PM ET — R.J. Decker  (ABC) A missing wealthy heir kicks off a new case, but it’s not just the investigation causing friction—Mel and Catherine clash over parenting and money, proving personal drama can be just as complicated as any mystery. 10:00 PM ET — Secrets Declassified With David Duchovny  (History) — SEASON 2 PREMIERE Back with more jaw-dropping revelations, this season dives into doomsday-level secrets—from bizarre war machines to the chilling plans designed to keep the government running during an apocalypse. Sleep tight! 🎬 FINAL TAKE Tonight’s lineup is stacked: emotional callbacks, globe-spanning investigations, messy romance, and secrets that refuse to stay buried. Whether you’re here for the drama, the mystery, or the reality TV chaos, March 17 is delivering across the board. Now the real question: what’s getting your first watch?

If you’ve been waiting for the moment the house of cards finally catches a stiff breeze, Season 1, Episode 7, “Dr. Parks,” is the gale-force wind we’ve been looking for. Memory of A Killer has spent weeks dangling threads of sanity and betrayal, but this week, the walls aren’t just closing in, they’re practically touching. Angelo’s Brain is a Bad Neighborhood Our favorite hitman with a conscience (and a crumbling hippocampus) is still spiraling. Angelo is desperate to unmask the Ferryman , but instead of getting answers, he’s getting a front-row seat to his own mental decline. Between the sleep deprivation and those "memory treatments" from a doctor who clearly graduated from the School of Sketchy Medicine, Angelo’s head is a jumbled mess of timelines and trauma. Despite Dutch practically screaming at him to "let it go" regarding the Dr. Parks hit, Angelo does exactly what he always does: the opposite. He visits Wesley, an amateur bullet maker who apparently doubles as an amateur corpse. Angelo’s plan to track a shipment back to the Ferryman ends with Wesley dead and a taunting note left behind. When Angelo brings this back to Dutch, we see a rare crack in Dutch’s composure as he trades threats with his mysterious client. We’ve got a new player in the game, and they aren't playing by the rules. Side note: Angelo sticking up for Joe to his dad was nice to see. Some more backstory into Joe is what we need. The Button of Doom Meanwhile, the detectives are actually doing… detective work? Jeff and his PI uncle bring Dave a button found at the scene of the guy Angelo offed to protect Maria. CSI has narrowed the fibers down to three high-end NYC shops. In a classic "TV irony" moment, Dave meets with a witness who gives a description that screams Angelo , yet Dave still hasn't connected the dots. It’s the kind of procedural blindness that makes you want to throw a remote at the screen, but the tension is undeniably delicious. Yoga, Lies, and Cable Guys Maria is currently the most hunted woman in the tri-state area, though she’s the last to know it. Nicky , who is proving to be a world-class manipulator, infiltrates Maria’s yoga class to pump her for info. Later, Nicky gaslights Angelo during a date, "reminding" him of things he never said to nudge him back toward that shady doctor. But the real chills come from Earl Hancock . The man who killed Maria’s mother is now her cable guy. If that doesn't make you want to cancel your Xfinity subscription, nothing will. Maria isn't helpless, though; she’s stashing guns in the nursery like a survivalist Pinterest board. When her attempt at a restraining order fails, Dave mentions the expensive shop the button came from. Maria says its can't be that expensive because Angelo shops there and you can see the wheels turning in Dave's head. Is the jig up? The Debt to the Ferryman The episode ends with a gut-punch reveal: Nicky is working with Hancock. She’s the one scrambling Angelo’s brains and cozying up to Maria to settle a debt with the Ferryman. "Dr. Parks" proves that in this world, memories are a weapon and "help" is just another word for "sabotage." With Dave finally putting two and two together about Angelo's wardrobe and his double life, the domestic bliss is officially dead. Let us know your theories on the Ferryman’s identity in the comments!

