Your remote is about to get a workout. From true crime that broke the internet to reality TV reckonings, emotional reunions, and one last ride with The Rookie  on Tuesdays, tonight’s lineup has no filler, all chaos . Let’s break it down hour by hour so you don’t miss the good stuff. 🌙 LATE-NIGHT & STREAMING DROPS (3:00 AM ET) Handsome Devil: The Charming Killer Paramount+ If you’re fascinated by the disturbing intersection of true crime and online obsession, this three-part docuseries is your next spiral. The story follows Wade Wilson, a Florida man accused of murdering two women—and how his case somehow turned into a viral phenomenon. Equal parts unsettling and uncomfortably timely. Tell Me Lies Hulu Bad decisions season is officially back. A major twist pushes Diana straight back into Stephen’s gravitational pull (yikes), while Lucy seeks guidance from someone you probably wouldn’t expect. Emotional messes will be made. WWE: Unreal — Season 2 Premiere Netflix The gloves are off and the drama is dialed all the way up. Season two drops with a stacked lineup of wrestling royalty, fan favorites, and surprise personalities. Five episodes. One sitting. You know what to do. 🌆 PRIME TIME CHAOS (8:00 PM ET) Best Medicine FOX Things get ugly fast when a small-town doctor accidentally injures the local high school baseball hero—who just happens to be the son of his former tormentor. With playoffs looming, the town’s pitchforks are very much out. Coast 2 Coast NBC Basketball fans are eating tonight. Depending on where you live, you’ll catch either Spurs vs. Rockets or Lakers vs. Nuggets—with both games streaming back-to-back if you’re watching nationwide. Choose your rivalry wisely. The Real Housewives of Salt Lake City Bravo — Season 6 Reunion, Part 2 Tissues, tension, and turbulence. Mary opens up emotionally about her son, the women revisit the infamous plane ride from hell, and resolution is… attempted. Heavy emphasis on attempted . Will Trent ABC The art world gets dark when Will and Faith uncover a twisted conspiracy—with help from a familiar face from Will’s past. Meanwhile, a routine neighborhood call turns dangerous thanks to one very smart dog and some excellent instincts. 🔥 THE 9 O’CLOCK HOUR Doc FOX Life hangs in the balance as Charlie fights to survive, with Hannah refusing to leave his side. A familiar face returns to Westside, and let’s just say Amy is not  thrilled about it. High Potential ABC A midair murder. An Air Force veteran. And a brilliant investigator stuck in mandatory training instead of the field. The case is urgent, the pressure is on, and Morgan is not known for following the rules. Star Search Netflix — Series Premiere The iconic talent competition returns with live performances, real-time voting, and a judging panel that knows a thing or two about the spotlight. Hosted by Anthony Anderson, this revival is aiming big—and airing twice a week. Vanderpump Rules Bravo SUR turns 20, Lisa throws a classy celebration, and the relationship drama refuses to stay on ice. Angelica and Shayne grow closer, even as his feelings about monogamy raise more than a few eyebrows. 🚨 FINAL HOUR (10:00 PM ET) The Rookie ABC — Final Tuesday Episode It’s the end of an era. Nolan makes an unexpectedly quiet arrest, Lucy and Celina race against time to save a kidnapping victim, and Harper and Lopez team up to outthink a killer. Plus, Miles reconnects with someone from his past. Starting next week, the show moves to Mondays—so pour one out for Tuesdays. 📌 THE TV CAVE RECOMMENDS If you only have time for one thing: Drama fix:   RHOSLC Reunion Binge energy:   WWE: Unreal Feels + thrills:   Will Trent Nostalgia with a glow-up:   Star Search Set your DVRs, charge your tablets, and cancel your plans. We’ll be back tomorrow with another rundown of everything worth watching—and everything worth side-eyeing. Stay cozy, The TV Cave  🍿

