Grab your fedoras and dust off your ancient curses because Brendan Fraser and Rachel Weisz might be heading back to the desert for another round of tomb raiding, undead messiness, and campy perfection. Reports are swirling that Universal Pictures is developing a brand-new The Mummy  movie with both stars in talks to return as Rick O’Connell and Evelyn Carnahan and honestly, this might be the only reboot news worth getting excited about in years. For fans of the original 1999 film, this is pure cinematic serotonin. Fraser and Weisz were the heart and soul of a franchise that balanced action, horror, and witty banter better than any blockbuster had a right to. The chemistry? Flawless. The adventure? Iconic. The scarabs? Still nightmare fuel. After years of Hollywood trying and failing to capture that same lightning in a bottle, looking at you, Tom Cruise’s The Mummy  (2017), the thought of these two returning feels like the franchise finally unearthing its true treasure. Unlike the countless “legacy sequels” that try to coast on name recognition alone, a Fraser-Weisz reunion actually makes sense. Brendan Fraser’s comeback has been nothing short of emotional cinema justice. His Oscar-winning performance in The Whale  reminded everyone just how much charisma and heart he brings to the screen. Meanwhile, Rachel Weisz has remained a powerhouse, effortlessly commanding everything from period dramas to Marvel blockbusters. Putting them back together is marketing gold. Fans have been begging for this duo to return since the third film The Mummy: Tomb of the Dragon Emperor  recast Weisz’s character and lost the magic spark. This confirmed sequel, directed by Radio Silence, is reportedly ignoring that misstep and connecting directly to The Mummy Returns , which might be the smartest storytelling decision Universal’s made in decades. The big question: will this new entry actually recapture the charm of the originals, or will it crumble faster than an ancient temple ceiling? The key lies in the tone. The original Mummy  movies worked because they didn’t take themselves too seriously. They were adventure films with a wink, the cinematic equivalent of a theme park ride, thrilling, a little ridiculous, and always fun. Fraser himself has said that the 2017 reboot flopped because it forgot to have fun. He’s not wrong. The Mummy  isn’t meant to be gritty or grimdark; it’s supposed to be a popcorn-fueled romp with a healthy dose of sarcasm. If Universal leans back into that pulpy spirit and gives Fraser and Weisz space to do their thing, we might be looking at a rare win for nostalgic revivals. Beyond the obvious fan excitement, this comeback represents something bigger. Hollywood’s nostalgia machine has been running hot, but few revivals actually earn  their return. If this project happens, it won’t just be about rehashing old ideas, it’s about honoring characters and chemistry that audiences genuinely love. Fraser and Weisz aren’t just returning stars; they’re the heart of an era when adventure movies had swagger. If this project actually comes together, it could remind studios why audiences fell in love with The Mummy  in the first place. Action, humor, romance, and a bit of supernatural chaos; it’s a formula begging to be resurrected. So keep your torches lit and your maps handy, because when Brendan Fraser and Rachel Weisz really do return for a new Mummy  movie, it might just be the comeback we didn’t know we needed. And when the sands start shifting again, you can bet The TV Cave  will be the first to dive headfirst into the tomb.

Prime Video is about to unleash a psychological storm with Malice , dropping all six episodes on November 14, and trust us you’re not ready. The glossy new thriller is part domestic drama, part mind game, and part “how well do you really know your friends?” fever dream. The TV Cave sat down with stars Christine Adams and Raza Jaffrey , who play Jules and Damien, for an exclusive chat about class warfare, broken trust, and why you might need a drink (or three) after the finale. For those still recovering from Adams’ commanding turn in Black Lightning or Jaffrey’s charm from Homeland and The Enemy Within , Malice shows the duo at their most emotionally raw and occasionally, morally murky. The show’s premise sounds deceptively simple: two longtime couples, one obscenely rich and one decidedly not, invite chaos into their lives when a former manny reenters the picture. What follows is a slow unraveling of privilege, friendship, and the terrifying cracks beneath the façade of suburban bliss. “The script was the hook,” Adams said, her enthusiasm cutting through the screen. “You start with these two couples who’ve been friends for years, but one has a completely different status—one’s rich and powerful, the other is just trying to keep up. Then someone walks in and blows that fragile harmony apart.” Jaffrey jumped in with the kind of grin that hints he knows more than he’s allowed to say. “There were so many shocks when I read it. You’re not expecting someone like Jack Whitehall—who plays Adam—to go that dark. But what I loved is that it forces the audience to ask: would you have seen it coming? Would you have let this person into your home?” Spoiler alert: probably not. What makes Malice tick isn’t just the twists but the unsettling humanity of its characters. Jules and Damien, played by Adams and Jaffrey, are the show’s emotional core, the “normal” couple trying to navigate the gravitational pull of their wealthy friends, played by David Duchovny and Carice van