The town of Port Charles is a little quieter today. General Hospital just took a break from its usual baby-swap shenanigans to pay its respects to the GOAT of daytime television. In a move that has soap fans reaching for the nearest box of Kleenex, the show shared a touching tribute to the late, great Anthony Geary on its official Instagram today (January 23). Geary, who famously portrayed the incomparable Luke Spencer , passed away in December 2025, leaving a gaping, denim-clad hole in the hearts of viewers even though he retired from acting years ago. While we’ve all been waiting to see how the powers that be would handle the loss of a man who essentially carried the network on his back for four decades, today’s montage was the first official step in saying goodbye. A Legacy in High Definition (and 80s Grain) The montage isn't just a collection of clips; it’s a masterclass in how to be a television icon. From his 1978 debut as the "diamond in the rough" to the 1981 wedding that literally stopped the world, the video serves as a reminder that before there was Peak TV, there was Luke Spencer. The tribute features some heavy-hitting testimonials that prove Geary was just as beloved off-camera as he was on it. Genie Francis (Laura Spencer) , his partner in crime and romance for the ages, delivered a line that gutted the fandom: "Some people were so alive that they'll never be gone." If that doesn't make you want to rewatch the Ice Princess saga immediately, check your pulse. Even Nancy Lee Grahn (Alexis Davis) chimed in, calling Geary a "master craftsman" who was "delightfully naughty." It’s a fitting description for a man who managed to make a career out of playing a morally gray anti-hero long before it was cool on HBO. This Is Just the Warm-Up While today's Instagram post was the appetizer, the main course is still cooking. General Hospital confirmed that a full-hour commemorative episode is slated for Friday, February 20, 2026 . Expect more rare footage, more cast reflections and likely a lot more weeping from Laura Wright (Carly) , who noted in the tribute how grateful she was to have shared the stage with the legend. For those of us at Soap Wire, it’s a bittersweet moment. Geary was the blueprint for every "bad boy with a heart of gold" that has graced our screens since. Seeing the show honor him with such class, despite the usual soap opera chaos is a rare moment of genuine heart in a genre known for its camp. The Final Word Anthony Geary didn't just play a character; he defined an era. This tribute montage is a necessary, albeit painful, reminder of the talent we lost. As we look toward the February special, one thing is clear: Port Charles will never truly be the same without its favorite rogue. What are your favorite Luke Spencer memories? Is it the disco dancing, the Cassadine showdowns, or just that signature smirk? Head over to our comments and let’s toast to the man who made us all believe in the power of a really good perm. Stay tuned to Soap Wire for more General Hospital updates and the full recap of the upcoming tribute special.

The Muppets are back, and honestly, it’s about time. Just when television feels overloaded with prestige dramas and grim reboots, The Muppet Show  is returning with a special event that promises music, mayhem and that uniquely Muppet brand. Sometimes you just want some family fun. Premiering February 4 on Disney+ and ABC, this revival lands right on the cusp of the franchise’s 50th anniversary, making it both a celebration and a reminder of why felt, foam and perfectly timed nonsense still matter. The newly released trailer wastes no time letting you know its intentions. Kermit, Miss Piggy and the entire Muppet ensemble are once again taking over the original Muppet Theatre, joined by pop powerhouse Sabrina Carpenter as the main guest star. The result looks like a delightful collision of classic variety-show antics and modern pop energy, which is exactly the sweet spot The Muppet Show  has always occupied. Adding to the fun, Maya Rudolph has been announced as a guest star. Rudolph’s comedic instincts and musical chops make her a natural fit for the Muppet universe, while executive producer and guest star Seth Rogen brings his trademark chaos into the mix. If the trailer is any indication, Rogen understands the assignment: be funny, don’t overthink it and let the Muppets do what they do best. THE MUPPETS SHOW SPECIAL - (Disney/Mitch Haaseth) SETH ROGEN, FOZZIE BEAR Directed by Alex Timbers and backed by a stacked producing team from Point Grey Pictures and The Muppets Studio, the special event looks polished without losing its scrappy charm. The updated “Muppet Show Theme (2026),” produced by Bill Sherman, adds a modern sheen while still respecting the original’s unmistakable rhythm. Longtime performers like Dave Goelz, Bill Barretta and Matt Vogel ensure the characters feel exactly as they should; familiar, ridiculous and weirdly comforting. What makes this return work, at least on first glance, is its refusal to reinvent the wheel. The Muppet Show  doesn’t need gritty realism or ironic detachment. It thrives on sketches that barely hold together, celebrity guests willing to look silly and Miss Piggy stealing every scene like it’s her contractual obligation. In an era obsessed with “elevated” storytelling, the Muppets remain joyfully unbothered. As The Muppet Show  returns, it doesn’t just tap into nostalgia, it reminds audiences why this franchise became a global phenomenon in the first place. If the full special delivers on the trailer’s promise, this could be one of the most genuinely fun TV events of the year. And really, television could use a little more music and a lot more Muppets.

