Title: Faking Ties (ARC)  Author: Alexis Gorgun Genre:     Contemporary Romance Rating: Enjoyed Spice: Flamin Hot Cheeto Synopsis: It’s one thing to pretend to be an international pop star; it’s a whole other thing to pretend to be her, while dating a famous football player, Hunter Holt, and dodging her handsy ex. When feelings for her “fake boyfriend” start to get all too real, and rumors of a “fake Stella Wilde” hit the populace, Elodie’s life goes from “juggling too many balls”, to “fumbling the ball .”   When things hit the fan, will Elodie remain in one piece?  Thoughts:  This is one of those “stay up all night reading” kinda stories.  I spent much of the first half trying to figure out how Elodie was going to get away with these lies and still not only come out better, but keep her relationship with Hunter in tack. Hunter is such a babe, he had me hooked almost immediately.  Elodie’s determination to not only do what she could for her mother, but also Stella and her fans was sweet but stressed me out too cause, whew…they were really doing THE MOST.  The ease with which she fit in with Hunter’s crowd, even if he didn’t, was cute and the way she supported him and helped him grow was the kind of thing we all want.  Hunter’s superpower is being supportive of Elodie while managing his own insecurities about the role he plays not only on his team, but within the confines of their relationship as well.  There is a difference between “knowing” you’re not good enough and wasting their time anyway vs “knowing” you’re not good enough and doing everything you can to make sure you become good enough, and Hunter does the latter. His determination to be a better teammate, friend and partner really seals the deal for me.  Although Elodie does work out her future goals in the end, I felt like her growth was lacking a bit.  I wish I would have seen her stand up for herself more and take a more active role in her life instead of just letting everyone else’s demands run her the way they did, but I was still happy with both Elodie & Hunter’s growth.  Overall, I really enjoyed this book. The story was humorous, spicy and had some good banter (my fav).  Quotes:  My new life goal is to get Elodie to smile like she does while in Rome.                        -Hunter “I hope you enjoy the soundtrack more than the movie.”                        -Elodie (as Stella) Faking Ties is out Jan 9th, 2025  **************                                                                                       @booksteantravel Rating: LOVED= 5 Stars. A new fav. Will be talking about every chance I get.  ENJOYED= 4-3 Stars.  It wasn’t a life changer but I would recommend.  0-2 Stars/ DNF= I will not post a review about a book I didn’t enjoy or did not finish. Good vibes only. I support anyone who’s brave enough to create their own work and put it out into the world for others.  Spice:  Puffy Cheeto- No Spice.  Crunchy Cheeto- Closed Door/Fade to Black Flamin Hot Cheeto- Spicy. A few detailed scenes.  Takis- Erotica. With more mature themes.

The episode opens with a dramatic twist: the captain’s child has been kidnapped, setting the tone for an intense hour. At the Morgan home, Deb is excited about her upcoming double date—her with Gio, her new guy, and Dexter with her best friend Sofia. Never missing the chance to take a dig at Dex, Deb gives Dexter a rundown on how to dress and act, determined to make him appear normal. When Harry inquires about meeting Deb’s boyfriend, she shuts him down, bluntly stating he’ll never meet him. Unfazed, Harry quietly advises Dexter to keep an eye on Gio and report back. Later, Dexter evaluates a crime scene tied to a potential serial killer. Harry, recently demoted to grunt work, finds himself paired with LaGuerta. Dexter theorizes that the murder connects to two previous ones, but La Guerta dismisses him outright. Harry, ever the voice of caution, urges Dexter to let LaGuerta build her case first. Cue an oddly placed flashback of Harry and Laura entangled in their affair. He tells her once again that they need to stop as the baby that he is expecting with the pesky woman he happens to be married to is due soon. These flashbacks do Harry no favors, making his character feel increasingly unlikable. His promises to Laura about her eventual freedom feel hollow. Back at the station, the captain learns of his son’s kidnapping. Tensions rise when the captain’s ex-wife’s new partner blames him for failing to protect their child amidst the recent wave of abductions. The ex-wife provides little help, unable to describe the masked kidnapper. Harry steps up to help the captain despite his demotion, proving their bond goes beyond rank. Meanwhile, Dexter focuses on Levi, someone who has escaped justice on a technicality. He suspects Levi could be the serial killer he’s hunting. As Dexter pieces the murders together, the question arises: is his need to kill clouding his judgment? Does he need the murders to be linked to a serial killer to provide him with a perfect victim? Harry laments his new position, feeling disconnected from his old team. Dexter checks in, and their conversation shifts to the missing child, Nikky. Dexter analyzes patterns and predicts they have 12 days, drawing from the judge’s son’s case: a finger was sent on day 4, and the body was found on day 12. Harry, ever the optimist, clings to hope, while Dexter relies solely on logic and science. For a moment, Dexter allows Harry his optimism before they return to work. A flashback reveals Laura’s dangerous life as a CI infiltrating the cartel. They demonstrate their brutality, mutilating a man in her presence and giving her his finger as a grim reminder of loyalty. She’s promoted within their ranks, but the tension underscores her peril. Date night begins with Dexter awkwardly complimenting Gio’s teeth. He struggles to navigate social norms, even sitting by Deb instead of Sofia until Deb rudely tells him of his faux pas. Dexter orders an excessive amount of food, devouring it while the others look on in disbelief. When asked about his job, he enthusiastically describes a murder scene, earning awkward stares. He suggests darts to break the tension and lighten the mood until someone spills Deb’s drink, revealing Gio’s darker, more protective side. Dexter tries imitating Gio and Deb’s dynamic but quickly grows uncomfortable when Sofia gets overly touchy. Excusing himself to the restroom, he’s surprised when Sofia follows, leaving him pondering whether dating might be enjoyable. The episode ends with Dexter finally getting Levi on his table. Another solid installment, blending suspense with moral ambiguity. Through flashbacks, we gain an understanding of Harry's protectiveness of Dexter.  I did not like how Harry’s wife felt like the loss of their child was the reason for his infidelity, which she tolerated until Deb was born, and it was then she asked him to end it. It moved me to reduce my usual rating, but the pacing remains the same; the story stays true to Dexter and the plot. Once again, the series challenges viewers to examine their morality. Are we rooting for a serial killer because his victims meet a certain code? Despite some of Harry’s flaws taking the spotlight, this episode remains a standout. Ten out of ten.