Sliding into the spotlight this winter is Queen of Chess , the new Netflix documentary about Judit Polgár , the woman who didn’t just play the game, she rewrote its rules. Premiering at the 2026 Sundance Film Festival  and streaming on Netflix February 6, 2026 , this is more than a deep dive into chess history, it’s an exhilarating underdog story, delivered with style, grit and archival visuals that make a rook move look cinematic. At first glance, Queen of Chess  might seem like another sports documentary tucked into Netflix’s sprawling docket, but it quickly becomes clear that this isn’t about pawns and queens on a board. It’s about breaking barriers in a male-dominated arena  long before gender equity became buzzword policy. The film chronicles Polgár’s meteoric rise from a 12-year-old chess prodigy in Hungary to a force who became the greatest female player in history , challenging giants like Garry Kasparov and smashing age and gender records along the way. Directed by award-winning filmmaker Rory Kennedy , Queen of Chess  leans into interviews with Polgár herself, her family and key figures from the chess world, charting her evolution from a fiercely driven child to a nuanced champion who transformed the sport’s cultural landscape. There’s a smart blend here of archival footage, including previously unseen clips and personal reflections that inject warmth and complexity into what could easily have been a dry biographical display. Queen of Chess. Judit Polgár in Queen of Chess. Cr. Courtesy of Netflix © 2026 For longtime chess fans, the documentary is a satisfying tribute to one of the game’s most formidable figures. For everyone else, it’s an absorbing character study about ambition, resilience, and legacy. If you came for chess culture, you’ll stay for the human story: the pressure, the triumphs and yes, the moments that make you sit up and rethink what you thought you knew about competition. By the time the credits roll, Queen of Chess  has done what the best documentaries do, it entertains, educates and leaves you itching to learn more about its subject. Whether you’re a strategist with an ELO rating or someone who thought a knight was a fancy horse, this film gives you a compelling reason to care about the game and  the groundbreaking woman who mastered it.

Daytime television may be preparing to hit a high note and then fade out. Reports are swirling that The Kelly Clarkson Show  could be coming to an end and if true, it would mark a major shift in the daytime TV landscape. Since its 2019 debut, the Emmy-winning talk show has been a feel-good staple, blending celebrity interviews, viral “Kellyoke” performances and Clarkson’s disarming relatability. Now, according to multiple industry reports, the Kelly Clarkson Show ending  conversation is getting louder and harder to ignore. The buzz centers on the show’s current season, which is reportedly expected to be its last once Clarkson’s contract wraps in 2026. While NBCUniversal has not made an official cancellation announcement, insiders suggest the decision may be less about ratings and more about a personald decision. Hosting a daily syndicated talk show is no small feat and Clarkson has been increasingly candid about wanting to prioritize her family and personal well-being. The Kelly Clarkson Show  has been a consistent ratings performer and a daytime awards darling. Clarkson has taken extended absences in recent seasons, guest hosts have filled in more frequently due to personal family matters which we completely respect. Still, the idea of the Kelly Clarkson Show ending leaves a noticeable gap. Few hosts managed to balance warmth, humor and musical star power quite like Clarkson. And “Kellyoke” became must-watch content in an era where daytime TV desperately needs viral moments to stay relevant. If the show does bow out, it will likely go out on a high, rather than overstaying its welcome. In an industry where talk shows often linger past their expiration date, there’s something refreshingly self-aware about stepping away while audiences still care. For now, the key word is reported . Until NBC or Clarkson herself confirms the news, fans are left reading between the lines and revisiting their favorite Kellyoke performances just in case. Whether this truly marks the final curtain call or simply the end of an era, one thing’s clear: daytime TV won’t sound quite the same without Kelly Clarkson belting out a cover at 3 p.m. Stay tuned because if there’s one thing daytime TV loves more than a heartfelt monologue, it’s a dramatic farewell.

Fox’s The Masked Singer  delivered another chaotic, costume-filled spectacle this past week and “Fear Night” lived up to its spooky promise. In an episode packed with theatrical performances, dramatic guesses and the kind of wild energy only this show can sustain, one familiar voice was silenced sooner than expected. Yes, The Masked Singer  fans, Tiffany Haddish has officially been eliminated. The episode centered around the delightfully bizarre character Le Who Who , whose performance of Blondie’s “One Way or Another” leaned heavily into attitude. While the vocals were solid, the performance screamed personality first, polish second which is a hallmark of Haddish’s brand. Unfortunately, that same larger-than-life presence may have worked against her as the competition tightened. The judges were clearly circling the answer by the end of the night. Rita Ora landed on Tiffany Haddish with confidence, citing the contestant’s unmistakable comedic swagger and vocal cadence. When the mask finally came off, the reveal earned cheers, laughs and that familiar sense of “how did we not see this sooner?” that The Masked Singer  thrives on. Haddish’s elimination came earlier than many expected, especially given her star power and natural charisma. But The Masked Singer  has never been a straight popularity contest. It rewards vocal growth, adaptability and the ability to surprise and this past week, other contestants simply edged her out. Fear Night was less about scares and more about strategy and Le Who Who couldn’t quite escape the chopping block. Still, Tiffany Haddish’s run added exactly what the show needed: humor, unpredictability and meme-worthy moments. Her exit doesn’t diminish the fun she brought to the season, nor does it dull the intrigue moving forward. If anything, her elimination reminds viewers that The Masked Singer  remains gloriously unpredictable, even in its later seasons. As Season 14 continues, the competition is heating up, the guesses are getting sharper and the margin for error is shrinking fast. If Fear Night proved anything, it’s that no celebrity, no matter how recognizable is safe under the mask. For more Masked Singer  recaps keep it locked to The TV Cave , where reality TV drama lives rent-free and nobody escapes our watchful eye.