Houten. Adams describes the relationship between the two couples as “a little bit them and us,” revealing that the show slowly fractures that supposed friendship until it becomes two distinct camps: “Team Damien and Jules versus Team Nat and Jamie.” That class tension gives Malice its bite. While it’s easy to get lost in the show’s mansion aesthetics and simmering affairs, what keeps it grounded is the palpable discomfort of being the friend who always feels one step below. Adams doesn’t mince words: “We’re kind of the poor relations—almost like staff to the richer couple. That imbalance creates this constant, quiet tension that really fuels the story.” Courtesy of Prime Video And then, of course, there’s the chaos that follows. Twists stack on top of betrayals until you’re not sure whether to gasp, laugh, or throw your remote. When asked to sum up the season in three words, Adams and Jaffrey didn’t hesitate: “Revenge. Thrilling. Twisted.” Jaffrey added with a knowing smirk, “Not just twists—twisted.” Adams grinned before dropping the final word that might as well be Malice’s official tagline: “It’s really messed up.” Prime Video’s Malice isn’t just another glossy thriller; it’s a mirror held up to every friendship built on status, envy, and the illusion of closeness. It’s sharp, it’s addictive, and it’s the kind of show that’ll have group chats arguing over who’s to blame long after the credits roll. So mark your calendars for November 14, clear your weekend plans, and prepare to binge something that’ll leave your moral compass spinning. Because as Christine Adams and Raza Jaffrey prove in Malice , friendship might be golden but trust? That’s a luxury no one can afford. Read more exclusive interviews, reviews, and recaps at The TV Cave , your go-to destination for all things TV news, hot takes, and conversation. Check out our full interview below.

The Predator franchise had seemed to settle into a comfortable rhythm of humans getting hunted in the jungle but Predator Badlands is here to remind you that nothing in this universe is predictable. This film takes the iconic Yautja out of their usual role as silent hunters and puts one front and center, flipping the story in ways that are both bold and, at times, a little messy but undeniably entertaining. The star of the show is Dek, (Dimitrius Schuster-Koloamatangi) a young outcast predator trying to find his place on the deadly planet Genna. Alongside him is Thia, (Elle Fanning) a damaged android who brings humor and unpredictability to the story. Together, they navigate a world teeming with hostile creatures, bizarre terrain, and constant danger. Watching these two try to survive is surprisingly charming and gives the film a heart it might not have had if it stuck to the old “humans vs. predator” formula. Visually, the film is a feast. Genna is alive with alien flora and fauna, from massive predators to landscapes that look as if someone took a sci-fi art book and threw it into 3D motion. Every corner of this world is threatening, and the action sequences are cinematic and full of energy. Sure, the CGI gets heavy at times, reminding you that you’re watching a movie, but that never completely pulls you out of the thrill. The designers did a fantastic job of making Genna feel like a planet that could easily eat you alive if you take your eyes off the screen. One notable change is the PG-13 rating. Longtime fans expecting brutal gore and tense, visceral human hunts might feel a little shortchanged. The violence is present but cleaner, relying on clever choreography, suspense, and the planet’s natural dangers rather than buckets of blood. It’s a shift that may ruffle some feathers but works for the story this film wants to tell. The performances are a highlight. Elle Fanning’s Thia is witty, vulnerable, and energetic, creating a perfect balance with Dek’s stoic presence. Their dynamic is the film’s emotional core, and it adds a surprising layer of depth. The predator here isn’t just a killing machine, it’s a character with humor, personality, and even moments of vulnerability. That alone makes this movie a fresh experience for fans and newcomers alike. Dek (Dimitrius Schuster-Koloamatangi) in 20th Century Studios' PREDATOR: BADLANDS film. Photo courtesy of 20th Century Studios. © 2025 20th Century Studios. All Rights Reserved. Of course, the film isn’t perfect. Some story threads feel underdeveloped, and hardcore fans might miss the grittier tone of previous films. Certain elements of Predator lore are teased without full payoff, and when the action ramps up into CGI-heavy chaos, the tension occasionally dips. But these flaws are forgivable because the film takes risks that keep it exciting and unpredictable, which is something the franchise desperately needed. Predator Badlands is a reinvention more than a continuation. It delivers exciting action, memorable characters, and an imaginative alien world. It balances thrills with humor, heart, and even a little existential crisis because what’s a predator without a planet that wants to kill it back? If you’re ready to see the Predator in a new light and enjoy a story that surprises rather than rehashes, this is one hunt you won’t want to skip. Just leave your expectations about humans being hunted at the door. By the end, Predator Badlands proves that a franchise can evolve without losing its core identity. It may not satisfy every die-hard fan, but it’s bold, fun, and surprisingly charming; an alien adventure that shows the Predator universe still has plenty of teeth to bare.