In The Agency  episode 8, Martian (Michael Fassbender) and the CIA take a significant risk in attempting to recruit Sami (Jodie Turner-Smith). Sami is forced to confront the truth about the man she loves, as well as the moral dilemma of potentially betraying her country. While Martian believes he can persuade her, the outcome is far from certain. Meanwhile, tensions escalate in Belarus as Blair (Ambreen Razia) takes increasingly dangerous steps to extract Coyote (Alex Reznik), involving General Volchok’s (Juris Žagars) inner circle. Elsewhere, Danny (Saura Lightfoot-Leon) eliminates one rival for the academic trip to Iran, but finds herself facing tougher competition from another. Sami is stunned when Martian reveals that Paul Lewis is an alias, and that he’s actually a CIA agent. While Martian insists she was never a target, he warns that she’ll be in danger if Sudanese agents learn about his true identity. He offers her protection in exchange for gathering intelligence, but Sami refuses to betray her country. Martian gives her 24 hours to make a decision. Sami doesn't share the full details of the meeting with Osman (Kurt Egyiawan), but back at the London CIA field office, Bosko (Richard Gere) is frustrated with Martian’s handling of the situation. The CIA’s influence in Sudan is waning, especially with China taking the lead. Meanwhile, in Belarus, Blair pressures Sylviya (Tanya Shpadi), Volchok’s secretary, to help them gain access to her boss. Blair suggests they will expose Sylviya as a spy if she doesn’t comply. They plan to create a replica of Volchok’s personal belongings to use in their operations, as his burner phones change constantly. British intelligence agent Richardson (Hugh Bonneville) meets with Bosko to discuss updates regarding Sudan, reminding him that Britain has little power against China in the ongoing negotiations. Martian is not pleased by Richardson’s involvement. Michael Fassbender as Martian in The Agency, episode 8, season 1, streaming on Paramount+, 2024. Photo Credit: Luke Varley/Paramount+ with SHOWTIME Sylviya successfully sends a photo of Volchok’s boots, which the team plans to replicate. However, when Dr. Blake (Harriet Sansom Harris) questions how they’ll protect their new asset, Blair maintains that security isn't part of the mission. With Coyote’s safety in jeopardy, the operation takes on even greater urgency. Danny attempts a different approach to eliminate Rose (Jessie Mei Li) as competition for the Tehran program by bonding over booze and drugs, hoping to uncover a weakness. Rose reveals that her mother wants to travel to Switzerland to die on her own terms, but her Catholic family opposes this decision. The next day, Sami, overwhelmed, passes out at the negotiation table. In private, she confides in Osman about the CIA’s recruitment attempt and rejects their offer. Osman vows to protect her, informing Dalaga (David Harewood) and Guo (Curtis Lum) of the CIA’s move and suggesting they relocate the negotiations to Cairo. Meanwhile, Danny and Naomi (Katherine Waterston), posing as representatives from Assist UK, visit Rose’s mother to discuss her wish for assisted suicide in Switzerland. However, Danny’s distraction and poor performance lead Naomi to chastise her for mixing business with personal feelings, warning her that emotional involvement with targets is dangerous. Though Britain has lost influence, a twist reveals that Richardson has been playing both sides. Guo (Curtis Lum) informs Richardson that the CIA attempted to recruit Sami, and the two meet to discuss their shared interest in the situation. Guo presents Richardson with a flash drive containing intel on Russian operatives in the US Energy Department, aiming to put pressure on the CIA. The balance of power shifts, and Guo eventually confronts Bosko and the CIA team with Sami as her representative. Tensions rise as Bosko’s frustration mounts over the Chinese sidestepping diplomatic protocols during the negotiations. Guo’s move signals that the CIA no longer holds the upper hand, and the flash drive marks a critical turning point in the conflict. Throughout the episode, flashforwards reveal Martian taking a lie detector test, where he’s questioned by a suspicious British woman, potentially linked to MI6 and Richardson’s operations. In Belarus, Sylviya’s attempt to swap Volchok’s boots is discovered, and she is sentenced to death. Blair is left to grapple with the consequences of the failed mission, knowing that more lives will be lost if Coyote isn’t rescued. As Coyote is moved to another location, the stakes are raised. Martian confronts Guo, demanding to know who orchestrated the play involving Sami and the flash drive. Guo refuses to reveal the British intel connection, leading to a physical altercation where Martian incapacitates Guo with a chokehold. Sami and Osman prepare to leave on a private jet when Martian makes one final attempt to convince her to join him and the CIA. Sami rejects him once more, boarding the plane with Osman. As she departs, it’s unclear if this will be the last time Martian sees her.

After much anticipation, The Rookie  finally returned last night for its seventh season. It felt like years ( it’s only been two hundred and thirty one days, but who’s really counting? ), but we’re back and if last night’s premiere is any indication of how this season is going to play out then we are in for a wild ride.  Overall, this was a great season opening episode, but I wouldn’t be me if I didn’t run my mouth about things that irked me, right? I promise there’s more good than bad, but we’ve got to talk about some things.  First, the explanation we got for Aaron Thorsen’s absence  was extremely weak. You’re telling me someone who had the entire world believing he murdered his best friend and still went through the Police Academy and made it through working with Training Officers who doubted him couldn’t handle a few cops knowing that he was one of Blair’s patients? Really? What I do like about this approach is that it leaves room for the character to make a possible return ( Aaron Thorsen, we miss you already ).  Second, Monica evading authorities  means she’s going to be back at some point in the series again. I was hoping we could’ve wrapped that storyline up by the end of last season ( Bridget Regan, I love you, but it’s time ), guess we can’t all win, right?  Lastly, the “Oscar and Jason escaped prison”  storyline is already boring me and I know it won’t be over for another few episodes. Now, to be fair, I could be unfairly judging this one but what’s the real solution for this one when they catch them? Back to prison so they could get another chance? Wrap this one up by episode four, I beg.  Now, enough of the negatives for now ( I could say more, but the good outweighs the bad with this one ).  (Disney/Mike Taing) LISSETH CHAVEZ, PATRICK KELEHER, DERIC AUGUSTINE FINALLY! The Rookie is going back to its roots with this season premiere. By this I mean they’re  back to having three Rookies in the roll call room. Seth Ridley  and Miles Penn  are introduced as Lucy Chen and Tim Bradford’s new rookies, respectively. This pairing is perfection: Seth is a very “textbook” cop which means how handles situations in the field has to fit what he’s learned from the academy rather than applying what he’s learned to best handle situations. He’s also sensitive ( I do mean this in the nicest way possible ). The way he explained why he threw up at a crime scene would only get a pass from Lucy Chen. Not because she’s not good at punishment, but she’s more empathetic and could teach him in a way that doesn’t make him feel like a complete screw up. Miles is the opposite – he’s very confident that he knows what he’s doing and completely disregards the handbook. Though technically he’s no rookie to policing (he transferred from Texas PD), he will learn quickly that LAPD is nothing like what he’s used to. This makes Tim Bradford the perfect TO for him. He will correct that behavior in no time and if I’m being honest, I hope Miles keeps testing him because having season one TO Bradford back is heaven.  (Disney/Mike Taing) NATHAN FILLION, DANNY BROWN, LISSETH CHAVEZ Oh, another reason to love about Tim and Lucy being training officers together? The banter. I’ve missed the Chenford  ( Chen and Bradford just in case you’re new here ) banter. This bet they have going on to see who could train the better rookie has me seated. I’ll admit I didn’t want Lucy to be a TO because I knew it wasn’t what she wanted for herself, but from what I see so far, I’m going to trust the writers here. It’s giving me season four level of Tim and Lucy banter and trust me when I say she was missed. It was an element they were missing after they got together ( argue with a wall on this one ) and I love that it’s back. I could only imagine how much better things are going to be between them now that they’re broken up ( the tension will be at an all time high ladies and gentlemen ).  I did not  expect to see a jealous Wesley, but man oh man am I loving it. Angela never gave him a reason to make him feel like he should worry, yet after hearing that one of the detectives has a thing for his wife, Wesley can’t help but obsess over it. Besides Chenford, Wopez  ( Wesley and Lopez if you’re new here ) is one of my favorite couples on the show. They’ve been through a lot these past seasons, and I’m hoping we give them a little peace this season and only enjoy some spice for them. They deserve it!  This episode had just enough going on to keep me wanting more. I loved the pacing throughout the episode – while on shift, things were happening pretty quickly, but then you have the after shift scene where things move a little slower. We see how Tim is tough on the rookies in the locker room, but that tough exterior completely melts when he finds Lucy in the parking lot (the lingering looks they gave each other though?). Then there’s Wesley still thinking about what he discovered earlier in the day and shows a vulnerable side to him when he asks Angela if she's happy ( the “with me” was silent ). Miles living in his car? I can’t wait to see how he found himself in that situation ( man, I really thought I was going to dislike him, but I don’t ). Also, Nolan going home and we don’t see Bailey? FANTASTIC! ( come on, I had to ). We just might be getting the best season yet.  What’d you think of the season premiere of The Rookie ? Let me know!