The sands of the arena have always been soaked in blood, but in Spartacus: House of Ashur Season 1, Episode 8 , the gore finally comes with a side of genuine heartbreak. After a week-long delay that had fans sharpening their gladius in frustration, "Horizons" arrived, delivering an hour of television that proved Ashur’s house is built on a foundation of shifting sand and terrible life choices. If you were expecting a triumphant return for our favorite band of morally flexible warriors, you haven't been paying attention to the Spartacus universe. This episode wasn’t just a mid-season bridge; it was a brutal reminder that in Capua, the higher you climb, the harder you hit the dirt. The Return of Achillia: Trauma in the Arena The central hook of "Horizons" was the much-anticipated return of Achillia. After spending the last few episodes nursing wounds both physical and psychological, she finally stepped back into the limelight. However, this wasn't the invincible warrior we saw in the series premiere. Achillia is haunted. The accidental killing of a village girl continues to plague her psyche, manifesting in jarring flashbacks that nearly cost her everything during her comeback match. It’s a refreshing, if harrowing, bit of character development. In a show that often treats death like a sport, seeing the heavy toll of "collateral damage" on a gladiator’s soul adds a layer of depth that House of Ashur desperately needed. She survives the bout, but the victory feels hollow, framed by the ghosts of her past. The Fall of the House of Celadus Let’s talk about the moment that is currently a blow to all we hold dear: the death of Celadus. Played with a rugged charm by Dan Hamill, Celadus has been the steady hand in a sea of chaos. His death in "Horizons" is arguably the most devastating loss of the season so far. The tragedy here is rooted entirely in Tarchon’s unearned arrogance. Tarchon’s hubris has been a ticking time bomb since Episode 1 and in his quest to "protect" or perhaps possess Achillia, he inadvertently sets the stage for his father’s demise. It is a classic Greek tragedy played out in Roman leather. The death of Celadus isn't just a shock value moment; it serves as the ultimate catalyst for the rebellion we’ve been smelling in the air. If the gladiators were looking for a reason to burn the ludus down, Tarchon just handed them the torch. EPISODE 108 – “Horizons” _Daniel Hamill(“CELADUS”) Ashur’s Very Bad, No Good, Horrible Day While the gladiators are busy dying, Ashur is busy failing. Nick Tarabay continues to play the titular villain with a delicious mix of slithering intellect and desperate insecurity. In "Horizons," we see the cracks in his armor widening. First, his delusions of grandeur regarding Viridia are shattered. Watching Ashur realize that all the gold and power in Capua can't buy genuine devotion was a highlight for anyone who enjoys seeing a villain get kicked while he’s down. Let's not forget his role in Opiter's death. A Masterclass in Consequences Directed by Toa Fraser and written by Henry G.M. Jones, "Horizons" succeeds because it forces every character to look at the "horizons" of their own making. The episode title is a cruel irony; while the characters look toward the future, they are being dragged down by the weight of their past sins. The production value remains top-tier, with the arena sequences offering that signature stylized violence we crave but the emotional beats hit harder than the swords. The delay in airing may have been annoying, but the quality of this installment suggests that the House of Ashur is heading toward a finale that will leave no one unscathed. The Verdict "Horizons" is a standout episode that balances visceral action with genuine narrative stakes. It’s messy, violent and deeply cynical, exactly what a Spartacus spin-off should be. As we head into the final stretch of Season 1, the board is set for a bloody reckoning. Ashur is losing his grip, the gladiators have a martyr in Celadus and Achillia is a wild card with nothing left to lose. Will Ashur survive his own web of lies, or will the rebellion finally reach his doorstep? Stay tuned to The TV Cave for more recaps, theories and deep dives into the world of Capua. Sound off in the comments: Was Celadus' death the saddest moment of the series, or did he have it coming for raising a son like Tarchon?

CBS has officially dropped the highly-anticipated trailer for Marshals , the latest Yellowstone spinoff that’s trading ranch drama for high-stakes federal action. If you thought the Dutton family sagas were intense before, this new series promises to crank the tension up a notch as Kayce Dutton faces an unimaginable loss and a dangerous new career path . Get ready to bid farewell to the peaceful Montana horizon and hello to bullets, badges, and existential crises. The Tragedy That Drives the New Series The trailer wastes no time pulling at the heartstrings, opening on a grim scene that suggests tragedy has struck the core Dutton family. A sheet is draped over a body, and while the victim remains unseen, it appears to be a major character, potentially Kayce’s wife, Monica. This devastating start immediately sets the tone for a much darker series than fans might be used to. The Yellowstone ranch is apparently "gone," and with most of his family out of the picture, Kayce is looking for a fresh, albeit violent, start. He isn't just joining any federal agency; he’s becoming a U.S. Marshal, an elite unit tasked with hunting down the worst of the worst. It’s a career change that feels both desperate and inevitable for a former Navy SEAL with a penchant for trouble. "Rambo with a Stetson" Joins the Force It seems Kayce's legendary, lethal reputation precedes him even in federal law enforcement circles. A fellow marshal humorously dubs him "Rambo with a Stetson," and honestly, is there a better nickname for a cowboy who can handle a tactical situation as well as a horse? The trailer showcases exactly this blend of skills, featuring explosive action sequences, intense tracking through the wilderness, and a look at the formidable new team joining the fray. The new cast includes talents like Logan Marshall-Green, Arielle Kebbel, and Tatanka Means, who form Kayce’s unit. And yes, a few familiar faces are confirmed to return, including Tate Dutton, Thomas Rainwater, and Mo, ensuring the show maintains those crucial ties to the Yellowstone universe. Our Take: A Gritty, Action-Packed Shift Marshals is shaping up to be a compelling, action-heavy departure from its predecessor. The shift from sprawling ranch politics to targeted federal manhunts is a welcome change of pace, offering a grittier, more focused narrative. It’s less about land rights and more about justice or vengeance, as Kayce puts it. The trailer successfully builds massive anticipation for the March 1, 2026 premiere on CBS and Paramount+. It looks sharp, promises high drama, and has us ready to see if Kayce can handle a badge as well as he handles a gunfight. Ready for the Ride? The official Marshals trailer has delivered high-octane excitement and promises a dramatic turn for Kayce Dutton. With its March 2026 release date fast approaching, it’s time to prepare for a thrilling, potentially heartbreaking journey into the world of U.S. Marshals. The stakes are higher than ever, and we cannot wait to see how this story unfolds. What are your thoughts on Kayce's new direction and that shocking opening scene? Sound off in the comments and let us know if you’re ready for the next chapter in the Dutton saga!