It’s another day at everyone’s least favorite workplace, and DMV  continues to prove that bureaucracy has never been funnier. DMV Season 1 Episode 4 , titled “Don’t Kill the Job,”  brings both heart and hilarity as Colette faces her biggest challenge yet: keeping her ego (and her lies) from completely driving off the road. The episode opens with an auction of the items in lost and found and Colette in classic good spirits after passing yet another driver on their test. Her sunshine moment comes courtesy of a grateful hug from a newly licensed driver, which gives her a fleeting sense of job satisfaction. It’s the kind of wholesome start that DMV  rarely indulges in and of course, it doesn’t last. Just as Colette begins to bask in her mini triumph, an old friend named Amber walks into the DMV, bringing with her a storm of insecurity and misplaced pride. We quickly learn that Amber and Colette once moved to Los Angeles together chasing big dreams, except Amber actually made hers happen. She’s now a successful actress on a TV series called Lifeguard Fires,  where she plays a lifeguard in what might be the most hilariously melodramatic show-within-a-show. Meanwhile, Colette never made it to vet school. Too embarrassed to admit the truth, Colette invents a more glamorous version of her life, complete with some seriously wild details. The scene quickly spirals into sitcom perfection when Vic and Barbara enthusiastically join in on the deception. Vic takes the lie to Olympic levels by announcing that he’s Colette’s husband and that she’s pregnant and  a war veteran. It’s unhinged in the best way possible, and the chemistry among the trio is electric. Ceci, ever the reluctant voice of reason, tries to rein things in, but this is DMV , logic rarely survives the first act. Amber, meanwhile, is so wrapped up in her own celebrity bubble that she buys every absurd detail. The show milks the Hollywood stereotype perfectly here, poking fun at fame while showing how easily Colette slips into pretending she’s someone she’s not. Of course, sitcom law dictates that all elaborate lies must eventually crash and burn. When a customer’s dog suddenly gets sick in the waiting room, Colette is forced to admit she isn’t a vet, and definitely not living the life she described. What could’ve been a mortifying moment turns surprisingly warm when Amber responds with genuine understanding. She tells Colette that as long as she’s happy, that’s all that matters, a moment of sincerity that DMV  pulls off without ever feeling saccharine. Elsewhere, the episode delivers a strong B-plot featuring Gregg and Noa. Gregg discovers that Noa was working during his break, an unthinkable crime in the DMV world and becomes obsessed with teaching him the art of strategic laziness. Their scenes add a perfect counterbalance to Colette’s chaos, satirizing workplace culture with just the right touch of absurdity. By the end, Colette not only owns up to her reality but also apologizes to her coworkers for calling them losers earlier. It’s a simple but meaningful payoff, a reminder that sometimes, happiness doesn’t come from the dream you once had, but from finding purpose in the unexpected. “Don’t Kill the Job”  nails the balance between comedy and character growth. The episode delivers the show’s trademark DMV-level dysfunction while giving Colette a satisfying emotional arc. Vic and Barbara steal every scene they’re in, Amber’s obliviousness is comedic gold, and Gregg’s anti-work crusade is the kind of satire that makes DMV  such a weirdly relatable gem. If you’ve ever lied about your job, hated your job, or simply tried to survive your job, DMV Season 1 Episode 4  will hit all the right notes. It’s messy, funny, and surprisingly heartfelt. Another win for the most unexpectedly relatable workplace comedy on television.