Domestic disputes, drug overdoses, and dogs going down, is enough to keep any police officer busy for one 12-hour shift.  For those on patrol in TV’s latest police drama, ON CALL , that’s just a Tuesday… before lunch. Right out of the gate, the first season of the explosive new Prime Video series from Executive Producer Dick Wolf (Law & Order, Chicago, FBI-branded series), ON CALL wastes no time dropping viewers in the middle of the action with its adrenalin-inducing camera sequences, high-pressure character situations, and just enough suspense in every episode to keep you engaged with a new take on an old story. The series’ debut season, told in eight episodes, follows patrol officers on the job as they move from one crisis to another each day they work to keep law and order in the California cool coastal community of Long Beach. Before you fast forward believing this latest police saga is just another rehash of 911 meets The Rookie, push pause.  Shot with a mix of bodycams, dashboard viewpoints, and cellphone video, the show brings a first person, in the moment perspective to the episodic storylines. The dramatic effect of which lands convincingly enough for this newest iteration of the cop-and-crime narrative, that if you didn't know any better, at times, feels like you have been transported back to the 90s, for an old school “bad boys, bad boys, whatcha gonna do” reality TV reboot. If you know, you know. Courtesy of Prime Video Cinematography aside, ON CALL admittedly brings nothing additional nor substantially new to the law enforcement genre, in terms of its overall content. Yes, there are the requisite car chases, gang-related plot points, and save-the-citizen-from-themselves moments to bring about the “oh, I have seen this all before” sentimentality to each watch. Nevertheless, the series somehow manages to still feel like it is bringing something fresh and new to the table. Could it be that most of the heavy lifting in doing so lies within the scriptwriting that feels like it was ripped from real-life police reports; or is it the plausible plot points that create well-crafted situational experiences for the characters; or could it be the strong central characters, themselves, and the actors who portray them that keeps the subject matter engaging? Only time is sure to tell. Nevertheless, the story centers on the day-in-the-life situations and circumstances that confront veteran patrol officer Traci Harmon and her fresh-from-the-academy trainee, Alex Diaz, as the proverbial rookie ready to save the world. The mentor-mentee dynamic is classic TV, but what makes this one more compelling is the power position of the female lead with her hard as nails demeanor and exacting standards for her trainee. As the two settle into their daily patrol routine, we as the audience are fed only bits and pieces of their lives away from work and what fuels it when they are back on the job. Not knowing everything all at once is the plot hook you never thought you would be need. But, it works. Anchored by Troian Bellasario’s (Pretty Little Liars) performance as Officer Harmon, ON CALL offers beautifully understated and grounded moments for its characters, reflecting real-life emotions and decidedly believable situations. Bellasario’s realism as the hard-charging cop, schooled by work and life, who, perhaps cares more than others realize for those she trains, gives Officer Harmon needed depth. In turn, her character experiences onscreen become more impactful, set against a compelling central conflict woven carefully throughout each episode.  Courtesy of Prime Video Instinctively, you are left knowing that there is only so much of Officer Harmon’s true self that she can hide behind her classic Ray Ban aviators and stoic expressions. And, when the seasoned vet peers out of the windshield of her cruiser at least once each episode, lost in proverbial thought, you feel there’s so much more to her story you definitely need to know yourself. Thankfully, we are not made to wait too long as the pieces of which seem to fall methodically into place whenever she and her partner find themselves in the quiet conversational in-between of their chaos moments. On the other side of the dialogue, playing opposite Bellisario, is Brandon Larracuente (The Good Doctor) as rookie officer Diaz, the ambitious newbie trying desperately to hold onto his optimism for why he wanted to be a cop, as he balances his own reality of the streets and his penchant for jumping headlong into each moment.  Larracuente brings his own genuine authenticity to his role as Officer Diaz, portraying the young recruit with a wide range of emotions, from vulnerability and uncertainty to resilience and fearlessness. In the end, the young actor effectively captures the struggle of Diaz to be who he is against who everyone wants him to be — when the two realities inevitably collide.  As for the supporting cast, ON CALL marks the return to must-see TV for both Lori Loughlin, most recently of Fuller House, and Eriq La Salle, best known for his role as Dr. Peter Benton on the long-running medical drama, ER.  Courtesy of Prime Video Quite the departure from Loughlin’s previous roles on the popular sitcom and her Hallmark movies fame, ON CALL allows Loughlin to display a refreshing maturity in her acting this go-round as commanding officer Lieutenant Bishop. You almost have to do a double-take seeing Loughlin sans makeup in her uniform. On her, the muted look more than works to bring about an added strength to her character. For his part, La Salle retains his usual commanding presence on screen, often characterized by his intense focus and concentration, buried behind a facial expression that never belies its emotional truth. Serving as the unofficial sage of the police force in his role as Sergeant Lasman (my humble characterization of him, anyway), La Salle’s character acts as the grounding force for the other officers, even in the moments you are not quite certain what side of the line he falls.  Courtesy of Prime Video And, even though La Salle does triple duty on the series, serving also as both an executive producer and director of multiple episodes, it is nice to have the accomplished actor back in front of the small screen lens once again. ON CALL is an expected, but pleasant surprise in the cluttered landscape of the law-and-order narrative. While it seems as if there is very little new story left to be told from behind the badge, the bold new drama has found another canvas on which to share a fresh perspective on life within the police saga, making room for yet another set of everyday heroes who exist to protect and to serve. Created by Tim Walsh and Elliott Wolf, season 1 of ON CALL, released January 9, is streaming now on Prime Video .