The culinary world’s favorite human blowtorch is back, but this time, he isn't just screaming at a terrified line cook for over-seasoning a risotto. On February 18, Netflix drops its most ambitious food docuseries yet: Being Gordon Ramsay . For a man who has spent decades cultivating a public persona that is 40% Michelin-starred genius and 60% pure, unadulterated rage, this six-part deep dive aims to show us the man behind the white jacket. For the first time in his thirty-year career, Gordon Ramsay has granted a film crew "unfiltered" access to his high-stakes business empire and his surprisingly crowded home life. If you thought Kitchen Nightmares was stressful, wait until you see the financial tightrope he’s walking in London’s most expensive real estate. The £20 Million Gamble at 22 Bishopsgate While we’ve seen Ramsay fix failing diners for years, Being Gordon Ramsay focuses on his own massive risk. The series follows a grueling nine-month period as he attempts to open five distinct culinary ventures inside 22 Bishopsgate , London’s second-tallest skyscraper. We aren't just talking about a burger joint. The docuseries tracks the chaotic birth of Lucky Cat , now officially London’s highest restaurant, alongside the hyper-exclusive Restaurant Gordon Ramsay High , a 12-seat chef’s table that makes getting a seat at the Oscars look easy. Between the opening of his new Gordon Ramsay Academy and the frantic construction of a new Bread Street Kitchen , the show captures a side of Ramsay we rarely see: the vulnerable CEO. He even admits on camera that the scale of the project "scares the sh*t" out of him. It turns out, even the King of Mean gets stage fright when there’s £20 million on the line. A Rare Look at "Just Dad" What truly sets this Netflix feature apart from his usual FOX fare is the domestic footage. We see the "perfectionist" trade his chef’s knife for a diaper bag as he navigates life with his wife, Tana, and their six children. Director Dionne Bromfield manages to capture a version of Gordon that is, dare we say, soft. Watching the man who once called a contestant an "idiot sandwich" get teased by his own kids provides a level of cognitive dissonance that is worth the Netflix subscription alone. It’s a fascinating study of duality: the world-class chef who demands perfection in the kitchen, but is content being "just dad" in a suburban living room. Why This Isn't Just Another Cooking Show Produced by Studio Ramsay Global, the series avoids the over-edited tropes of reality TV competitions. Instead, it leans into the grit of London’s high-end hospitality industry. We see the sweat, the boardroom battles, and the genuine fear of failure. It serves as a reminder that Ramsay’s empire wasn't built on just a loud voice and a head of frosted tips; it was built on a terrifying work ethic and a refusal to settle for "good enough." Courtesy of Netflix Whether you’re here for the kitchen drama, the architectural marvels of 22 Bishopsgate, or the chance to see a billionaire change a nappy, Being Gordon Ramsay is set to be the must-watch TV event of early 2026. Are you ready to see Gordon Ramsay without the bleep button? Head over to The TV Cave for more exclusive previews and episode recaps. Tell us in the comments: do you prefer "Nice Gordon" or the one that throws plates?

If there is one thing Ryan Murphy knows how to do, it’s take a societal obsession and turn it into a neon-soaked, blood-splattered nightmare. His latest FX-on-Hulu venture, The Beauty , premiered its first three episodes on January 21, 2026, and it’s already clear that this isn't your standard procedural. Based on the 2015 Image Comics series, this sci-fi thriller imagines a world where "perfection" is a sexually transmitted disease. It’s shallow, it’s gross, and frankly, it’s the most fun we’ve had with a scripted series since American Horror Story actually had a plot. Episode 1: "Beautiful Pilot" – Paris is Burning (Literally) The series kicks off with a cold open that sets a high bar for the "gross-out" factor. We open at a Balenciaga show in Paris where Ruby, a supermodel played by the very meta-casting of Bella Hadid , goes from runway-ready to a literal human grenade. The "Beauty" virus, which makes you thin, chiseled, and glowing has a nasty habit of causing the body to combust once it hits its expiration date. Enter our leads: FBI agents Cooper Madsen ( Evan Peters , returning to the Murphy-verse with his trademark brooding intensity) and Jordan Bennett ( Rebecca Hall ). They are tasked with investigating why the world’s elite are suddenly popping like overfilled balloons. The standout moment, however, belongs to Jaquel Spivey and Jeremy Pope . We watch the painful, bone-crunching transformation of an "average" man into a physical god. It’s Cronenberg-lite body horror that reminds us that beauty is, quite literally, pain. Episode 2: "Beautiful Jordan" – The Ultimate Face-Swap By the second episode, The Beauty leans hard into its conspiratorial roots. The investigation shifts to the canals of Venice, but the real story is happening under the skin of Agent Jordan Bennett. In a twist that managed to stay under wraps during production, it’s revealed that Jordan is already infected. Watching Rebecca Hall navigate the internal terror of her own impending "perfection" is a masterclass in acting, right up until the moment she is "replaced." In true Murphy fashion, the transformation results in the character being played by Jessica Alexander for the remainder of the series. It’s a bold, slightly insane creative choice that forces the audience to grapple with the show's central theme: if you change everything about your exterior, are you even the same person? It’s deep stuff for a show that also features a scene where a man’s jaw detaches because he smiled too hard. Episode 3: "Beautiful Christopher Cross" – Corporate Greed and Pop Stars The third hour brings us back to the states, specifically a gritty, high-fashion version of New York City. Here we meet the man behind the curtain: Byron Forst, played by a tech-bro-coded Ashton Kutcher . Forst is the CEO of "The Corporation," the entity that marketed the virus as a miracle cure for aging and obesity. This episode gives us the series' most chaotic sequence yet. A Vogue editor's assistant (Amelia Gray Hamlin) loses her mindand her cellular integrity throwing a character played by Meghan Trainor out of a skyscraper window before exploding in a cloud of glittery viscera. It’s peak TV Cave fodder celebrity cameos, high stakes, and absolutely zero chill. We also get our first real look at "The Assassin" ( Anthony Ramos ), a cleaner who seems to be the only person who knows how to handle the "Beauties" when they go rogue. Is It Worth the Infection? The