High Potential Season 2, Episode 9, “Under the Rug,” leans hard into its darker themes, delivering an episode that’s as much about Morgan Gillory’s emotional unraveling as it is about the crime itself. By the end of the hour, secrets are exposed, relationships are tested, and Morgan is left visibly changed. The episode’s central case starts with a suspicious canyon crash, a dead hitman, and a lot of golfballs but Morgan (played by Kaitlin Olson) quickly realizes it’s no accident. As she, Detective Karadec (Daniel Sunjata), and the team dig deeper, the truth comes out: the death is tied to a powerful tech executive who ordered a cover-up to protect his reputation and fortune. The revelation that a hired hitman (who was secretly an undercover fed) was involved confirms what Morgan suspects early on: this was murder, carefully swept under the rug.  THE FEDS ALWAYS END UP HAVING A DIRTY MEMBER IN PROCEDURAL DRAMAS! Captain Wagner   (Steve Howey) authorizes the arrest, but not without hesitation, making his role feel increasingly morally gray. Justice is technically served, but the episode makes it clear that the system only works because Morgan refuses to let the truth stay buried. Speaking of Captain Wagner, Howey’s portrayal of this character continues to impress me; this is outside of his normal over-the-top comedic roles. I find myself going back and forth between the thoughts of “He has feelings for Morgan” and “He wants to get rid of Morgan”. Honestly, that’s what makes his character so intriguing to me; you don’t know what his end game is. What really defines “Under the Rug” is how personal the case becomes for Morgan. Douglas Newmeyer’s (Keith Carradine) condescending dismissal of her intelligence hits a nerve, reopening wounds tied to her upbringing and her complicated relationship with her father. For once, Morgan’s confidence cracks, and Olson plays these moments with surprising restraint. Karadec steps up in a big way, offering Morgan quiet support instead of sarcasm or skepticism. Their scenes together hint at deeper trust and possibly deeper feelings without spelling anything out explicitly. At home, Morgan’s kids, especially Elliot, provide a grounding presence, while Ludo (Taran Killam) continues to be a steady, supportive co-parent. Unlike many procedurals, High Potential avoids messy relationship drama here, instead reinforcing how Morgan’s family is her emotional anchor. (Disney/Mitch Haaseth) STEVE HOWEY Final Thoughts “Under the Rug” doesn’t rely on flashy twists. Instead, it delivers weight: exposing corruption, challenging Morgan’s self-image, and pushing her relationships forward. With strong performances from Kaitlin Olson, Daniel Sunjata, and Steve Howey, this episode feels like a turning point heading into the endgame of Season 2. Short, sharp, and emotionally loaded, Episode 9 proves High Potential is willing to get uncomfortable and that’s exactly why it works. High Potential airs on Tuesdays at 9 p.m. ET and streams the next day on Disney Plus/Hulu.

Valentino Garavani, the legendary Italian designer and founder of the Valentino fashion house, has died at the age of 93. His death marks a significant moment in the global fashion industry, closing the chapter on one of Italy’s most influential couture figures whose work shaped luxury fashion for more than six decades. The Valentino Garavani Foundation confirmed that the designer died on January 19, at his home in Rome. According to the foundation, he passed away peacefully surrounded by loved ones. No cause of death was disclosed. Born Valentino Clemente Ludovico Garavani on May 11, 1932 in Voghera Italy, Garavani studied fashion design in Milan and Paris before launching his own label in Rome in 1960. The Valentino brand quickly gained international recognition for its refined silhouettes, meticulous craftsmanshipmand signature shade known as Valentino red. By the late 1960s, his designs were worn by royalty and prominent public figures, cementing his reputation as a leading couturier. Over the course of his career, Valentino dressed Jacqueline Kennedy Onassis, Princess Diana, Elizabeth Taylor, Sophia Loren, and numerous Hollywood stars. His work became closely associated with elegance and formal glamour, influencing red carpet fashion and luxury design standards worldwide. In 2008, Valentino retired from active design, presenting his final haute couture collection in Paris. The Valentino Garavani Foundation released a statement shown below: Tributes have come from across the fashion industry. In a statement reported by Reuters, Italian Prime Minister Giorgia Meloni described Garavani as “V alentino, undisputed master of style and elegance and eternal symbol of Italian high fashion. Today Italy loses a legend, but his legacy will continue to inspire generations. Thank you for everything. ” Fashion executives and designers also paid formal respects, highlighting his contribution to Made in Italy craftsmanship. Funeral services are expected to take place in Rome later this week, with further details to be announced by the family. Public commemorations are also being planned to honor his impact on Italian culture and fashion history. Valentino Garavani’s death represents the loss of a defining figure in luxury fashion. His influence remains embedded in the Valentino brand and in the broader history of haute couture, ensuring that his work continues to be studied, worn and celebrated for generations to come.