Opens at CPT Cromwell’s swim party for the cops of the precinct and their families.  Michael Ormewood is there with his two kids having fun when shots ring out in the street.  Everyone is rushed to safety. Outside two of their own cops are shot.  Next, Mandy (Amanda Wagner) holds a press conference on the happenings.  Special Agent Faith Mitchell briefs the press. Faith organizes the investigation and needs to stop a gang war.  Next, they are at a suspect’s house, Mr. Raphael Wexler, and police are at a standstill.  Mr. Wexler demands to see Will Trent. Out of state, Soddy-Daisy, Tennessee, we see Will and Betty Maria Trent, chilling.  They go on a walk seemingly, but Will is doing private investigator work.  Two other townspeople stop by and interrupt him.  Mandy surprises Will and finds him in Soddy-Daisy.  They argue. She asks him for help, and he tells her why he left.Back in Georgia, Angie Polaski is working as a security guard, in a gated community.  She drives up in a golf cart to stop an argument between two of the residents.  James Ulster, her sponsor, stops by her office to check on her, remind her of her hearing and tell her Will’s returning. Will and Betty return to Atlanta and drive up to Mr. Wexler’s house.  He sees Faith his old GBI partner.  Will refuses to suit up and goes in to see Wexler.  Will and Wexler were friends before, but now have a fight.  Faith and Ormewood watch from outside wondering what’s happening inside.  WILL TRENT – “I’m a Guest Here” (Disney/Daniel Delgado Jr.) ANTWAYN HOPPER, MARLA GIBBS, RAMÓN RODRIGUEZ Grandma Wexler breaks up the fight inside.   Raphael and Will talk after she falls asleep. Will goes outside and tells Faith and Mandy Raphael didn’t shoot the cops.  He leaves with Betty to find out who did.  Returning to the precinct, he discovers Faith took his old office.  She throws a stapler at him and chastises him for not letting them know where he was. Michael and Faith do surveillance for her CI.   They are good together.  Back at the police precinct, Will gets to know Faith’s new partner, Agent Gross (Lurch), a new character.  Will has a cell app that helps him with his dyslexia.  He goes to follow a lead while Faith talks to her CI.  Meanwhile Ormewood follows some suspicious people in the back of the club.  Faith gives her CI some golf pointers and he gives her some information.  She also shows him why he needs to keep his hands to himself.Meanwhile, across town, Will and Betty find an abandoned car of a possible suspect and is taken by surprise.  The person wasn’t a suspect, just had his car stolen. Back at the precinct Faith and Will talk about the case.Michael and Chester’s widow, Cindy, argue in the precinct hallway.  Turns out Chester has a second family.  Michael goes to see Angie about Chester.Will goes home and Nikko has changed things.  She is happy to see Betty, not so happy to see Will.  He sits and sadly remembers happier times with Angie. Next day in the conference office, everyone sits brainstorming until Mandy tells them she needs an update.  Lurch found Chester’s burner phone in his locker.  He found meeting information on it, and Will went to follow-up the lead.  The meeting place is a restaurant, and as Will uses his cell app to read the menu, a woman walks in talking on her cell.  They have an awkward interaction.  Enter another new character, Marion Alba.  Will tells her he’s there for Chester.  Will breaks down and tells her his whole life story and asks her to give a reason why Chester contacted her.  While at the restaurant, a news story shows Raphael arrested for the death of the two police officers.  Will goes to see him.  Will knows Raphael is innocent. Will returns to the precinct conference room where Mandy, Faith, Marion Alba and Michael are watching the mayor’s press conference.  Mandy asks Marion if Chester wanted to blow the whistle on dirty cops.  They found some evidence that led to that.  He asks her to leave the case open.  Faith and Will go to Raphael’s home to look for evidence.  Faith is glad Will’s back.  She found Raphael’s laptop, and they find the reason why Raphael confessed.  His daughter was kidnapped!  WILL TRENT – “I’m a Guest Here” – (Disney/Daniel Delgado Jr.) JAKE MCLAUGHLIN, IANTHA RICHARDSON It was a great fast-paced episode that had many subplots that tied together.  Had real mystery, new characters and uncertain status of old ones.  Character development is also happening with old characters, both Faith and Michael.  This new season answers questions of Season 2.  Season 3 is off to a galloping Great Start!

“Wolfcamp,” the penultimate episode of Landman’s first season has dropped, and, with it, Taylor Sheridan’s hit oil drama finds itself deeply entrenched in its Self-Reflection Era.  The episode opens with Tommy Norris (Billy Bob Thornton), the series’ titular character,  having to clean up the fallout from the military training snafu that resulted in the inadvertent death of drug runners at the close of episode 8. With the leader of the local outfit on speed dial (no judgment, here), Tommy reaches out to advise the cartel that they may want to eliminate the mess, themselves — of course, to avoid any investigations by the authorities. Despite the exchange of veiled threats, the two men strike a deal to meet as a way to find common ground co-existing on The Patch. What can you say, keep your friends close and your enemies closer. L to R Ali Larter as Angela Norris and Billy Bob Thornton as Tommy Norris in season 1, episode 9 of Landman streaming on Paramount+. Photo credit: Ryan Green/Paramount+. Cue the soulful orchestral opening theme by composer Andrew Lockington, Landman is about to take us on another deep dive exploration into the life that is Big Oil. When you live in Texas, you can take for granted how big life truly can be here. Everything IS just bigger — the cars, the homes, the portion sizes, the work, the relentless drive to survive. Life is super-sized in the Lone Star, to include men’s ambitions and their egos. Nevertheless, when Father Time and Mother Nature come a-callin’, it levels the playing field, proving, once again, even the toughest of cowboys can be humbled.  You get a sense of that truth in a rather unexpected, but one of the series’ most poignant scenes, to date. And, though sandwiched in between the show’s usual oil industry facts and figures diatribes and sometimes choppy character dialogue, it is a standout for its delivery and sentiment. The scene in question features a mutual friend who has come to drop a knowledge bomb on Monty Miller, portrayed by Jon Hamm (Mad Men) . The oil tycoon is laid up in the hospital recovering from his third heartache and recent bypass surgery. No spoilers here, as you must watch this well-crafted moment for yourself, without prejudice. The way that it is so naturally unpacked by a non-actor, though familiar cultural icon, you know instantly the entire moment was unscripted. It has to be. For, no other reason than it does not feel forced. Beautifully filmed in close-up and almost poetic in its sincerity, it is a highlight for the episode, and one of the better moments in the entire season. L to R Billy Bob Thornton as Tommy Norris and Jon Hamm as Monty Miller in season 1, episode 9 of Landman streaming on Paramount+. Photo credit: Emerson Miller/Paramount+. In reflection of their mutual friend’s words, Monty makes Tommy an offer, with a caveat that comes in the form of an unexpected promotion for someone Tommy does not quite see eye-to-eye. No doubt, the move is a setup for a showdown between the two characters that is sure come later. Back on the homefront — when Tommy’s wife Angela, played by Ali Larter, is not out creating bucket list memories for the retirement besties she and Ainsley (Michelle Randolph) have globbed onto, she is trying her darndest to keep the home fires burning with colon-friendly foods for her family and their roommates. Three guesses as to why this never ends well. Gee Wally, June Cleaver, she is not!  Despite the poor choices made for the women on canvas for the show, these mother-knows-best scenes (particularly around the dinner table) often provide the show some much-needed comic relief. Believe me, with the things they have these female characters say, you have to laugh to keep from crying. Across town, Ariana and Cooper have fallen into playing house, themselves, and for Cooper, to no one’s surprise, he and his heart are falling into something a little deeper with the young oilfield widow. Though the love declarations are nowhere to the level of Shakesperean prose, there is something about the chemistry Jacob Lofland and Paulina Chavez infuse into their fictional alter egos that makes this onscreen pairing work.  Could it be that more care seems to have been given to the development of this relationship, or, is it simply that Cooper, as a character, appears to be the only member of his family apart from his father grounded in a measure of reality. Nevertheless, with Cooper’s impromptu resignation from the oil workcrew in the previous episode, the young roughneck workshops a plan to strike out on his own, with an idea to cobble together small oil leases in the region to ultimately be in a position to drill in the larger oil shale. Ironically, doing so, would put him in the position to become a landman, like his father, with the end game being to someday build a life away from oil for himself…ahem, and the one he loves. As they say, the only way out of the Patch is the Patch. His words, not mine. While the show tries too hard, at times, to drop certain characters into absurd, almost satirical type situations, the one thing it gets right is what life is like living in and around the oil industry. It is not for the faint of heart (no pun intended, Monty) with the long, hard, and often gritty hours, that consume your days and the best parts of your body physically. If you are not careful, over consume the work and you find yourself speed racing your way to an early death. And, while you know that in the quiet moments of regret of what you may have missed along the way, in doing so — you understood even more that money is the mistress who’s just too good to ignore. L to R Billy Bob Thornton as Tommy Norris, Stephen Kay, director and Colm Feore as Nathan in season 1, episode 9 of Landman streaming on Paramount+. Photo credit: Emerson Miller/Paramount+. And, so as the sun sets on the latest episode, in setup for the season closer, the visual of that truth remains pensively etched on our fav landman’s face as a familiar symbol makes an appearance, following a suspicious phone call Tommy has just received. Familiar, if you have spent any time watching Taylor Sheridan’s other franchise series. What could it all mean!? Well, if you have come this far with the Landman, why not stick around to see how he caps off the season in the Januay 12 finale. Created by Taylor Sheridan and Christian Wallace, watch all previous episodes of Landman’s  debut season streaming now on Paramount+.