first three episodes of The Beauty succeed because they don't try to be prestige television; they try to be addictive television. The pacing is frantic, the visuals are expensive, and the social commentary on our current Ozempic-era obsession with quick-fix physical perfection is pointed enough to draw blood. While the "virus as a metaphor" trope has been done to death, Murphy and co-creator Jeremy Pope (who wears many hats here) inject enough stylistic flair and genuine horror to make it feel fresh. The chemistry between Peters and the "new" Jordan is still finding its footing, but the world-building is top-tier. If you’re looking for a show that asks the big questions like "Is being hot worth exploding?"then The Beauty is your new Wednesday night obsession. Stay tuned to The TV Cave as we continue to recap the season and track just how many more celebrities Ryan Murphy can blow up before the finale. What did you think of the first three episodes? Are you Team Natural or Team Beauty? Sound off in the comments below!

Civil War ’s Wagner Moura returns to his homeland to lead The Secret Agent , a gripping political thriller set during Brazil’s military dictatorship. The film follows a former professor who finds himself caught in the crosshairs of an authoritarian regime, forced to flee persecution while attempting to resist the system closing in around him. Since premiering at the Cannes Film Festival, The Secret Agent  has gone on to win several major awards and has now received Oscar nominations for Best Picture , Best Actor  (Wagner Moura), Best Casting , and Best International Feature Film . Honestly, I wish I had seen this before making my favourite non-horror films video, because it has now overtaken Sentimental Value  as my favourite international film of 2025. The story is completely gripping, following this character’s journey with relentless momentum. I was also impressed by how well-developed and engaging the supporting characters are, each adding texture and emotional weight to the narrative. After finding I’m Still Here  to be something of a slow burn, I was slightly worried this film might tread similar ground. Thankfully, The Secret Agent  is quite the opposite. Despite its long runtime, the pacing is excellent — there’s always something happening, and the film never allows itself to drag. While it shares a similar historical backdrop to I’m Still Here , I found The Secret Agent  to be far more accessible and immediately engaging for a wider audience. Kleber Mendonça Filho’s direction is nothing short of outstanding. He crafts something truly special here, with striking cinematography and rich production design that make the film a visual spectacle. The editing deserves particular praise, keeping the narrative tight and propulsive while smoothly guiding us through the story. Wagner Moura delivers an exceptional lead performance that anchors the entire film. I’m genuinely glad to see him leading a project of this scale, because this role showcases just how much range he has as an actor. His Golden Globe win was more than deserved — this is a commanding, emotionally layered performance. The supporting cast is equally strong. Udo Kier makes a memorable impression in what appears to be his final role, ending his career on a high note. However, the real standout is Tânia Maria, who is absolutely magnetic every time she’s on screen. I only wish she was receiving the same level of recognition as Moura, because her performance is phenomenal. Overall, The Secret Agent  exceeded my expectations and has firmly secured a place in my top 10 films of 2025 . With its powerful performances, gripping screenplay, stunning cinematography, meticulous production design, sharp editing, and confident direction, it stands as one of the year’s most impressive films. I’m genuinely hoping it brings Brazil its second consecutive Best International Feature Oscar . For me, The Secret Agent  earns a 10/10  and 5 out of 5 stars .

Just as we were finally getting used to the brooding, "I-have-a-secret-family-in-Miami" energy of Battalion Chief Dom Pascal, NBC decides to pull the rug out from under us. In a move that has One Chicago fans clutching their oxygen masks, Dermot Mulroney is officially going on hiatus from Chicago Fire during the back half of Season 14. While the show has survived plenty of cast shake-ups, honestly, the revolving door at Firehouse 51 spins faster than a ceiling fan, this one hits differently. Mulroney’s Pascal was the prickly remedy to the Boden-shaped hole in our hearts, and now we’re being left with a "To Be Continued" sign on his desk. When Is the Last Time We’ll See Chief Pascal? Mark your calendars for early March 2026. Mulroney is slated to stick around for the massive One Chicago crossover event airing Wednesday, March 4. According to production insiders, Episode 14 will serve as his temporary swan song. The writers are leaning into the drama for his exit. Current storylines suggest Pascal’s ongoing battle with city budget cuts and a sudden, suspicious interest in a political run, will provide the narrative "out" for his character. Off-screen, the reality is a bit more Hollywood: Mulroney is busy juggling his schedule with the second season of Netflix’s The Hunting Wives . Apparently, one can only handle so much smoke and mirrors at once. Enter the New Boss: Rob Morgan Joins the Fray Because Firehouse 51 can’t go five minutes without a parental figure to rebel against, NBC has already cast a temporary replacement. Rob Morgan , of Daredevil and Mudbound fame is stepping in as Battalion Chief Hopkins . Morgan is set to debut in Episode 16. If you thought Pascal was tough, Hopkins is described as a "hard-nosed traditionalist with a haunted past." Translation: Expect him to clash with Severide within the first ten minutes of his shift. Hopkins will hold down the fort for at least four episodes, including the Season 14 finale, while Pascal is off "finding himself" (or whatever politicians do). Will Dermot Mulroney Return? The good news? This isn't a permanent "written out in a tragic warehouse explosion" situation. The door remains wide open for Pascal to return, likely just in time to drop a bombshell in the season finale or kick off Season 15 with more of that signature Mulroney scowl. For those of us at The TV Cave , the constant cast shuffling is starting to feel like a game of musical chairs where the prize is just more trauma. However, seeing Rob Morgan go toe-to-toe with the 51 veterans might be exactly the spark this season needs to stay hot. What do you think, Chi-Hards? Is Pascal’s political pivot a stroke of genius or a bridge too far? Head over to The TV Cave to join the discussion and stay updated on all the latest Chicago Fire casting news.

