ABC Greenlights The Rookie: North and Yes There Will Be Crossovers
- Je-Ree
- 20 hours ago
- 2 min read

Just when you thought the streets of Los Angeles were the only place for middle-aged men to have a vocational crisis, ABC has decided to expand the "Nolan-verse" into the rain-soaked forests of Washington. The network officially gave a series order today to The Rookie: North, a spinoff that proves if at first you don’t succeed with a federal branch, you simply move the entire production two thousand miles north and hope for better weather.
Starring Jay Ellis, who most recently survived high-altitude dogfights in Top Gun: Maverick, The Rookie: North follows Alex Holland. Holland isn't your average recruit; he’s a man who decides that surviving a terrifying home invasion is the perfect catalyst for a career change. Because nothing says "healing from trauma" like strapping on a bulletproof vest and getting yelled at by a training officer half your age in the Pierce County Police Department.
This isn’t ABC’s first attempt at riding Nathan Fillion’s coattails. We all remember The Rookie: Feds, the Niecy Nash-Betts vehicle that tried very hard to make "high-stakes FBI drama" happen before getting the axe in 2023. This time, however, showrunner Alexi Hawley is leaning back into the "oldest rookie" trope that made the flagship series a hit. By casting Ellis, the network is clearly betting on charisma to distract us from the fact that we’ve seen this exact premise before, just with fewer palm trees and more flannel.
The supporting cast looks promising on paper, featuring Chris Sullivan and Karen Fukuhara, but the real draw for die-hard fans will be the inevitable crossover. Nathan Fillion is already confirmed to bring John Nolan up to Washington for the pilot to pass the baton or the handcuffs, as it were. Whether this spinoff can sustain the charm of the original or if it will simply be a wet, moody echo remains to be seen. For now, The Rookie: North has a 10-episode order and a midseason premiere date.
We’ll be watching to see if Holland’s late-life pivot is a stroke of genius or just another case of a network refusing to let a profitable brand rest.