The episode dives right in with Mad Dog’s daring escape. He is hit by a truck head on. The young driver attempts to halt a moving car for help, and a kind-hearted woman steps out to help, chaos ensues. Meanwhile, Dexter, armed with tools courtesy of Miami Metro, is back at the scene, meticulously cleaning up. But things go south when Metro arrives sooner than he anticipated. Barely evading two officers, Dexter escapes, and the adrenaline from his near capture gives him an unexpected rush. Back home, Harry is livid. The kill was sloppy, and Harry, regretting ever allowing Dexter’s first kill, and grounds him—yes, grounds a grown man. Harry insists Dexter revisit the basics of the code, reminding him that mistakes like these could expose him. Deb’s story takes a wild turn as her older, questionable new flame drops her off at school, nonchalantly ignoring the glaring issue of her age. Meanwhile, Dexter, sacked with boredom, bounces a baseball against the wall. He’s desperate to regain Harry’s trust but realizes it’s the act of killing—not death itself—that feeds his dark passenger. Attempting to stifle his urges, he indulges in snacks but accidentally devours Deb’s special brownies. We flash back to Harry’s complicated affair with Dexter’s mother, Laura. He tries to end things, citing his marriage, but succumbs to temptation. These scenes add layers to the story, revealing the tangled emotions between Harry and Laura that shaped Dexter’s origins. At home, Dexter tunes into a '90s classic, Parker Lewis Can't Lose , while awkwardly addressing Deb as "Deborah." She quickly picks up on his odd behavior and realizes he’s high—six brownies deep. Amused, she teases him, knowing the high will last a while. Dexter, afraid the pot might weaken his control over his urges, begs her not to leave him alone. She joins in the fun, eating a few brownies herself. The siblings share pizza, bond over memories, and laugh like actual siblings for once. Deb even proposes a double date with Geo, her older guy, and Dexter with Sophia. Things take a heartfelt turn when Deb gets emotional, reflecting on their mother’s death anniversary and sharing memories of Doris. Dexter, for his part, hints at his recent mistakes without giving too much away. Patrick Gibson as Dexter Morgan in Dexter: Original Sin episode 5, season 1, streaming on Paramount+ with SHOWTIME, 2024. Photo Credit: Patrick Wymore/Paramount+ with SHOWTIME. The next morning, Dexter whips up breakfast, much to Deb’s surprise, considering their binge the night before. Harry returns home, and the family discusses Doris, with Harry admitting that he often sees glimmers of her in both of them. They plan to visit Doris’s grave later that day. Harry, with an agenda, allows Dexter to work, leading to a pivotal moment where Dexter fingerprints the young man responsible for hitting and killing Mad Dog with his truck during the escape. This was Harry's goal to ensure that the young man didn't recognize Dexter, he doesn't. Meanwhile, Harry faces fallout from his testimony in the Levi Reed case. His refusal to allow an alibi from Reed’s girlfriend results in the case’s dismissal. Despite Reed’s obvious guilt, key evidence is inadmissible. Frustrated, Harry’s boss tells him to take some time off, setting up Reed as a prime candidate for Dexter’s next kill. Reed meets the code: he slaughtered an entire family, including two children. Dexter, in a surprising twist, discusses tranquilizers with Tanya and learns that horse tranquilizers might keep his victims out longer. A comedic moment follows as Dexter gets trapped in a horse stall, causing him to miss the gravesite visit. Deb, the only one to show up, unexpectedly earns some sympathy here as her loneliness and pain become more apparent. Geo accompanies her, waiting patiently as she pays her respects. At the gravesite, Harry reflects on sneaking out of Laura’s bed to find young Dexter drawing pictures of him. He puts Dexter to bed as Laura watches. She mentions that he must have done this before which prompts him to open up about losing his son. The scene shifts to him going home to Doris waiting up for him. A bittersweet moment where Doris announces she’s pregnant, contrasting Harry’s guilt over his affair with Laura. It’s a odd choice to intertwine these memories with the anniversary of Doris’ death, but it underscores Harry’s conflicted emotions. Brittany Allen as Laura Moser in Dexter: Original Sin episode 5, season 1, streaming on Paramount+ with SHOWTIME, 2024. Photo Credit: Patrick Wymore/Paramount+ with SHOWTIME. The episode ends on a tense note. Deb finds solace with Geo, feeling less like an outsider for once. Meanwhile, Dexter follows Harry to Levi Reed’s house. In a bold and symbolic act, Harry ends up on Dexter's table, Dexter tells Harry that he followed him to stop him from making a career ending mistake in killing Reed. Harry trained him for moments like this—to take out men like Reed. While teaching Harry this lesson. Dexter asserts his independence. After Dexter frees Harry from his binds, Harry acquiesces and gives the go ahead to end Reed. He tells Dex that smelling salts will ensure Reed wakes up sooner. Dexter, however, is resolute. There’s no turning back now. This was another strong episode that added a few emotional beats tied to the past. With the anniversary of Doris’s death anchoring the narrative, we gain new insights into Dexter’s parentage both from his mother's side as well as the Morgan's and how they all played a complex role in shaping who he is. The balance of nostalgia, familial tension, and Dexter’s unrelenting dark passenger keeps the momentum going. Patrick Gibson continues to shine as young Dexter, portraying a character haunted by his past yet determined to carve his own path. Ten out of ten.