We’re back with another episode of Industry this week & wow, another great episode in the books. This one was a little different in the sense that we’re focused primarily on Jasmin and Henry’s relationship and how their lives are going. I was expecting it to be more Yasmin centric than Henry, but they both get a fair amount of screentime and it gives us a lot of context to what’s going on in Henry’s mind and how that directly or indirectly affects Yas.  Soon after opening the episode, we find out that Henry has lost the vote to be the Conservative Party leader. This has left him distraught and spiraling as we lead into his 40th birthday and the anxiety surrounding that. We find out more about his father’s passing, we find out that his father committed suicide and he saw it when he was young. We also find out that his dad died at 40 and that’s why there’s added stress and anxiety about this upcoming birthday. He’s slowly becoming a shell of himself and disconnected and unattached from Yasmin and those around him. The actor gives a phenomenal performance throughout this episode as his mental health deteriorates, but Marisa Abela absolutely shines in this episode. She’s always been a phenomenal performer and this episode is a highlight in her range and ability as an actor.  At times, the episode feels very uncomfortable because we’re stuck in this situation with Yasmin & Henry for almost the entire runtime. It’s a testament to how great the work is and how hard of a time these characters are having. It’s supposed to be uneasy and uncomfortable, and even if you don’t full agree with either of them or their actions, you can’t help but to sympathize with them at times and want the situation to improve. Everything comes to a head at Henry’s birthday dinner & without spoiling anything, that scene was truly one of the highlights of the episode for me. Henry’s breakdown is only getting worse and now people in society outside of Yasmin and his uncle see that.  I know this is a bit of a shorter review for this week, but since it’s so isolated, there’s a little less to cover. But I still think this was an excellent episode and definitely can’t miss TV. I’m excited to see what’s to come next this season. Overall, I would give this episode a 5/5 star rating!

Prime Video recently unleashed the official trailer for The Bluff and this one is charting its own course through stormy seas. The trailer stars Priyanka Chopra Jonas  as Ercell “Bloody Mary” Bodden, a former pirate trying to bury her past and Karl Urban  as the vindictive Captain Connor, dragging her back into a world of sword clashes and blood-soaked shores. From the opening seconds, it’s clear Prime Video wants viewers to take this pirate flick seriously. The tone is gritty, grounded, and refreshingly unglamorous, almost like someone took Pirates of the Caribbean , de-glossed it and made it R-rated. The trailer doesn’t hold back: rope swings, brutal sword fights and visceral confrontations abound, letting us know that The Bluff  leans hard into action-adventure territory rather than campy swashbuckling. Chopra Jonas delivers an intense, physical performance unlike many of her previous roles, balancing motherhood with mayhem as her character attempts to protect her family from the grim realities of her old life. The trailer showing her fighting with ferocity and making tactical decisions that reveal a cunning and lethal side. Karl Urban’s Captain Connor is a menacing force whose presence looms over every frame. His dark, calculating edge makes it clear that this clash between pirate legends is about vengeance. I'm so excited to see him as the villain for once. Visually, the trailer embraces a rugged Caribbean backdrop; wind-torn sails, jagged coastlines and salt-sprayed decks. While the period setting gives it flair, the fight choreography and directorial energy keep it feeling modern and intense. With a February 25, 2026  Prime Video premiere date locked in, The Bluff  is positioning itself as one of the streamer’s boldest action entries yet. For viewers craving pirate adventure, the trailer delivers plenty to chew on. Whether The Bluff  becomes a cult high-seas classic or just a bloody romp, the trailer makes one thing clear: Bloody Mary isn’t bluffing when she says this adventure will soak the sand in blood and the hook is set.