It looks like the wild west is about to get a lot wilder. Shameless  alum Steve Howey has officially joined the cast of Netflix’s hit drama Ransom Canyon , and honestly, we couldn’t be more thrilled. The rugged heartthrob, best known for playing Kevin Ball, the brawny but lovable neighbor from the Gallagher clan, is trading Chicago grit for Texas dirt. And if early reports are any indication, he’s about to stir up a whole lot of canyon-sized trouble. Howey will play Levi, the half-brother of Staten Kirkland, portrayed by Josh Duhamel. Yes, that Josh Duhamel. The one who looks like he was built by a network executive in a lab labeled “leading man prototype.” Levi, described as a “mountain man of sorts who lives off the land,” sounds like the kind of guy who smells like cedar, danger, and bad decisions. According to insiders, Levi’s arrival in the quiet town of Ransom Canyon will dig up secrets that have been buried deeper than the show’s emotional baggage. For those who haven’t been keeping up, Ransom Canyon  has carved out a comfortable spot among Netflix’s top small-town sagas. Think Virgin River  with more testosterone and fewer flannel candles. The series, based on Jodi Thomas’s bestselling novels, blends romance, drama, and enough family feuds to make the Duttons look functional. Adding Howey to the mix feels like a masterstroke of a little drama, a lot of charisma, and exactly the kind of tension this dusty melodrama thrives on. If Howey brings even a fraction of his Shameless  energy to Levi, fans are in for a storm of magnetic mayhem. Expect sparks, shirtless introspection, and at least one scene that makes viewers question every life choice that led them here. With Steve Howey’s addition, Ransom Canyon  just leveled up its drama game. Saddle up, streamers. The canyon’s calling, and Levi’s about to answer with a smirk and a shotgun. For more TV news, reviews, and reckless predictions, stay tuned to The TV Cave where we dig deep, even if it gets messy.

Welcome back to The TV Cave Daily Guide , where we dig through the streaming chaos, primetime madness, and late-night marathons so you don’t have to. Grab your remote (and maybe a snack that can survive a binge session), because tonight’s TV lineup is stacked with celebrity cameos, courtroom chaos, and a splash of alien weirdness. 🕛 Midnight Watch: Power Moves & True Crime Vibes All’s Fair  (Hulu, 12 AM ET) Ladies, lawyers, and legal drama — oh my! Hulu drops the first three episodes of its glitzy new series All’s Fair , starring a powerhouse lineup including Kim Kardashian , Naomi Watts , and Glenn Close  (yes, you read that right). These fierce divorce attorneys leave their old boys’ club behind to start their own firm, and you know  the shade’s about to be legally binding. Murder in a Small Town  (FOX, 12 AM ET) What’s more suspicious than a “bear attack”? Exactly — everything about this episode. Karl and his team sniff out lies faster than you can say “false alibi,” and Sara Canning  (of The Vampire Diaries  fame) stops by for some small-town murder fun. ☕ 3 AM Binge Hour: Laughs, Games & High Stakes Leanne Morgan: Unspeakable Things  (Netflix) Southern charm meets side-splitting real talk. Leanne’s telling it all — marriage secrets, midlife musings, and one very  awkward CBD experiment. Think of it as your comedy comfort food before sunrise. Squid Game: The Challenge – Season 2  (Netflix, First Four Episodes) The red light, green light nightmares are back, baby! 456 new contestants chase that $4.56 million jackpot, and only one survives. Expect tears, betrayals, and enough psychological warfare to make your morning coffee taste bitter. 🌅 Primetime Picks: Drama, Dunks & Divas Bobby’s Triple Threat – Season 4 Finale  (Food Network, 8 PM ET) Chef Karen Akunowicz takes her “modern grandma” flair to battle Bobby’s Titans. Expect carbs, chaos, and culinary shade hotter than Bobby’s grill. Coast 2 Coast Tuesday  (NBC, 8 PM ET) Basketball night! The Orlando Magic  vs. Atlanta Hawks  for the East Coasters, and Thunder  vs. Clippers  for the West. Stream both games back-to-back on Peacock if you’re feeling sporty (or just want to skip commercials). Dancing With the Stars  (ABC, 8 PM ET) It’s Rock Legends Night ! Expect leather pants, big hair, and some questionable hip thrusts. Flavor Flav joins the judges, because clearly, things weren’t chaotic enough already. NCIS  (CBS, 8 PM ET) A kidnapped DOJ wife? A marine suspect? Another case of Gibbs’ legacy-level drama. The team’s got more secrets than your ex’s group chat. The Real Housewives of Salt Lake City  (Bravo, 8 PM ET) Rumors, betrayals, and brunch meltdowns — just another Tuesday in Utah! Lisa’s stirring the pot (again), Meredith’s losing her zen, and Mary’s there to fan the flames. Bless this mess. 