Episode 7 of The Agency  opens with Samia in a dangerous position—her family’s lives are threatened if she tries to step out and visit Paul again. The tension is palpable as she shakily calls Martian, letting him know just how unsafe she feels. Martian’s response is calm but filled with a sense of urgency, promising to handle the situation. Yet, the noose around both their necks is clearly tightening. It doesn’t help that things are also rocky between Martian and his daughter Poppy, whom he warns to stay inside for her own safety. But, of course, Poppy does what any teenager would do and sneaks out anyway. It’s a relief when an agent, acting on Martian’s orders, steps in to help Poppy avoid being spotted by Beijing’s surveillance team. The focus then shifts to the mysterious Operation Valhalla. We’re introduced to General Volchok, who’s running a mercenary group that specializes in high-stakes operations for the highest bidder. The operations range from Syria to Libya and Iraq, and these mercenaries have a terrifying reputation for war crimes. But what really struck me is how elusive they are. With troops spread across the globe and a deep sense of paranoia, they’re a near-impossible target. Henry explains that cracking Valhalla won’t be easy, and with legal issues complicating things further, it feels like the team is up against an insurmountable wall. Still, Martian is determined to find a way in, even if it means sending an “asset” into enemy territory. That asset? Alexei Orekhov, the man we’ve seen tortured earlier in the series. It’s hard not to feel for Alexei—his situation is bleak, and it seems like he’s being forced to choose between two awful options: cooperate or face a terrible fate in Belarus. India Fowler as Poppy in The Agency, episode 7, season 1, streaming on Paramount+, 2024. Photo Credit: Luke Varley/Paramount+ with SHOWTIME I couldn't help but feel the weight of Martian’s decisions. In a scene with Henry, Martian manages to avoid direct questions about his past with Samia, but the cracks are starting to show. There’s a sense that he’s on the edge of a breaking point—his loyalty is being tested, and his feelings for Samia might be clouding his judgment. What struck me most was the conversation between Martian and Poppy. He’s still lying to protect her, telling her everything is a drill and they’re safe. But it’s clear these lies are starting to eat at him, and I’m wondering just how long he can keep up this facade. Michael Fassbender as Martian in The Agency, episode 7, season 1, streaming on Paramount+, 2024. Photo Credit: Luke Varley/Paramount+ with SHOWTIME At the same time, Naomi is starting to question Martian’s relationship with Samia. Dr. Blake plants a seed of doubt, suggesting that Martian might be compromised, and I found myself agreeing. There’s so much history between Martian and Samia, and it’s hard to believe that doesn’t affect his actions, even if he tries to distance himself. Naomi digs deeper, finding old interviews that show a potential romantic connection between them, which feels like a big revelation. I’m fascinated by how this dynamic plays into the larger plot. Martian is playing a dangerous game, and it seems like everyone is starting to realize just how much of a personal stake he has in all of this. Meanwhile, Danny’s subplot continues to be a wild ride. When she finds out she won’t be going to Iran, she doesn’t take no for an answer. She resorts to threatening another researcher, which was brutal but kind of a reflection of how deep she’s sinking into this world of manipulation and power games. Watching her make these choices is tough, especially knowing how much she’s been pushed by the mission. It adds a lot of complexity to her character—she’s no longer the bright-eyed researcher, but someone who’s starting to embrace the darker side of the agency. The episode ends with Samia finally arriving at the college to meet Martian, who is ready to reveal everything. I’m not sure if she’s ready for the truth, though. I’m equally anxious and excited to see where this leads, especially since love seems to be the one thing that could unravel Martian’s entire world. But at the same time, I’m wondering if Samia is really who she says she is, or if she’s playing a larger game of her own. As things continue to escalate, The Agency  is really starting to shine. There’s a constant sense of danger that keeps me on the edge of my seat, and this episode brought that tension to a whole new level. Martian’s personal struggle with Samia is one of the most compelling parts of the show for me. Watching him try to protect those he loves while balancing his duty is heartbreaking, and I have no idea how this is going to play out. The subplot with Danny was a bit of a gut punch for me—her actions feel almost tragic, as if she’s losing herself in the mission. The show does a great job of weaving these personal stakes into the larger, more complex plot with Valhalla and the Russian connections, keeping things dense and full of intrigue. There’s a lot of uncertainty about whether Valhalla will be brought down, but it’s definitely shaping up to be a thrilling ride. I’ll be eagerly awaiting the next episode to see where things go from here. This has easily become one of the best thrillers on TV right now.

Written by Kae, Jazz and Barbara Just a few more hours until the curtain closes on 2024. The past year proved to be an exciting year for movies and television programming, with a blend of innovation, diversity, and a focus on quality storytelling shaping the landscape of new releases and returning seasons. Streaming platforms like Netflix, Disney+, Hulu, Apple TV, Paramount+, and Amazon Prime continued their dominance with original content as well as acquiring existing films and series to appeal to diverse audiences, at home and abroad. With a cavalcade of content, there was literally something for everyone this past year to keep you occupied and entertained. Nevertheless, with the myriad of shows available and only 24 hours in each day, we are certain there were a few great cinematic moments you may have overlooked. So, in case YOU missed it, we took the liberty of putting together a must-see, catch-up watchlist of some of our top forgotten favs to close out the year.  Let’s see how many you can get in before the stroke of midnight fades the year to black. DISCLAIMER Disclaimer, created by five-time Academy Award winner Alfonso Cuarón. The show centers around a renowned documentary filmmaker, played by Academy Award  winner Cate Blanchett, who finds her life turned upside down when a mysterious novel is published, seemingly based on her life and the decades-long dark secrets she has tried to keep hidden. As she grapples with the implications of the book, she becomes embroiled in a web of intrigue and deception, questioning the nature of truth and the impact of storytelling.  The series, which also stars fellow Academy Award winner Kevin Kline as an aggrieved father, blends elements of thriller and drama, exploring themes of memory, identity, and the blurred lines between reality and fiction. Blanchette, in one of her finest hours, delivers a masterful performance as Catherine Ravenscroft in the original limited series, first released October 11 on Apple TV+. Blanchette’s portrayal is both compelling and layered, showcasing her ability to convey vulnerability and strength as she grapples with the implications of her past overshadowing the realities of her present. The tension and intensity she brings to the role elevates the narrative, earning her nominations for both a Golden Globe and Critics Choice Award. Blanchette’s depiction plays beautifully opposite her co-stars, Kline in one of his most powerful performances of layered in raw emotion and angst, to date, and Lesley Manville as his wife in stunning side-by-side performances as a couple who must confront the unimaginable as parents.  Sacha Baron-Cohen rounds out the leading cast in a surprise dramatic role as Blanchette’s unsuspecting husband. Told in dual perspectives narration, you will think you know the truth — but, only if you stay until the end.  Disclaimer is based on the best selling novel of the same name by Renee Knight, and is streaming now on Apple TV+.  MR. AND MRS. SMITH Think of two of the most unlikely people to pair as a married couple. YEAH, these fit that bill! John and Jane Smith are new CIA recruits that have a combative, awkward relationship, to say the least. That's how it begins. How they ultimately come to work together captures your attention. They create this sleek, impressive duo and become an exciting, interesting, and surprising pair of super spies! The subtle touch of comedy added by Maya Erskine and Donald Glover, playing the titular characters, adds to this superbly entertaining limited series, just right for an end of year binge-watch.  