Fox’s Memory of a Killer  arrives with a provocative premise and a familiar face doing something wildly unfamiliar. Patrick Dempsey, forever etched in pop culture as McDreamy, steps into much darker territory as Angelo, a contract killer with a conscience, a family man with secrets and a man slowly losing his grip on his own mind. After screening the first two episodes, one thing is clear: this series knows exactly how to hook you, mess with your morals and leave you wanting more. Based on the novel The Alzheimer Case  (also adapted into the acclaimed Belgian film), Memory of a Killer  introduces Angelo as a man living two carefully separated lives. By day, he’s a low-key family guy trying to stay under the radar "selling copiers". By night, he’s a highly efficient hitman who targets people the show very intentionally frames as “bad.” And yes, that framing works because before you know it, the show has you doing the unthinkable: rooting for a killer. That moral tension is one of the series’ strongest early wins. Angelo isn’t presented as a superhero assassin or an untouchable action figure. He takes hits, makes mistakes and bleeds. There’s something refreshing about a hitman who isn’t invincible and it grounds the show in a reality that makes the danger feel real rather than stylized. When things go wrong and they do, very quickly, the consequences ripple outward. The first episode does not waste time building up characters too much, you get to learn the players quick so pay attention. The real twist, of course, is Angelo’s early-onset Alzheimer’s. As his memory begins to slip, the wall between his professional life and his family life starts to crumble. Missed details, misplaced trust and moments of confusion become liabilities and in Angelo’s line of work, liabilities get people killed. The tension doesn’t come solely from shootouts or threats but from watching a man realize he can no longer fully trust his own mind. Enter Gina Torres as a sharp, suspicious FBI agent circling closer to the truth. Torres is always a welcome presence and here she brings a calm, dangerous intelligence that makes every scene crackle. You can practically feel the walls closing in on Angelo as she starts connecting dots. MEMORY OF A KILLER: Gina Torres in the "Salamander" episode of MEMORY OF A KILLER airing Monday, Jan. 26 (9:00-10:00 PM ET/PT). © 2026 Fox Media LLC. CR: Jan Thijs/FOX. And then there’s Patrick Dempsey. This role might be one of the most compelling turns of his career. He still has the charisma and yes, he still looks good throwing punches but this is not the Dempsey of Grey’s Anatomy . He’s not saving lives anymore; he’s ending them. There’s an added layer of irony that longtime TV fans will appreciate: on Grey’s , his wife is trying to cure Alzheimer’s. Here, he’s the one living with it. Come on, that connection is too good not to acknowledge. Dempsey plays Angelo with restraint, letting fear, regret and confusion creep in slowly rather than leaning into melodrama. It’s a performance that asks for patience and rewards it, making Angelo feel human even when he’s doing monstrous things. The supporting cast helps elevate the material even further. Michael Imperioli’s Dutch is quietly terrifying, the kind of guy who seems warm and family-oriented until you cross him and then you’re done. Imperioli knows exactly how to weaponize calm and it makes Dutch one of the most unsettling figures in the early episodes. L-R: Michael Imperioli and Patrick Dempsey in the special two-night premiere event beginning Sunday, Jan. 25 (10:00-11:10 PM ET / Live to All Time Zones) immediately following the NFC Championship Game (6:00-10:00 PM ET / Live to All Time Zones). © 2026 Fox Media LLC. CR: Jan Thijs/FOX. By the end of episode two, the stakes are clear. Angelo has taken out the wrong person and a mysterious figure known as “The Ferryman” is now targeting him and his family. Can Angelo protect them while keeping his secrets buried and his mind intact? That question drives the suspense forward and also raises a bigger one: how long can a story like this sustain itself? The concept is strong, but it’s fair to wonder how many seasons Fox can realistically mine from this premise without stretching credibility. Still, based on the opening chapters, Memory of a Killer  has all the right ingredients: strong performances, a morally messy lead, real consequences and a ticking clock inside its protagonist’s own brain. The series kicks off with a special two-night premiere on Fox, starting Sunday, January 25 at 10 p.m., with the second episode airing Monday, January 26. If the first two episodes are any indication, this is one thriller worth remembering, even as its main character is struggling to forget. Now excuse me while I wait impatiently to see where this story goes next.