🔥 9 PM Spotlight: Drama Deepens Doc  (FOX, 9 PM ET) Emotions run high as Amy faces her past and Michael faces, well… an investigation. Meanwhile, TJ’s back — which probably means more trouble. Someone hand this hospital a therapist. The Lowdown – Season 1 Finale  (FX) The truth’s out, but nobody’s happy about it. Expect a twist ending that’ll have Reddit theories by midnight. NCIS: Origins  (CBS, 9 PM ET) Family feuds meet federal investigations when Franks’ estranged brother shows up. Add in Lala’s life crisis, and we’ve got more drama than a Thanksgiving dinner. Wife Swap: The Real Housewives Edition  (Bravo, 9 PM ET) Yes, this is real TV. Emily Simpson  ( RHOC ) trades her modern marriage for a time-warped setup featuring a dad who thinks “hands-off parenting” means total disappearance. Can someone swap me  into Bravo’s writers’ room? 🌙 10 PM Closer: Laughs, Laws & Little Green Men Ms. Pat Settles It – Season 3 Premiere  (BET, 10 PM ET) Ms. Pat’s back to lay down the law — literally. From exes feuding over bail money to taco-truck fraud, this court is always  in session (and always hilarious). NCIS: Sydney  (CBS, 10 PM ET) When a Navy pilot vanishes near a UFO hotspot, the team wonders if the truth is “out there” or just hiding in the Outback. Cue X-Files music and kangaroo jump cuts. 🛋️ Final Verdict: What’s Worth Your Couch Time? If you’re craving glam and grit , hit All’s Fair  first. Need laughs before bed? Leanne Morgan  delivers. Reality lovers can double-dip with Dancing With the Stars  and Real Housewives , while true-blue procedural fans get their fix with a triple NCIS night .In other words — no matter your mood, your remote’s gonna get a workout. 💬 What’s your Tuesday night lineup look like?  Drop your must-watch picks in the comments, and don’t forget — The TV Cave’s got your daily dose of TV tea, served fresh every night.

Watson is listening to music on the UHOP roof just as a storm begins to roll in.  Adam, Ingrid and Sasha find him there and give him an update on a patient. They all get an alert on their cells stating the storm may become a tornado. Inside, Shinwell has a slight confrontation with his  nurse preceptor, Nurse Carlin DaCosta. She’s making sure her student nurses get some rest. Shinwell tells her he’s gotten some, here and there. She tells him to let her know if he needs to get some rest. Shinwell assures her he will. He changes the subject by asking her what the word “yinz” means. He’s heard some others use it, and wants to know how to tell if someone is using it in quotation marks, or if as a word they use it as a normal word. Nurse Carlin DaCosta tells him it’s like jazz for Pittsburghers. If you’re listening to jazz and you need to ask when the downbeat is, you need to listen to more jazz. Someone in a room calls for Nurse Johnson. Shinwell recognizes the voice and goes to see the patient. Shinwell asks him why he’s back, he thought he was discharged. Ben is the patient, and he tells Shinwell his shin is a bit gnarly, so his Mom brought him back. Shinwell is really interested in that word “yinz”, and asks Ben about it. Ben asks him if he’s going downtown and doesn’t really give him a straight answer. Shinwell sees Ben favor his shin as he moves to sit up in the bed. He can see it hurts. Shinwell checks Ben’s shin and it doesn’t look well. Later, Shinwell hears a patient at the nurse’s station using the word "yinz" in a sentence, as she asks for assistance. She has cut herself shaving, and it’s not getting better. The cut is now grayish black.  Shinwell and Carlin help another patient in another room. The patient is wearing a yellow tee-shirt with the word “yinz” printed on it. Shinwell checked a cut on the back of his neck. It doesn’t look good.  Shinwell tells Nurse Carlin about the similarity of cuts on three different patients. She is frustrated because they are short staffed, and doesn’t have time to listen to him. She walks off. Shinwell goes to see Watson and the fellows. He’s unsure about bringing them the information on the patients’ cuts. He shows them two patients' pictures of their cuts, and the fellows immediately spring into action.  Shinwell doesn’t know what’s happening, and Watson explains to him he did the right thing. All Shinwell hears is “debridement and lose his leg”.  He starts to panic. Watson points out that the black tissue surrounding the wounds is dead. If left as is, the necrosis would continue to spread. Watson tells him he might have uncovered a flesh-eating bacteria outbreak at UHOP.  A mysterious outbreak is Watson and the fellows newest mystery to solve.  