Amazon Prime's Mr. and Mrs. Smith is a reimagining of the classic story originally told in the 2005 film starring Brad Pitt and Angelina Jolie. The series’ storyline revolves around a married couple who appear to lead ordinary lives, but are secretly spies. Their dual identities and hidden lives create tension and humor as they navigate their relationship while also dealing with their espionage activities. The show explores themes of love, trust, and the complexities of marriage, all set against a backdrop of action and intrigue. Season 2 of the Amazon Prime Video mini-series, originally released May 2024, got exactly what it deserved! Despite initial comparisons to its big-screen predecessor, the straight-to-streaming reboot has definitely made a remarkable impression of its own. The series was nominated for 16 Primetime Emmys, including Outstanding Drama Series, taking home two statuettes at the 2024 ceremony. Check it out for a rewatch or a first watch. All 16 episodes of Mr. and Mrs. Smith’s seasons 1 and 2 are streaming now on Amazon Prime. BAD SISTERS Bad Sisters, the Apple TV+ series that follows the lives of the Garvey sisters, a close-knit group of women who share a deep bond and an even deeper dark secret. The story begins with the unexpected death of one of the sisters' husbands in season one, leading to an investigation that reveals the lengths to which the sisters will go to protect each other. The series blends dark comedy and drama, diving into the complicated ideas of family loyalty, love, and the complexities of sisterhood, all while maintaining a suspenseful narrative as the sisters navigate the aftermath of their brother-in-law's death. The ensemble cast, led by the show’s creator Sharon Horgan, features Eve Hewson, Eva Birthistle, Sarah Greene, Anne-Marie Duff, as the Garveys, and Fiona Shaw, of Harry Potter fame, as the sisters’ very own modern-day Gladys Kravitz. Bad Sisters is known for its sharp wit, engaging characters, and intricate plot twists, set against the often complicated backdrop of family dynamics. The first two episodes aired on August 19, 2022. Apple TV+ renewed the series for a second season on Nov 8. 2022, which started releasing episodes on November 13, 2024. The first season received a 2022 Peabody Award for excellence in comedy as well BAFTA and Emmy nominations. Seasons 1 and 2 of Bad Sisters are streaming now on Apple TV+. BLACK CAKE Based on the best seller of the same name,  Black Cake is a drama series on Hulu. It follows the story of Eleanor Bennet who leaves behind voice recordings for her children Benny and Byron after she dies. Neither child knows of her true heritage.  The story parallels between present day and the past starting from Eleanor's childhood in the Caribbean. Eleanor left the Carribean to travel to Europe and start a new life with a new identity. Eventually she ended up in the states leaving everything behind and never looking back. She left with good reason, but her children may not fully understand that. Grieving, Benny and Byron try to balance the struggles and hardships of their lives as dark family secrets are unveiled. They try to repair their strained relationship while coming to terms with their mother's secrets and her true identity.  It is a compelling family drama that has wonderful performances from the ensemble cast. The plot was intricate, the pacing was even and cinematography was beautiful. I never read the book and I understand that the story could be wrapped up in one season, but it felt opened ended and needed at least six more episodes to wrap it all up. I feel that it was not given a fair chance to be completed. Starring Chipo Chung as Eleanor, Mia Isaac, Adrienne Warren, and Bashy, Black Cake was first released Nov. 1, 2023, and streams exclusively on Hulu. ROB PEACE Heart-wrenching and powerful cinema, filled with anger and sadness.  Just some of the many words we could use to adequately describe director Matthew Carnahan’s brilliant film work with Rob Peace. The 2024 biographical drama, starring American rapper/musician Jay Will, as the title character, is based on the biography The Short and Tragic Life of Robert Peace by Jeff Hobbs. The film tells the inspiring true story of a young man from a challenging background who rises above his circumstances to attend Yale University. The poignant and powerful drama takes you desperately through the gifted young man’s challenging background as he must navigate the complexities of life between his upbringing in a rough neighborhood and his aspirations for success and a chance at an Ivy League education. The film, featuring an outstanding performance by Will, captures Peace's struggle against the odds while highlighting the systemic issues faced by many in similar circumstances. At its core, it is a story of a son’s love of his father, and how he used his brilliance and questionable choices to save him.  In the end, those choices cost him his life.  No doubt, this is an emotional movie that makes one think of their own life choices and their effect on the path you ultimately follow.  The underlying narrative is, at times, both inspiring and heartbreaking, exploring themes of identity, ambition, and the impact of environment on personal choices. The screenplay deftly balances moments of hope and despair, allowing viewers to connect deeply with Peace's journey. The supporting cast, featuring Chiwetel Ejiofor, Camila Cabello, Mary J. Blige, and Mare Winningham, delivers strong performances, adding layers to the story and illustrating the diverse influences that shape Rob's life. Rob Peace is a compelling and thought-provoking film in how it not only honors one young man’s remarkable life, but also how it serves as a broader commentary on the challenges faced by those striving to be better  — for themselves and their future. The film premiered at the Sundance Film Festival on January 22, 2024, and was given a limited theatrical release in the United States. Streaming now on Netflix, Apple TV, and Amazon Prime, Rob Peace is a must-watch for anyone called to stories of resilience and the pursuit of dreams against all odds. SHRINKING What does it take to forgive? To overcome? To be brave? To heal?  The truth?  It takes a village of the most flawed, complicated, lovable, supportive, dedicated group of people you can surround yourself with, who have seen you at your worst and love you anyway. You need the ones you can call in the dead of night, with a simple “It’s me,” and they come running, no questions asked, to help you pick yourself up from the ashes and move yourself courageously through the struggles of this world. When you find that village, you will have the makings of your own version of Shrinking, Apple TV+’s breakout hit, streaming now in its sophomore season. Season 2 of Shrinking, released on October 15, 2024, builds on the solid foundation laid by its 2023 inaugural run, delivering a blend of humor, heart, and poignant explorations of mental health and personal growth. Created by Bill Lawrence, Jason Segel, and Brett Goldstein, this dramedy takes viewers deeper into the lives of its characters, all while maintaining its signature blend of wit and authentic warmth.  Jason Segel, nominated for a Golden Globe, reprises his role as Jimmy Laird, the unconventional therapist grappling with the loss of his wife while trying to navigate his own emotions and  often complicated relationships. This season sees Jimmy continue to ride of the ragged edge of what’s appropriate boundaries for therapy, leading to both hilarious and touching moments. Segel delivers a nuanced performance, balancing the comedic elements with the underlying sadness of his character pushing to find forgiveness for others… and himself. The chemistry among the supporting cast is the through line of the series, making their interactions feel authentic and relatable. Jessica Williams as Gaby brings an infectious energy to every scene, and her evolving relationship with new love interest Derrick adds depth to her story as the consummate caregiver. Harrison Ford, also a Golden Globe nominee for his role as Paul, the lead therapist and everyone’s mentor, showcases his impressive range of vulnerability often buried beneath his tough exterior. Spoiler Alert — bring your Kleenex when watch the season finale. One of the standout aspects of Season 2 is its willingness to tackle heavier themes while still keeping the tone light. The exploration of grief, healing, and the complexities of human relationships is handled with great care, allowing viewers to connect emotionally without feeling overwhelmed. The writing strikes a balance between humor and heartfelt moments, that will leave you laughing one minute, reflecting the next. Every.Single.Episode. Shrinking is streaming now in AppleTV+. Did you watch all the shows on the list? Let us know your thoughts in the comments!

