The highly anticipated season two return of Found launched right where it left off with viewers - with bated breath.  [SPOILERS]  The show opens with Gabi fervently calling her team after realizing Sir escaped her basement. Gabi is able to get a hold of Dhan and stops him from eating or drinking anything due to fear of rat poisoning by Sir. The hunt begins as they both eagerly start searching for Margaret, Lacey and Zeke.  Gabi races to Lacey’s home while Dhan search for Margaret and Zeke. Furious with Gabi and the secret she kept, Margaret ignores her call but picks up for Dhan right before she eats her sandwich at the bus stop. Unfortunately, Zeke was not so lucky and Dhan finds him on the floor at his home with a take-out bag near by. Is he dead or alive?  As Zeke is raced to the hospital, we find Gabi in Lacey’s home which was completely destroyed and blood on the wall. WWE has nothing on what took place in this apartment. But it leaves us to wonder, where is Lacey?  I knew Sir wouldn’t stay in the basement for the entire run of the series, but I did not anticipate a kidnapping that would catapult the expansion of the core cast members on the show. We begin with Lacey’s back story. Flashing back to three months after being rescued, we see Lacey (Bella) as a little girl who doesn’t speak. Her mother, Gina, tries to not only comfort her daughter but to also learn who this new little girl is. Bella is haunted daily from her experience with Sir. Is it real or all in her mind?  Back to present day, everyone is at the hospital waiting for an update on Zeke. Gabi is convinced that Lacey is dead. And it’s all her fault. The air is stifled with anger, remorse and confusion between Dhan, Margaret and Gabi. A surprising voice of reason enters with Mr. Wallace, Zeke’s father. Consoling, soothing, and encouraging he tells them they have to find Lacey. He knows how important Lacey is to Zeke and the group. So far, I’m enjoying the addition of Mr. Wallace and I hope he stays for future episodes. So where is Sir? Maybe getting a mani-pedi at the Peninsula Hotel? We find him in hideaway as he does a little manicuring to his hair and beard. The “Sir” Gabi and Bella knew as captives reappears in the mirror, and he is ready to teach his prize pupil a lesson. Margaret surveys Lacey’s home, absorbing all that is around her. As she tries to tap into her keen senses, her rage encompasses her. She is furious with what Gabi has done. The secret she has been keeping. The lies she has been telling the team. It’s too much. She wants to know what Gabi knows. She wants everything. The deeper level of her connection with Sir. As a viewer, I wonder the same thing.  Margaret’s fury doesn’t just land on Gabi, she brings heat for Dhan too. The level of betrayal has Margaret grasping for firm ground. Dhan shares that he did help catch Sir, but thought he was dead. He did not know Gabi was holding him captive. Eager to help find Lacey, Trent, the man who almost lost his job for Gabi, also leans the truth. Stunned, he thinks back to the night they were together at Gabi’s home and feels like a fool, manipulated and hurt. Trent tells Gabi she “should call a lawyer”, but she is able to get a reprieve with 72 hours to find Lacey. The race against the clock to connect with Sir begins with a press conference. Gabi speaks Sirs’ language through Platos Symposium during the conference to lure him out. The police and team receives a lead that takes them to a stolen car. Is Lacey inside? “Not yet” is the message Sir leaves, along with the book of Native Son – another chess piece to the cat and mouse game. We return to the hospital where we see Zeke having what seems like a panic attack. Mr. Wallace is there, conflicted on what to do as the team tries to calm Zeke down. Seeing Gabi exasperates Zeke more and it crushes her that she has brought so much pain to her friends. Dhan and Margaret shares that Zeke has Agoraphobe and needs to go home. Mr. Wallace who is afraid, listens to them and heads their advice against the doctor. A nice reminder that this is a family and everyone wants the best for Zeke. Feeling alone and guilty, Gabi returns to the office where Lacey’s mom also arrives. Another soothing, reassuring voice to help everyone anchor on what is important - finding Lacey. Why was everyone targeted but Dhan? Dhan suggests checking Ethan’s credit cards and they get potential lead on rentals. At one of the properties, it looks like they just missed Sir. Trent turns on the hot water in the bathroom for potential clues (smart detective) and they see a code or message on the mirror. It looks like O.K. Is it another message from Sir? Back at the office, feeling defeated, Gabi learns that Gina knows the truth of what she did! She said Lacey called her the night before. Most importantly, they are reminded that Lacey is a fighter. The O.K. was not from Sir. It was from Lacey sending a message to Gabi from their childhood. Tied to a chair, beaten up but very much alert, we see a fearless and determined Lacey. And she knows how to toy with Sir who shares his utmost goal - Gabrielle. We also learn that Lacey is the key to Gabi, always has been. Can she use this to secure her freedom? Thinking like Sir, Gabi sifts through the book Native Son, locating clues that unravels a number. Is it coordinates? A phone number? The number leads her to a pay phone where our prey and predator finally connects. Buckle up everyone. Sir is officially on the run. And he is heading straight for Gabi. You can watch FOUND on NBC Thursday nights or streaming on Peacock. What did you think of the episode? Drop a comment and vote in our poll below.