Mary's up on the roof looking out at the sky, and listening to music. Shinwell finds her there and apologizes for interrupting. He tells her that Dr. Watson needs to see her. Marie goes to see Watson. He updates her on the outbreak. There are now four patients with the same tissue necrosis. All four patients need debridement treatment. They are doing blood cultures and administering antibiotics to all affected patients. Mary asks Watson how it happened and where it started. The cases vary, and the fellows are currently speaking with the patients to get more information.  Ben gets some bad news from Adam Croft. He tells him they need to remove part of his shin. Ben’s a basketball player and has hopes of becoming a professional player. Adam can’t tell him how much material will be removed.  Ingrid tells the patient with a cut on her thigh, Frankie, about the debridement that needs to be done. Ingrid looks at the wound and it looks bad. Mary and Watson continue to brainstorm in the conference room. Mary says they do have one staffer that’s been in contact with all four patients. It’s Shinwell.  Nurse Carlin DaCosta collects a swab of saliva to test in the lab. Mary tells Shinwell they will be able to test his sample against the four patients’ samples to determine if he’s the carrier for the bacteria causing the fasciitis. Nurse Carlin jokes that Shinwell is the world’s oldest nursing student, and it  only makes sense he’s spreading death and decay. Shinwell is not amused. Mary sidelines him until further notice. The Croft brothers have a little time to relax in their office and joke about cake tasting when everything hits the fan. Sasha and Ingrid return to the office stating the debridement treatment isn't working, and Adam is worried he has to surgically remove more of Ben's shin. Watson gets there telling them the outbreak didn’t start at UHOP, but at Van Kirk Memorial, another hospital that had two cases there. He says someone died at AGH, another hospital. He’s headed to ground zero of the outbreak. Adam drives Watson to an area where Ortiz and Ben frequent only a few miles apart.  This is getting intense and no one knows exactly how to fix this outbreak. Scary to see how quickly the outbreak happened. They do field work and look for the cause. Watson identifies it and notifies Mary. She tells him Ben’s in surgery now for more debridement. Watson tells her not to amputate his leg. They have to change the patients’ treatment. Hope they can save Ben’s leg.  The maddening and swift pace that things are happening is insane, but can’t stop watching to see how they solve this mystery. The patients were misdiagnosed, and the course of treatment has to be changed. In the midst of all this, Adam gets some unexpected news from Lauren.  He shares how overwhelmed he is with his brother. Shinwell is upset about Ben’s future. Nurse DaCosta says he needs him to talk to him. Another patient, Frankie, is not responding to the new treatment.  The prognosis for one of the four patients is not responding properly.  Sequencing of DNA needs to be done. More medical testing and science gets done to solve this new mystery. More field work is done by Sasha and Ingrid.  Shinwell is having doubts about being a nurse, but Watson gives him encouragement. A secret is uncovered about one of the patients, involving mitochondrial replacement therapy. The fellows are curious about Ingrid's sudden change of hair color.  Sasha thinks Ingrid’s doing a psych experiment on her.   Lots happening in this medical mystery drama episode. Interesting how the writers were able to intertwine the mini-storylines and uncover more, while staying consistent with the underlying story that makes the show unique, investigating and resolving medical mysteries. They also added more to the story making Shinwell the consistent point of the story. Interesting how they also showed how doctors get a diagnosis wrong because they are quickly responding to the symptoms to save patients’ lives. This episode was a whirlwind of mystery, heartbreaking sadness, surprising and funny moments. Like how the fellows and Watson have gotten closer and are more like a family, even with the return of Ingrid.  Liked Watson’s aunt’s description of a guinea pig, too. Adam has a crisis, and Shinwell and Nurse Carlin have a heart-to-heart discussion. He supports Ben, surprising how Shinwell has changed. Tornadoes and storms are an underlying theme of this episode that affects the patients’ lives, and also remind Mary and John of happier times. This was such a good episode with hints of a possible new relationship, and the change of another.  Watson narrating how storms and rains bring life changes was a great way to end this episode. A new character is also introduced. It was so good.  I gave this episode 4.9 out of 5 Stars .