The plot thickens in Landman as hard-ball attorney Rebecca Falcone comes out of the shoot in episode 8 of the hit Paramount+ series with guns a-blazin’ for her anticipated verbal dust up with Cooper Norris. When we last visited The Patch, the oil company attorneys, Nathan and Rebecca (Kayla Wallace) hit a roadblock in their settlement talks with Ariana Medina, played by Paulina Chavez. Ariana, skeptical of the legal double-talk surrounding her husband’s oilfield death, continues to seek advice from her surprise new roommate, Cooper (Jacob Lofland). In turn, Rebecca is most pleased with finally crossing paths with the elusive oilfield crew newbie and sole survivor of the pumpjack explosion in the series’ season opener. Though Rebecca does her best to intimidate Cooper, with her not-so-subtle hints on his possible involvement with the explosion, she does so to no avail. It seems the young roughneck has been paying a lot more attention to the politics of oil industry litigation and accidental death payouts to victims’ families, than anyone thought to imagine. With Ariana solely leaning on him as her personal life coach, Cooper steps in to demand that M Tex Oil step up its settlement dollars to the Medina families.  Without question, the implications of such a fiery demand impact Cooper’s own long-term employment with the company. No worries though, Cooper’s animated heart eyes towards Ariana indicate that, for him, it may be worth it.   Now above Nathan’s pay grade to make that call on his own, the elder attorney radioes his boss’ boss Monty Miller (Jon Hamm) for approval to get the families to millionaire status. Played serenely by veteran actor Colm Freore, Nathan’s presence tempers every scene with his calm-in-any-storm persona as the voice of reason and often the only acting adult in the room. Rebecca finds that she may have met her match with the Norris Family men - a fact that is emphasized once again with a heated follow up convo with Cooper’s dad, Tommy, later that night. No doubt, this was not one of Rebecca’s best days. Back in Fort Worth, oil magnate Monty works on yet another issue as he seeks the Texas governor’s help with the menacing drug cartel near his oil rigs outside Midland, and asks for assistance from the Texas National Guard. Like candy from a baby, Monty gets what he wants. For now. As problems continue to rise for Monty, so does his blood pressure. He presses his driver to take a swing by the hospital on the way home —- a check of his Apple Watch has just told him that the stress has gotten the better of his heart. Sandwiched between the serious of this episode, we find a bit of comic relief in James Jordan’s oilfield engineer, Dale Bradley, still trying to navigate the antics of the Norris Family funhouse that has become his home life; and Ali Larter’s Angela, the rekindled pseudo wife to Billy Bob Thornton’s Tommy Norris. It is still up for debate, though, as to whether or not Angela as a character is on canvass for pure satire, or writer/creator Taylor Sheridan truly believes this is how Texas oil wives actually think and behave. In her rough-around-the-edges dialogue, one is left to wonder if Larter’s character lines are inserted merely for unfiltered shock value, or there is some deeper meaning to their overt shallowness, yet to be revealed. Nevertheless, what Angela’s presence lacks in substance and deep thought, Ariana’s time on screen with Cooper more than makes up for it, with its quiet display of a woman’s undeniable reservoir of strength and resolve. With their knowing looks, the quiet questioning of the appropriateness of their pairing — once again, the budding romance between the young widow and her gritty knight in oil-stained armor, drill down into what remains the heart of the narrative. And, in between the big oil economics lessons and what’s really killing our planet teen discussions in the episode, you find yourself mentally fast-forwarding through the filler scenes to get back to the storyline that clearly carries the sentimental weight of the show. When the other parts do not make sense, the angst of this right-person, wrong-time love affair, somehow, almost always does. For his part in the ensemble scenes playing opposite the burgeoning lovebirds, Thorton thrives in his versatility as an actor, tapping into his own ability to convey that needed sensitivity and touching depth, showcasing emotional nuances that contrast with the rougher edges of his persona. In these, dare-I-say tender, moments, Thornton uses subtle facial expressions, a softness to his voice, and gentle body language to illustrate Tommy’s inner conflict for his son, and the bitter reality of what a long-time relationship with his crew mate’s widow would mean. Thornton balances toughness with the vulnerability of a father, creating a rich and engaging portrayal, that translates into a character decidedly more relatable. To bring episode 8 to a close, Landman brings us back to the high-stakes drama that originally gave the big oil story its purpose. In the episode’s final minutes, the National Guard has arrived as promised and quickly makes its presence known with aerial training maneuvers, to serve as a deterrent to the cartel in and around The Patch. Little do the military men know, their presence may have indeed thwarted a drug runner exchange in process, even if not in the ways they intended. Only time and the next episode will tell what could possibly be the fallout for our favorite landman, as a result. Landman streams each Sunday on Paramount+.

The episode kicks off with a gut-wrenching discovery: a couple stumbles upon the body of Judge Powell's son, who was missing, introduced in the last episode. Fans had clung to the hope of his safe return, but this grim twist sets a haunting tone. At a crime scene, the chief hounds La Guerta, clearly still bitter about her hire, as she steps up to lead the case. Meanwhile, Dexter, shaken by the sight of the child’s lifeless body, takes a moment to collect himself—a rare crack in his usually controlled demeanor. Deb is hanging out with her best friend at the Morgan household, plotting a trip to South Beach. Her plans hit a snag when she realizes her dad took the truck she was promised. True to form, Deb lets out a string of colorful expletives in frustration. Dexter is called to a case on the beach where La Guerta is already taking charge, impatient with his meticulous methods. The narrator slyly notes that she’ll come to appreciate them later, a nod to fans of the original series who know how their dynamic unfolds. The case itself involves a man in a skirt who has been murdered, but the scene takes a disturbing turn when an ignorant EMT refuses to touch the body, fearing AIDS—a stark reminder of the prejudices of the time. Harry reflects on the discovery of Judge Powell’s son’s body. He worries that it could be triggering Dexter’s memories of his mother’s brutal death and the realization that he has a brother out there. This prompts a trip to the agency to ensure all traces of Dexter’s past are wiped clean. Fans of the original series will find the callbacks thrilling, especially the deeper dive into Harry’s connection with Laura, Dexter’s mother, and how their relationship shaped Harry’s decision to adopt Dexter. This layer of backstory enriches the narrative in ways the original series only hinted at. In her chaotic subplot, Deb buys coke from a random street dealer and indulges with her friend. Back at home, Dexter has a tense conversation with Harry. Dexter wants to kill the person responsible for Judge Powell’s son’s murder, but Harry, ever the moral compass, is disappointed. He reminds Dexter that he killed just days ago. Dexter fears his urges will spiral if he doesn’t act, and Harry relents, asking if he has a target. Enter Mad Dog, a professional hitman rumored to have a body count nearing 200. It’s a cold case, but Dexter is ready to make it his mission. Deb’s storyline escalates as she sneaks into a club, steals a bottle of Dom from VIP, and meets an older man who gives her his card. Later, she goes to meet up with the man. She leaves Harry a message saying she will spend the night with her friend. Harry sees through her deception and chooses not to confront her. It’s yet another moment where Deb’s recklessness shines, and as always, she’s a polarizing character for viewers. Dexter begins stalking Mad Dog, setting the stage for his next kill. The episode crescendos with Dexter working through his emotions the only way he knows how: by doing what he loves. However, this time, his victim puts up a fight, almost escaping. It departs from Dexter’s usual clean, controlled executions, adding tension and unpredictability to the scene. Without spoiling too much, the episode ends on a gripping cliffhanger. Patrick Gibson continues to shine as young Dexter, perfectly capturing the character’s internal conflict and eerie calm. Each episode masterfully weaves together past and present, balancing character development with steadily unfolding plotlines. Ten out of ten. Another phenomenal installment in this prequel series.