Something is happening to the romantic love lives of the Stroopsdorfe Base leaders.Colonel Quinn and Katja Vanderhoff meet at the USAG Biergarten. She’s there to announce her candidacy for Burgermeister of Stroopsdorf. She publicly thanks Colonel Quinn. He’s there with all his officers dressed in military dress uniform. Captain Maggie and Major Shah look on as Colonel Quinn flirts with Katja. Captain Maggie asks her Dad why Katja chose that spot to announce her candidacy there. Colonel Quinn says it’s obvious because she’s flirting with him. Captain Maggie says that can't be right, since he and Katja haven’t spoken with each other in over three months.  Colonel Quinn is not listening. Katja goes to the podium to speak to her people in their native Dutch language. Colonel Quinn has to ask Jan, the civil servant, to translate. Captain Maggie berates her father that all this time none of the military leaders have learned the language. Jan comes over to translate because the Colonel tells him he doesn’t want to miss any compliments Katja may give him. What is heard is Katja stating that the colonel closed the base’s bowling alley, the heartbeat of Stroopsdorf Village. She wants to fight the American oppressors who introduced the sport to the villagers, then rips it away. Colonel Quinn freaks out and says this is an ambush, but Major Shah, his aid, is in denial.  He says the villagers all love them so don’t worry about it. Katja gets the villagers to join her in the fight as they start shouting “USA!”  Jan tells Colonel Quinn that his goose is cooked because she just asked for his head.  Colonel Quinn believes this all about his breakup with Katja. He stops her after her speech and tells her he’s willing to take her back.  She doesn’t want him anymore and walks away. Captain Maggie, overhears Katja telling her Dad she will not make that mistake again. He tells her that women always take him back. Colonel Quinn does have his own overbearing, knuckleheaded way of dealing with the ladies. Things are really getting blown out of hand, as the Colonel reads the social media comments about the bowling alley closure. Now it’s considered a sacred third space. He says the people are calling him the devil, and he’s liking it. Captain Maggie asks her Dad to try to de-escalate the situation. Colonel Quinn says it’s all about Katja still wanting him. His tactics involve him escalating things before Katja does. Captain Maggie sees this is already going sideways.   At that moment, Colonel Quinn is obsessed with Katja and believes she sent a child to torment him, after their breakup. He believes that’s Katja’s way of escalating things. The child is in the hallway outside his office as Captain Maggie explains to him he’s being ridiculous. She tries to get him to agree to go talk with Katja and tell her how he feels about her. Of course, Colonel Quinn refuses and decides to go the other route. Obsessive redirection. He suddenly jumps up from his desk and decides to follow the kid with his face painted like some animal outside his office. The kid runs away to a fenced-in area just on the other side of the base. Captain Maggie points out to her Dad that is too weird, but the Colonel won’t back down when he makes up his mind.  Meanwhile, Major Shah is having his own romance problems with his wife. Major Shah’s wife, Celeste Shah, lets it slip that she made some questionable financial decisions when they were separated. She bought a boat with a guy she dated for three months. She was using the boat for sexual recreational activities. She has a loan with a 40% interest rate. Major Shah forgives her and makes an excuse as to why. He agrees to help her pay it off. He’s always accepting it when his wife does things like this. He admits to Sergeant Conway that he’s co-dependent and allows her messiness. He asks Conway if she has a semi-legal side hustle he could get involved in. Conway says she doesn’t work with friends, and wishes him luck as she rushes off.  Corporal Papadakis stops by Major Shah’s table, and tells him he heard about his wife’s sex boat and their financial troubles. Word of Shah’s problems is spreading quickly. Papadakis suggests they work together on a money making deal without Conway’s expertise. He knows Conway's contacts and will find a way to make some money on their own scheme. They can import products free of cost and sell them underhandedly. Celeste Shah returns with multiple cups of matchas because she couldn’t make a choice. Major Shah and Corporal Papadakis look at her confused. Shah immediately asks Papadakis to set up the meeting with the contact. Shah definitely has problems. He thinks she makes things interesting, and he likes being needed. He definitely needs some help, too. L-R: Denis Leary and Taylor Misiak in "Farmer"s Mark-tet Offensive" of GOING DUTCH airing Thursday, Jan. 22 (9:31-10:00 PM ET/PT) on FOX.CR : Lorraine O’Sullivan. ©2026 FOX Media LLC. Colonel Quinn and Captain Maggie track the kid outside. It’s something Colonel Quinn seems very good at to Captain Maggie’s surprise. Colonel Quinn tells her the kid is a child soldier. Maggie’s Dad is getting weirder by the second. They see the kid step through a hole in the base fence. They get there and are surprised to find the town’s farmers market run by the Stroopsdorf people. They stop a townsperson from stepping through the fence hole to go to the base bathroom. They have a funny conversation about the townspeople’s perception of America.   Back at the base, Papadakis and Shah come up with a moneymaking scheme to sell live lobsters. Shah tells Papadakis that when lobsters die, they are worthless. Papadakis tells him to calm down, and they can sell them. Papadakis freaks out when he realizes he has no idea who to sell the lobsters to. They have no plan. Major Shah says he’s out of it, but their supplier threatens to break their legs. Major Shah says they can sell the lobsters at the town farmers market, and pays off their supplier. Suddenly, Colonel Quinn comes in the kitchen, and demands they shut down the farmers market now.  They all meet with Colonel Quinn in the meeting room to devise a plan to shut down the farmers’ market. The colonel tells them to prepare for war. They meet outside the farmers market and the colonel gets a private to lob tear gas at the marketplace. He says they are just doing a military exercise. The villagers run as the smoke spreads. He tells Captain Maggie that’s how you escalate. The market is shut down.  