If Brilliant Minds  knows how to do anything, it’s tugging at our heartstrings while making us laugh at our own emotional damage. Season 2 Episode 7, fittingly titled “The One That Got Away,” hits that sweet spot, giving us a character-driven hour that feels both familiar and fresh. The episode centers on Oliver’s unexpected reunion with his first crush and first kiss, Tom, a storyline that brings both romantic tension and a solid medical case to the table. When Tom walks into the hospital complaining about hearing random music, Oliver is floored. The reappearance of an old flame (or in this case, an old almost-flame) sends him spiraling into memories and what-ifs. Nico, the ever-watchful new nurse who loves to stir the pot, sums up the situation perfectly by calling the hospital “Gay’s Anatomy.” It’s a meta line that lands with perfect comedic timing and sets the tone for the episode’s lighter moments. Oliver, clearly flustered, tries to make Josh jealous by requesting a consult with Tom. But in true Brilliant Minds  fashion, things don’t go as planned. Tom casually drops the truth bomb that they were never actually dating, it was just one kiss and to make things even more awkward, he’s now married with children. Ouch. The case takes a serious turn when it’s revealed that Tom’s mysterious music episodes are actually seizures. Oliver convinces him to undergo surgery, which thankfully goes well. The medical storyline serves as a clever mirror to Oliver’s personal growth, pushing him to confront his own emotional “seizures” and make peace with the past. Meanwhile, the “one that got away” theme echoes across the hospital in more ways than one. Oliver finally musters the courage to reach out to Josh again, only to find that Josh has already rekindled things with his ex. It’s a quiet heartbreak, the kind that Brilliant Minds  does best. On the other side of the hospital, Ericka and Carol handle Sam’s case, a patient plagued by voices that no test can explain. Ericka goes above and beyond, offering housing, money, and compassion but when Sam disappears instead of returning for treatment, it leaves her shaken. The emotional fallout pushes Ericka to reveal a personal secret: she was adopted and her mother had schizophrenia. It’s a raw, powerful moment that peels back another layer of her character. And as if that wasn’t enough, Dana finally learns the truth when her medication comes up missing. Dana’s relationship with her girlfriend Katie also gets some screen time with Dana meeting Katie’s circle of friends (and exes, because of course). They have a small fight and Katie isn't really feeling Ericka. It’s a small subplot, but it brings a welcome sense of levity and warmth amid the heavier storylines. Notably absent this week are Porter and Thorne, honestly, no complaints there. And while there’s no flash-forward of Wolfe in the psych ward, that absence alone feels ominous enough. “The One That Got Away” is a strong episode that mixes heart, humor, and heartbreak in equal measure. It’s one of those hours that reminds you why Brilliant Minds  continues to stand out in a crowded TV landscape, it’s smart, emotional, and just self-aware enough to poke fun at itself. Verdict:  A heartfelt, funny, and emotionally satisfying episode that proves sometimes the one that gets away is exactly what you need to move forward.

The streets of Los Angeles are alive again, and no, it is not Franklin Saint this time running the show. FX has officially ordered a Snowfall  spinoff, and the universe that gave us six seasons of drug-dealing brilliance is getting a fresh remix set in the 1990s hip hop boom. Hulu will be the home for the yet-untitled series, which follows familiar faces Gail Bean and Isaiah John reprising their Snowfall  roles as Wanda and Leon. That sound you hear is fans exhaling after that brutal Snowfall  finale. The new story picks up in the aftermath of Franklin’s empire crumbling. Wanda, a recovering addict, and her husband Leon find themselves in a different kind of battlefield — one where record labels are the new cartels and the currency is creative control. According to FX’s synopsis, the series dives into how West Coast rap begins to take over the mainstream while gang wars and corporate greed collide behind the scenes. Basically, think Snowfall  meets Straight Outta Compton  with a side of industry betrayal. Alongside Bean and John, the cast lineup is stacked with rising talent including Asante Blackk ( This Is Us ), Peyton Alex Smith ( All American Homecoming ), and Simmie Sims III ( Rap Sh!t ). Behind the camera, the creative power remains strong, with Snowfall  producers Dave Andron, Thomas Schlamme, Julie DeJoie, Michael London, and Trevor Engelson returning. Adding even more credibility to the mix is Empire ’s Malcolm Spellman, who knows a thing or two about dramatizing the music industry’s messy brilliance. If Snowfall  was about the cost of ambition in the drug trade, this spinoff looks ready to expose the same hunger and moral rot in the music business. Expect raw storytelling, cultural commentary, and the kind of tension that made the original series so bingeable. So get ready, Snowfall  fans — the empire may have fallen, but the hustle never stops. Keep your eyes on Hulu because Wanda and Leon’s next chapter is about to turn the West Coast up all over again.

Acclaimed actress Diane Ladd , a three-time Academy Award nominee  known for her memorable performances in film and television, has died at the age of 89 . Her daughter, Laura Dern , confirmed that Ladd passed away peacefully at her home in Ojai, California. Ladd’s death marks the loss of one of Hollywood’s most respected and enduring talents. Over a career spanning more than six decades, she became known for her depth, authenticity, and versatility in both dramatic and comedic roles. Born in Meridian, Mississippi, in 1935, Diane Ladd built a career that earned her critical acclaim and respect from audiences and peers alike. She received three Academy Award nominations for Best Supporting Actress  for her performances in Alice Doesn’t Live Here Anymore  (1974), Wild at Heart  (1990), and Rambling Rose  (1991). Her work in Alice Doesn’t Live Here Anymore , directed by Martin Scorsese, established her as a major force in film and opened the door to a series of acclaimed roles throughout the 1980s and 1990s. She also appeared alongside her daughter Laura Dern in several projects, including Wild at Heart  and Rambling Rose , further cementing their place as one of Hollywood’s most celebrated mother-daughter duos. In addition to her film work, Ladd made numerous appearances on television. She earned an Emmy nomination  for her performance in Alice , the CBS sitcom inspired by the 1974 film, and appeared in popular series including Chesapeake Shores , Touched by an Angel , and Grace Under Fire . Throughout her career, Diane Ladd was recognized not only for her acting talent but also for her contributions to the entertainment industry. She received a star on the Hollywood Walk of Fame  and was a member of the Actors Studio , where she trained with some of the most influential figures in American theater and film. Her collaborations with directors such as Martin Scorsese and David Lynch showcased her ability to inhabit complex, emotionally rich characters that resonated with audiences across generations. She is survived by her daughter, actress Laura Dern , and other family members.