On January 16, Brayan Nicoletti made his highly anticipated debut as R.J. Forrester  on The Bold and the Beautiful , instantly shaking up the CBS daytime drama with a mix of confidence, charisma and a little mischief. For anyone following the soap’s intricate web of family drama, love triangles and fashion showdowns, R.J.’s return is impossible to ignore. Nicoletti’s R.J. made an entrance that demanded attention. Walking into Forrester Creations with his trademark cocky grin, he immediately caught his parents, Brooke and Ridge, off guard, reminding everyone that this Forrester heir doesn’t tiptoe through the drama; he dives in headfirst. Fans watching live could sense that this new R.J. isn’t just returning to the fold; he’s here to stake his claim in the family business and the Los Angeles social scene. R.J. Forrester has always lived life on his own terms. Born into soap royalty, he’s had his share of romantic entanglements, rivalries, and identity crises. Previous storylines saw him navigating complex relationships, including a memorable romance with Luna, while juggling the expectations that come with being a Forrester. His return now promises new twists, especially as he reconnects with family, contends with his rivalries and tests the boundaries of love and loyalty in the Forrester-Logan universe. From there, things got even juicier. R.J. quickly learned that his sisters or at least one of them   are carving out their own corner of the fashion world. Meanwhile, his chemistry with Electra Forrester hinted at potential flirtation, with both characters nodding to the fact that they aren’t related  (because soap genealogy can get very weird ). There was a moment of playful sweet talk involving a heart‑shaped necklace that made hearts flutter and eyebrows raise in equal measure, setting the stage for potential love quadrangles and workplace rivalry that could rival any runway feud Behind the character, Brayan Nicoletti is an exciting new talent to watch. The young actor, brings a natural charisma to the role that makes R.J. feel alive and modern. Nicoletti, fluent in multiple languages and with an athletic edge perfect for a character who is part businessman, part rebel and all soap opera. His ease in front of the camera and chemistry with veteran cast members make his debut a standout moment for the show. Fans are already weighing in, sharing excitement over his bold presence, stylish looks, and playful attitude. As storylines heat up and rivalries reignite, Nicoletti’s R.J. is shaping up to be a fan favorite and a key player in the drama to come. So, soap aficionados, what’s your take? Is Brayan Nicoletti the R.J. Forrester you’ve been waiting for, or is he rewriting the family legacy in ways we’re still processing? The conversation is just getting started and this Forrester heir is definitely worth the watch.

Roger Allers, the acclaimed animator, filmmaker, and co director of Disney’s The Lion King , has died at the age of 76. Allers passed away on January 17, 2026, at his home in Santa Monica, California. His death marks the loss of a key figure in modern animation and the Disney Animation Renaissance. Allers began his career in the late 1970s, contributing to storyboards and visual development on films such as Tron . He later joined Walt Disney Feature Animation, where his work spanned multiple iconic projects. His credits include Oliver & Company , The Little Mermaid , Beauty and the Beast , Aladdin , and Lilo & Stitch , solidifying his reputation as one of the leading creative talents in animation. He is best known for co directing the 1994 animated blockbuster The Lion King  alongside Rob Minkoff. The film became one of the highest grossing traditionally animated movies in history and received major awards recognition, including a Golden Globe Award for Best Motion Picture Musical or Comedy. News of Allers’ passing was first confirmed by his friend and Disney colleague Dave Bossert via Facebook, “I am deeply saddened by the news that our friend Roger Allers has passed on to his next journey. We were just trading emails this past week while he was traveling in Egypt, which makes this loss feel all the more unreal. Roger was an extraordinarily gifted artist and filmmaker, a true pillar of the Disney Animation renaissance. Roger had a joyful, luminous spirit, and the world is dimmer without him. Rest in peace, my friend. Until we meet again on the other side. I’m pictured with Roger in 2016 at an Academy event. I always admired his colorful sports jackets.” Don Hahn, a producer who worked alongside Allers on The Lion King  said, “Every once in a while, life puts someone in our path who helps us see more clearly. Roger was that person for me, and for so many of us who worked with him. He was the rarest of people, endlessly curious, playful and deeply human, always eager to tell stories that reminded us of the wonder in life. He lives on in his work, and in the hearts of all of us who were lucky enough to know him.” Disney CEO Bob Iger released the following statement, “Roger Allers was a creative visionary whose many contributions to Disney will live on for generations to come. He understood the power of great storytelling — how unforgettable characters, emotion, and music can come together to create something timeless. His work helped define an era of animation that continues to inspire audiences around the world, and we are deeply grateful for everything he gave to Disney. Our hearts are with his family, friends, and collaborators.” Beyond film, Allers co wrote the Broadway adaptation of The Lion King , which opened in 1998. The stage production won multiple Tony Awards, including Best Musical and brought the story to global audiences. He also worked on projects outside Disney, including co directing Sony Pictures Animation’s Open Season  and writing and directing The Prophet , an animated adaptation of Kahlil Gibran’s work. Roger Allers is survived by his two children. His career left a lasting mark on animated filmmaking and his contributions to both the big screen and stage continue to influence audiences and creators worldwide.