If you thought your local Department of Motor Vehicles was a circles-of-hell situation, the East Hollywood branch just upped the ante. In this week’s episode of DMV , titled “Test Drive,” the show leaned into its strengths: bureaucratic absurdity, generational warfare, and Vic’s ever-present existential crises. Grab your number ticket and settle in, because Episode 13 was a high-speed wreck in the best way possible. Gregg vs. Gen Z: A Battle of Senses The episode kicks off with Gregg (Tim Meadows) proving that his years behind the counter have gifted him with a very specific, very useless superpower. Before the "Teen Outreach Day" crowd even hits the automatic doors, Gregg is already sniffing the air like a bloodhound. According to him, the scent of cheap acne medication and excessive Victoria’s Secret body spray is the ultimate early warning system. Colette (Harriet Dyer) spends the better part of the half-hour trying to force Gregg into a mentorship role, which goes about as well as you’d expect. Watching Meadows navigate the dead-eyed apathy of a 16-year-old is a masterclass in comedic frustration. Colette’s attempt to bridge the "generation gap" mostly involves her trying to get Gregg to teach again and him realizing he has absolutely nothing in common with a demographic that communicates exclusively in TikTok sounds except this one student. With the push of Colette he does change the mind of this one kid that is a little too much like him. Vic’s DNA Dilemma While Gregg is busy being triggered by the youth, Vic (Tony Cavalero) is busy having a full-blown meltdown. After spotting a teenager with a suspiciously familiar hairline and a penchant for the same snacks, Vic becomes convinced he’s looking at his biological son. The sub-plot is quintessential DMV , equal parts heartwarming and horrifying. Watching Vic try to "casually" investigate the kid’s lineage without looking like a total creep is a tightrope walk that only Cavalero could pull off. Poor Noa keeps getting sucked into Vic's mess and now is the proud owner of his donations to a sperm bank after Vic is disappointed he isn't a father. Pictured L to R: Alex Tarrant as Noa and Tony Cavalero as Vic. Photo: Bertrand Calmeau/CBS ©2025 CBS Broadcasting, Inc. All Rights Reserved. Lights, Camera, Bureaucracy Meanwhile, Barb (Molly Kearney) and Ceci (Gigi Zumbado) are tasked with creating a promotional video for the branch. It turns out that when you combine Barb’s "unbridled enthusiasm" with Ceci's narcissims, its a recipe for disaster but as Ceci points out to Barb, she does the best she can for the branch and shouldn't stress so much. The Verdict "Test Drive" manages to hit that sweet spot of fun workplace comedy and genuine character growth. It’s an episode that reminds us why we keep tuning into the East Hollywood office, not for the efficiency, but for the glorious, disorganized humans behind the glass. Whether you’re here for Gregg’s hyper-sensitive nose or Vic’s spiraling paternal instincts, Season 1, Episode 13 delivered the laughs. What did you think? Drop a comment and remember to vote in our poll below.

Fans of sports comedies and mockumentary-style sitcoms have another reason to tune in to The Fall and Rise of Reggie Dinkins, and it comes in the form of a delightfully petty rivalry. During a recent interview with The TV Cave , Craig Robinson opened up about joining the series, playing the hilariously vindictive Jerry Basmati, and what it’s like sharing scenes with comedy powerhouse Tracy Morgan. The NBC comedy follows disgraced football star Reggie as he attempts to repair his public image while being trailed by a documentary crew. Naturally, that redemption arc gets a lot messier once old rivals start resurfacing. Enter Robinson’s Jerry Basmati, a man who clearly never learned the phrase “let it go.” According to Robinson, Jerry’s feud with Reggie is fueled by pure, unapologetic pettiness. “He’s definitely petty and he definitely holds a grudge,” Robinson explained. “It was like one and two back in the day. If someone’s better than you, that sticks with you.” And apparently, Jerry has been holding onto that resentment for about 20 years. That long-running grudge plays perfectly into the show’s mockumentary style, a format Robinson is more than comfortable with thanks to his time on The Office. The style allows characters to break the fourth wall, react to the camera, and deliver some perfectly awkward moments—something Robinson clearly enjoys. “It’s fun,” he said of the format. “I’m used to it.” Robinson also confirmed what viewers might suspect: working alongside Morgan means a lot of comedic chaos behind the scenes. While the cast had to stay focused enough to get through the script, there were definitely moments where the actors tried to make each other crack. “I probably cracked once,” Robinson admitted with a laugh. Beyond the rivalry with Morgan’s Reggie, Jerry’s home life adds another comedic layer. Robinson shares scenes with Tisha Campbell, who plays his wife. Their dynamic is intentionally ridiculous, with Jerry mostly ignoring his glamorous spouse while she steals scenes with subtle improvised reactions. “She’s hysterical,” Robinson said. “She’s got a great writer’s mind and always comes up with good ideas.” Robinson was also quick to praise the creative team behind the series, which includes heavy hitters like Tina Fey. When the offer to join the show came in, accepting it was an easy decision. “It was a no-brainer,” he said. “The script was hysterical, I loved the character, and there was just so much love in the room.” As for what fans can expect as the season continues? Robinson teased the storyline with three simple words: “Jerry gets revenge.” And if Jerry Basmati’s level of pettiness is any indication, that revenge probably won’t be subtle. With a stacked comedy cast and a rivalry that feels destined to spiral into increasingly ridiculous territory, The Fall and Rise of Reggie Dinkins  is shaping up to be one of TV’s most entertaining comeback stories—both for its disgraced athlete and the enemies who refuse to let him forget the past. Check out our full interview below:

Put on your favorite stained party shirt and crack a lukewarm beverage, because the inevitable has happened . Netflix just officially greenlit Free Bert Season 2, proving once again that the algorithm has a very specific, very loud sense of humor . Despite the collective sigh from Beverly Hills HOA boards everywhere, Bert Kreischer’s fictionalized descent into high-society suburbia isn't going anywhere. Since its debut on January 22, 2026 , Free Bert has been a fixture in the Netflix Global Top 10. It seems the world just can’t get enough of a man trying and spectacularly failing to trade his “Shirtless Party Legend” persona for a "Prestigious Private School Dad" vibe. The renewal, confirmed on March 16, 2026 , ensures we’ll get another round of the Machine attempting to navigate the treacherous waters of elite California parenting. What We Know About the Free Bert Season 2 Cast and Crew The gang is all heading back to Atlanta, Georgia to film, which is a bit ironic for a show set in the 90210, but that’s the magic of tax credits. Bert Kreischer is back as his chaotic self, joined by the long-suffering and hilarious Arden Myrin as LeeAnn. Rounding out the family unit are Ava Ryan (Georgia) and Lilou Lang (Ila), who manage to provide the grounded heart that keeps this show from floating away on a cloud of laughter and light beer. Showrunners Jarrad Paul and Andy Mogel are returning to steer the ship. Their knack for finding the sweet spot between cringe-comedy and genuine family dynamics is what makes the show more than just a 22-minute stand-up bit. What to Expect in the New Season While Netflix is keeping specific plot points under lock and key, the trajectory is clear. Season 1 left us with Bert halfway integrated into his new life, but Season 2 will likely see the honeymoon phase end. Expect more clashes with the Beverly Hills elite, more elaborate attempts at domesticity that backfire, and undoubtedly, more moments where the shirt inevitably comes off at a funeral or a school bake sale. Production is slated to begin soon, with a projected 2027 premiere date . It’s a bit of a wait, but fans can get their fix during the 2026 Netflix Is a Joke festival this May, where Bert is set to host several live events. Free Bert succeeds because it leans into the absurdity of its premise. It’s loud, it’s messy, and it’s surprisingly relatable for anyone who’s ever felt like the odd one out in a room full of "refined" adults. Whether you're here for the guest star cameos or the genuine chemistry between the leads, this renewal is a win for anyone who likes their comedy with a side of chaos. Stay tuned to The TV Cave for more updates on filming schedules, trailer drops, and exclusive interviews with the cast. Are you excited to see more of the Machine’s suburban adventures? Let us know in the comments what you think Bert's biggest Season 2 disaster will be!

After nearly a decade of laughs, neighborly squabbles, and heartfelt moments, the end is finally in sight for The Neighborhood. To mark the milestone, CBS is giving fans a special sendoff with The Neighborhood: A Farewell Special , a one-hour celebration airing Monday, April 6 (8:00–9:00 PM ET/PT)  and streaming on Paramount+. The special, produced by Entertainment Tonight, promises a nostalgic look back at the beloved sitcom’s run as it heads toward its series finale on May 11 . Hosted by Kevin Frazier, the event was filmed on the show’s soundstages and offers a rare behind-the-scenes glimpse at the making and ending of one of CBS’ most dependable comedy hits. For eight seasons and 156 episodes , The Neighborhood  has built a reputation for blending sharp comedy with thoughtful storytelling about friendship, family, and what happens when very different neighbors learn to coexist. That balance helped the series carve out a loyal audience and secure its place in the network’s long-running sitcom lineup. The farewell special dives deep into that journey, featuring brand-new interviews with the cast  as they reflect on the early days of the series and how the show evolved over the years. Expect plenty of nostalgia as the actors revisit favorite memories, on-set moments, and the relationships that formed while bringing the Butlers and Johnsons to life on screen. Longtime fans will also get a treat from the Entertainment Tonight  archives. The special includes never-before-seen footage and interviews from the ET Vault , revisiting iconic scenes and milestone moments from throughout the show’s run. It’s the kind of throwback that should hit longtime viewers right in the sitcom-loving heart. And because every good TV goodbye deserves a little emotion, the special also takes viewers behind the curtain during the show’s final days of production. Cameras capture the last table read, emotional final tapings, and the heartfelt goodbyes  shared by cast and crew as the long-running series wrapped filming. Courtesy of CBS The celebration doesn’t stop there. The special also brings viewers inside the cast’s final wrap party , complete with speeches, laughs, and a few sentimental surprises marking the end of the show’s run. To top things off, fans will get an exclusive sneak peek at the upcoming series finale , teasing what lies ahead as the Butlers and Johnsons prepare to say goodbye to the neighborhood they’ve called home for years. For viewers who have followed the sitcom since day one,or anyone who just appreciates a good TV farewell, The Neighborhood: A Farewell Special  looks ready to deliver a nostalgic sendoff worthy of the series’ long run. And if the clips, memories, and final-set emotions are any indication, April 6 might be the perfect night to grab a seat on the couch and spend one more evening with the neighborhood.