The first official image from Boots Riley’s upcoming film I Love Boosters  is here, and it’s as bold, stylish, and unapologetically weird as you’d expect from the mind that gave us Sorry to Bother You.  The shot features Keke Palmer, Taylour Paige and Naomi Ackie dressed head-to-toe in shades of yellow, their expressions caught somewhere between panic and confusion. It’s a burst of color and attitude that practically screams “Boots Riley made this.” Set in the glittering chaos of the fashion world, I Love Boosters  follows Corvette (played by Keke Palmer), the sharp-tongued leader of a crew of female shoplifters known as the Velvet Gang. Together they turn luxury stores into their personal playground while taking aim at a fashion CEO who allegedly stole one of Corvette’s designs. If that sounds like a heist film dipped in social critique and couture, that’s exactly the point. The cast lineup is stacked. Alongside Palmer are Naomi Ackie, LaKeith Stanfield, Demi Moore, and Eiza González, with Natasha Braier handling cinematography. Riley, who writes and directs, teams up with Neon for distribution, while Waypoint Entertainment and Ryder Picture Company help bring his off-kilter vision to life. Filming wrapped in Atlanta in late 2024, and the film is expected to hit theaters on May 22, 2026. Judging from this single frame, Riley isn’t holding back. The saturated palette, the matching uniforms, and that perfect blend of comedy and tension all signal another genre-defying satire ready to roast consumer culture with flair. I Love Boosters  looks like a heist movie dressed for the runway, and we’re absolutely here for it. If this first look is any indication, Riley’s latest will deliver the absurdist energy we’ve been missing. Grab your loyalty cards and keep your eyes peeled — I Love Boosters  might just be the most fashionably subversive film of 2026.

Apple TV is pulling out all the stops this November with Pluribus , the latest brainchild from Vince Gilligan, the genius behind Breaking Bad  and Better Call Saul . And now, thanks to an exclusive sneak peek , fans can get their first glimpse at what promises to be one of the most delightfully strange series of the year. Spoiler alert: it is weird, it is witty, and it is entirely Gilligan. The sneak peek introduces Carol Sturka, played by the always brilliant Emmy nominee Rhea Seehorn, as the curmudgeonly protagonist tasked with saving the world from happiness itself. Yes, happiness. The concept is bold, twisted, and somehow perfectly suited to Gilligan's darkly comic storytelling. The first two episodes, We Is Us  and Pirate Lady , drop simultaneously on November 7, 2025, with new episodes following each Friday through December 26. Fans will want to mark their calendars because the series has already been picked up for a second season, proving Apple TV and Sony Pictures Television know a hit when they see one. The sneak peek clip sets the tone brilliantly. From the moment the astronomer’s discovery turns the planet upside down to Carol navigating a bizarre new reality, the series hints at the genre-bending mix of drama, humor, and mind-bending sci-fi twists that Gilligan fans crave. Supporting performances by Karolina Wydra, Carlos-Manuel Vesga, and guest stars like Miriam Shor and Samba Schutte add layers of intrigue and occasional chaos that feel effortlessly cinematic. Behind the camera, the show boasts a powerhouse executive production team including Gilligan himself, Gordon Smith, Alison Tatlock, and Diane Mercer, among others. Their combined experience ensures that Pluribus  is not just another sci-fi drama but a meticulously crafted narrative that rewards viewers who love intelligent storytelling with a touch of the absurd. In short, this sneak peek proves Pluribus  is shaping up to be the sci-fi series no one can ignore. Whether you are a diehard Gilligan fan or just someone who enjoys quirky, thought-provoking TV, this series is a must-watch. With its November 7 premiere looming, now is the perfect time to get hyped, bookmark Apple TV, and prepare for a strange, thrilling, and unapologetically original ride.