This causes Katja to implement an embargo on the base. They will no longer sell milk, fruit, produce, meat or eggs to the base. So, the Stroopsdorf Base’s  delicious Michelin Star meals Sergeant Conway used to have served in the dining facility Colonel Quinn and Katja escalate things as a way of  not really dealing with their personal love problems. Captain Maggie tells her Dad she hopes he understands how bad this has gotten. She asks her Dad to let her de-escalate. She thinks she can talk directly to Katja. Even the colonel can’t eat the MREs. He begs Captain Maggie to talk to Katja. The enterprising Major Shah and Corporal Papadakis found a new source for their live lobsters. They just have to keep their lobsters alive until the river cruise ship arrives in Cologne for the weekend. They can sell the lobsters to them. They keep their lobsters in Papadakis’ room in the barracks. His roommate, Specialist Gideon, is not liking that idea. He says it’s against the rules. They give him a live lobster to keep him quiet, because he wants to raise one.  Captain Maggie talks to Katja to negotiate a truce. Katja confirms she sent the child to the base to aggravate the colonel. She used him as a tool to get a response out of the colonel,  and escalate the situation. Katja and the colonel are perfect together, because they think alike. Katja misunderstands what Maggie tells her about the base. She believes the base is useless, which in the Dutch contract states the town can take it back. Katja says they are not just stopping with the farmers market, they are taking back the whole base.  Things get out of hand after Captain Maggie tells her Dad what happened. He says he’s the first military leader to lose a base to Europe in history. He tells Captain Maggie they are going to storm the farmers market now in the town square to get their goods back. Shah and Papadakis have to get Conway to help them unload their live lobsters. Conway says she will help Shah and Papakakis for 50% of the profit. Captain Maggie tries again to get Katja and her Dad back together. She tells them to figure out a way to talk. It worked. The town and the base have come to a resolution. The farmers market reopens. Colonel Quinn tells his daughter, Captain Maggie she’s really good at diplomacy.  Celeste’s inability to stop buying stuff is still causing Shah financial issues. Everything seems to work out for everyone, except Shah. What a confusing and hilariously complicated way to work out personal relationships. This episode had some fun moments, and showed how much the characters needed each other to work through their problems. There was a new character added, also, and confusing laughs. I found myself laughing out loud at times. This episode leans hard into romantic dysfunction as geopolitical chaos, and it works. The escalation is absurd, the character flaws are front and center, and the humor lands more often than not. A new character adds to the confusion, but also the laughs. I give this episode 4.1 Stars out of 5 .

Whether you’re up way too late, planning a cozy streaming binge, or settling in for primetime chaos, today’s TV lineup is stacked. From buzzy new movies and high-stakes reality TV to live jaw-dropping stunts and prestige drama, here’s what’s worth your eyeballs today. 🌙 Late-Night & Early Streaming Drops (3:00 AM ET) Coldwater  (Paramount+) Secrets don’t stay buried for long. Tensions hit a boiling point as John and Fiona attend the funeral of a beloved local figure — and John’s carefully hidden truth inches dangerously close to blowing up his entire life. Gabby’s Dollhouse: The Movie  (Peacock – New to Streaming) Gabby’s world gets a whole lot bigger. When a road trip to Cat Francisco goes sideways and her precious dollhouse ends up with a quirky collector, a real-world rescue mission kicks off. Kristen Wiig joins the fun, because of course she does. The Smashing Machine  (HBO Max – New to Streaming) Dwayne Johnson goes full dramatic mode in this intense true story of UFC legend Mark Kerr. Obsession, fame, and self-destruction collide in a raw look at what greatness can cost with Emily Blunt right there for the ride. Springsteen: Deliver Me From Nowhere  (Hulu – New to Streaming) This intimate biopic zooms in on Bruce Springsteen during the creation of Nebraska , one of his most haunting albums. Jeremy Allen White steps into the role during a pivotal moment that changed the musician and his music forever. Tehran  (Apple TV) Tamar finds herself trapped in a dangerous situation and decides to flip the script. Meanwhile, Peterson shows up exactly where he shouldn’t, because this show refuses to let anyone feel safe. 🌆 Primetime Picks (8:00 PM ET) Happy’s Place  (NBC) Bobbie tries to keep Gabby grounded about a possible pregnancy and somehow makes things worse. A well-intentioned moment turns awkward fast in this emotional episode. Mel Brooks: The 99 Year Old Man! – Part 2  (HBO) The documentary wraps up with Mel Brooks’ rise to superstardom and the lasting influence of his legendary comedic voice. If you love comedy history, this one’s essential viewing. Nowhere Man  (STARZ – Time Slot Premiere) A fragile sense of safety is shattered when Phumza disrupts life at the homeless shelter. Tragedy strikes, and Lukas is left fueled by grief and vengeance. RuPaul’s Drag Race  (MTV) The queens serve high fashion realness with runway looks inspired by mash-ups of iconic red carpet moments. Annaleigh Ashford drops by as guest judge, and yes the looks are everything. Skyscraper Live  (Netflix) This is not a drill. Alex Honnold attempts a live free solo climb up one of the world’s tallest skyscrapers in Taipei. It’s daring, terrifying, and impossible to look away from. 🎭 More Primetime (8:30 PM ET) Stumble  (NBC) Courtney sees dollar signs when an AI company considers Huddleston for a new data center. She goes all-in to win them over, hoping the investment could save her team — and maybe her reputation. ⚔️ Late-Night Drama (9:00 PM ET) Spartacus: House of Ashur  (STARZ) Achillia gears up for a brutal return to the arena while Ashur faces a crushing setback that could change the power dynamics for good. Blood, politics, and betrayal are very much on the menu. 🗣️ Nightcap TV (10:00 PM ET) Real Time With Bill Maher  (HBO) Season 24 kicks off with a stacked guest list, including Major General Paul Eaton, Senator John Kennedy, and CNN’s Kasie Hunt. Expect heated debate, sharp commentary, and zero chill. Bottom line:  Whether you’re climbing skyscrapers from your couch, watching queens slay the runway, or diving into prestige drama, today’s TV lineup has zero dead air. Check back tomorrow at The TV Cave  for more daily TV breakdowns, recaps and everything worth watching. 🍿📡