Get ready, Cavers: Taylor Sheridan, the mastermind behind Yellowstone, 1923  and 1883 , is trading guns and ranches for heartfelt family drama in his latest project, The Madison . Starring Oscar nominee Michelle Pfeiffer and Golden Globe nominee Kurt Russell, this six-episode Paramount+ series promises to tug at your heartstrings while delivering the cinematic visuals Sheridan is known for. Premiering globally on March 14, 2026 , The Madison  is already turning heads with its first-look images and an all-star ensemble cast. Set against the sweeping Montana landscapes of the Madison River Valley and the bustling streets of Manhattan, The Madison  follows the Clyburn family as they navigate grief, resilience and the messy beauty of human connection. Sheridan calls this his most intimate work yet, blending poignant storytelling with moments of humor and heart, a combination that could make TV fans swoon. Pfeiffer and Russell lead the charge as the family’s anchors, bringing decades of acting chops and on-screen gravitas. They’re joined by Beau Garrett ( Firefly Lane ), Elle Chapman ( A Man Called Otto ), Patrick J. Adams ( Suits ), Amiah Miller ( War for the Planet of the Apes ), Kevin Zegers ( Power ), Matthew Fox ( Lost ), and a slew of other talented actors who round out the six-episode first season. With this kind of ensemble, Sheridan clearly wants viewers to care deeply about every twist, tear, and triumph the Clyburns experience. Produced by Paramount Television Studios, 101 Studios, and Bosque Ranch Productions, The Madison  also boasts a powerhouse executive producer team including Sheridan himself, Michelle Pfeiffer, and Kurt Russell. The series promises a cinematic quality rarely seen in streaming TV, with breathtaking shots that shift effortlessly from Montana’s natural grandeur to Manhattan’s urban energy. For TV fans craving a drama that blends star power, emotional depth and the cinematic flair Sheridan fans expect, The Madison  is shaping up to be a must-watch. Keep your calendars marked for March 14 , because this is one family saga you won’t want to miss, especially if you’re ready for a little heartbreak, a little hope and a lot of Pfeiffer-and-Russell magic.

Four years after Season 2 of Euphoria dropped, we finally have a trailer for the long awaited and highly anticipated Season 3. In the trailer we see that the show picks up a few years after Rue (Zendaya) graduated from high school. She’s working at a smoke shop and is beginning to have faith that her life can get better. She’s quickly shaken out of her newfound contentment when the drug boss Laurie (Martha Kelly) pays her a visit to collect the debt for the drugs Rue was supposed to sell in Season 2. Fans will remember that Rue’s mother flushed all the drugs down the toilet and Rue was unable to pay Laurie. We see that Rue gets involved with preparing drugs through a montage which includes guns, fire, strippers, and a new boss that Rue is now entangled with.  The trailer also gives us a peek at what Rue’s friends have been up to for the last few years. Nate (Jacob Elordi) and Cassie (Sydney Sweeney) are now married, and Cassie is a spicy content creator to Nate’s dismay. Jules (Hunter Schafer) seems to be living in the lap of luxury in a high rise. We’re not sure what Maddie (Alexa Demie) and Lexi (Maude Apatow) have been up to, but we see them in scenes with Rue. For the last 4 years fans have been pondering how the show will explain what happened to Fezco and Ashtray (Javon Walton). Last we saw Ashtray he was locked in a bathroom with the police sending a parade of bullets through the door. Fezco was arrested by the police but sadly the talented actor that played him, Angus Cloud, died in 2023. His presence was greatly missed from the trailer, and we are left to wonder if they will address what happened to these dynamic characters. One thing is certain – Rue continues to find herself in a mess. And we love watching it! Season 3 of Euphoria drops on April 12 th , 2026, on HBO Max.