This episode of Chicago P.D., a follow-up to Episode 6 of this season, is honestly heartbreaking, and beautifully done. It’s one of those stories that makes you feel the weight of every moment, every choice, and every loss. For Torres, it’s closure for a case that never gave him answers. For Dominique, it’s vindication, six years of believing her father had killed her mother finally met the truth that was long overdue. The way this episode combined with episode 6 Find Me was just enough with a beautiful heartbreaking conclusion.  The episode takes its time, and that’s what makes it work. It starts with the last 36 hours of Simone Morgan’s life, and everything she does suddenly makes sense. Torres has taken the time to track and go over everything Simone has done, down to the route she takes home. The team sees Torres working hard. Imani offers to help just for a fresh set of eyes. Torres knows Simone walks home safely from her night shift, doesn’t sleep, makes three 911 hang-up calls, calls out of work, and keeps her child close. At first glance, it might look like chaos, but it’s not. It’s fear. It’s survival. Simone saw something she shouldn’t have, and she knew someone was watching. That “something” turns out to be the murderer of Noah Lewis, a young truck driver killed the night Simone walked home. The timing, the location, her usual path, it all lines up. Simone’s panic, the calls, her skipping work, they’re no longer overreactions; they’re signs that she was scared and she didn’t know what to do or how to remain safe.  The investigation unfolds slowly, and I mean in the best way. Marcus Lee, Darrell Jenkins, and the old gang connections make for a tangled trail of clues, but the show never rushes. It lets the details breathe: traffic cams, cell tower data, missing vehicles, a rug that doesn’t fit in a car. Every little piece builds a bigger picture. And that bigger picture points to Brian Foster, the lead detective on the Noah Lewis murder. Torres thinks he may have some insight on the cold case that could lead to who killed Simone. Torres and Imani talking to Foster doesn’t really give any new information.  Torres knows he has to make some type of connection. He is able to track down Marcus who seems to be strung out now. Bringing him in, they get Marcus to talk. He says he always thought it was an inside job and the gang had internal beef. Marcus names Darrell Jenkins. Further investigation shows Darell has vanished with no trace. At the last minute Burgess says they found a cousin that has been dead for four years, but has utilities and water in his name. The team descends on Darell and he looks like he was in the process of fleeing.  They talk to Darell who is clearly shaken and begging to get off the streets. He says if they see his face he will be killed. He continues to beg and they ask him who he is afraid of. Darell tries too hard not to name names, but he wants to live and finally says it was detective Brian Foster that told him he better not talk to the cops and to leave town. Torres thinks it’s enough. Voight says bringing in a cop they still need more.  Torres decides to pay Dominique a visit. They talk and catch up, then he shows her a photo of Darell to see if he looks familiar. Then once that leads to a dead end Yorres shows her a line up of cops and asks if anyone looks familiar to her. Initially she says no, but she studies the picture she then  points out detective Foster and says he was near the house her mother dropped her off at for the sleep over. Dominique’s memory of someone watching her mother, combined with the timeline and evidence, brings Simone’s fear into focus. It’s personal, it’s human, and it’s devastating to watch. You feel the tension, the fear, and then, slowly, the relief as the truth comes into view. When Foster is initially brought in he is cocky and arrogant and says they have no proof. Voight says they need more. Torres goes back to the Morgan household he combs through the evidence from crime scene photos. Anything to piece together what happened that night. Torres has the team together and says that there is a rug that was missing from the crime scene. Torres remembers that Travis kept saying he was set up and Simone’s brother Carter says they saw him bringing a rolled up rug out of the home. This is the main reason Travis Morgan was convicted. Everything is falling into place and making sense how Travis was set up and it was air tight because he was set up by a cop.  Voight says they still need more; this is a cop they are talking about. The team goes through CCTV footage six years ago when Torres looks into Foster's traffic stops. There was a grey Chevy pick up scheduled to be destroyed, but it never was; the pick up just disappeared and was reported missing the day after Simone’s murder.  The team finds footage of the pick up the night of the murder. Damster Road the last toll the Chevy went through. It’s by a lake. Torres says Simone is there. I know she is. It takes divers and cranes, but halfway through the night the pick up is found. Once on shore looking inside a rolled up rug can be seen. Once the rug is removed from the pick up and unrolled a skeleton is found. Simone’s remains are in the rug.  When finally arresting Foster there’s no cinematic victory music. Just quiet, methodical closure. Simone’s body is recovered. Noah Lewis and Carter Thomas are no longer just names in a file. Travis finally gets some measure of peace. Dominique finally knows the truth. And somehow, after six long years, it all feels right. It’s clear Torres has been struggling all season long and it’s been painful to watch the pain he is going through and his anxiety about the job and his faith. It isn’t lost on me that at the end of season 12 Torres walked out of his church and had been going through a crisis about his faith ever since. The ending of this episode is quietly beautiful with the home going service for Simone. Dominique makes sure there are photos that represent her father as well. Her parents are finally at peace.  This episode is more than just a cold case solved. It’s about people, fear, and courage. About patience and persistence. And about finally letting justice catch up, even when it’s long overdue. It’s about keeping your faith even though you may not know where it can lead you. Torres seems happy at the service and it seems that he had found peace with his faith and the job. Hopefully this is a turning point for Torres and it’s great to see his growth.