Episode 4 of Ryan Murphy's American Sports Story: Aaron Hernandez continues to dive deep into the former New England Patriots Tight End's NFL journey and growing up. It focuses on the football star's relationship with his brother DJ and his path to the draft. The episode starts with a memory of Aaron and DJ as kids. After DJ finishes playing football with his friends, he comes inside to convince Aaron to play with them, but he finds Aaron's room locked.  He then finds his Uncle Robert leaving his brother's room. He senses something is wrong when Aaron angrily pushes him out of the way.  The show fast-forwards to the present, with Aaron starting to experience some of the finer things in life as talks about his draft stock increase. He meets with sports agent Brian Murphy, who tells him some hard truths about the combine and what scouts seek in athletes. "Teams really want to handle the merchandise. They really want to know what it is that they're buying, Murphy said. "A player's draft stock can rise or fall at the drop of a hat." Murphy emphasizes that he wants to get the tight end ready for Indy to wow the scouts at the combine, so he proposes to help Aaron train physically and emotionally in Laguna Hills.  Aaron accepts and starts football-specific drills and lessons on controlling his anger. DJ also tags along. Aaron also meets his trainer, Chris, and the chemistry is evident immediately. The spark builds when they mention being both from Connecticut.  While in Laguna, Aaron and DJ’s bond seemed solid. DJ always did his best to have his brother's back, but the cracks start to show when DJ's envy of his brother's opportunities rise.  DJ asks Murphy if there are any teams in the NFL looking for a practice squad quarterback, but Murphy encourages him to take an opportunity in coaching instead. Tensions flare during draft night. The two brothers get into a massive fight after Aaron isn't drafted in the first few rounds and blames DJ for it. Emotions that both had individually buried include DJ's declaration that he should be the one getting these NFL opportunities and Aaron's resentment of DJ not protecting him when he was a child.  Again, there's a flashback to the football star as a kid and his uncle. It will make the audience question what he truly went through with Robert as a child. Aaron and DJ may have had fights as brothers do, but they're always there for each other. That's proven when DJ turns on the TV and hears that his brother got drafted by the New England Patriots in the fourth round, which leads to a fantastic reunion between the two at the end. Episode 4 may be the best yet, as it highlights the power of the sibling bond. Josh Andrés Rivera and Ean Castellanos play incredibly well together. Episode 5 premieres on FX on October 8. As this story keeps unfolding, there are sure to be more intense moments.

Beyond Black Beauty follows young equestrian Jolie Dumont whose Olympic dreams are dashed when her mother moves them from Belgium to her family’s urban ranch in Baltimore. An angry Jolie wants to escape until she bonds with a spirited horse named Black Beauty. Jolie will learn to embrace her heritage while continuing toward her Olympic-hopeful future and discover the value of family and home. The complete season of 11 episodes will be available on Prime Video on October 15 in the United States and the United Kingdom. Amazon MGM Studios and Sinking Ship produce the series. The executive producers include Leif and Agnes Bristow, Blair Powers, Carla de Jong, Pilar Golden, and J.J. Johnson for Sinking Ship and Amazon MGM Studios. Pilar Golden is the creator, executive producer, and showrunner. Pilar Golden, Carla de Jong, Blair Powers, J.J. Johnson, Leif Bristow, Agnes Bristow, Hubert Toint, and Christin Simms are the executive producers of Beyond Black Beauty . Sinking Ship Entertainment, Leif Films, Saga Film, and Amazon MGM Studios are responsible for the production. Pilar Golden is the series creator, executive producer, and showrunner. I spoke with Pilar Golden about the importance of the series. Check out our interview below for Reel Chatter Podcast.

Emily Cooper is one of those television characters that you love or hate. She can be naive and immature sometimes, but she can also be fun and lovable. Season 4, Part 2 of Emily in Paris, allows audiences to see Emily in a new light. With a change of location came growth and reflection for the charming protagonist.  Emily made her way to Rome after the holidays, but it was a journey to get there. Part 2 started with a corporate Christmas party hosted by Sylvie, showing the joy and fellowship that comes with holly jolly festivities. Emily excitedly talked about her plans to fly home to Chicago. Unfortunately, her travel plans crash, and she gets an invite to spend Christmas in Megève with Gabriele, Camille, and Camille's parents. The American heroine soon realizes that she is Gabriel and Camille's third wheel once again, only this time it's in her own relationship. She starts questioning her place in his life, knowing that Camille is pregnant with his child, which she's really not, as revealed in Part 1, but nobody knows. The reality of Emily's predicament begins to click in her mind on the icy and snowy slopes, changing the season’s trajectory and adding new characters. One of the characters is Genevieve, Sylvie’s husband Laurent's daughter, who comes to stay with her father and stepmother. She definitely shakes things up and inserts herself into Emily's life. Speaking of Emily, with the drama that comes her way, she decides to jet off to the iconic Italian city of Rome, where she finds romance with a new hot Italian man named Marcello. That relationship is truly a breath of fresh air. New life opportunities for Emily also come with the Eternal City. However, the chaos of her life in the City of Love always seems to follow her. Mindy, Sylvie, Alfie, Luc, and Julien's character arcs are also explored, as they have their own business and personal experiences. This is incredibly appreciated. What's most endearing about the series is that these characters are unique in their own way and have their own life experiences. What rings true for each of them is that they're not afraid to live life to the fullest, chase their dreams, and make mistakes. The show does a fantastic job of conveying that message. There are twists and turns and excitement for new adventures. Some rivalries and friendships form. And there are obstacles and trials to be overcome, and we'll see it all happen under beautiful backdrops. Unsurprisingly, the season finale ends on a cliffhanger, but it perfectly sets up the anticipation for season 5. Whether in Paris or elsewhere, the heartfelt and campy series will surely bring a new set of complications for Miss Emily Cooper and her friends. What did you think of Part 2? Sound off in the comments!

Episode 8, is the season finale of ‘How to Die Alone’ was something. After Melissa speaks on others living their life to the fullest which is something she has struggled to do, we pan to Melissa at the airport waiting to board her flight for Alex’s nuptials. Yes, it appears that even after the love confession to Alex that left her dejected she still plans to attend the wedding. Soon, it is announced that the flight is boarding as Rory walks up and spots Melissa. There is a moment of hesitation between the two friends who still have not cleared the air since their disagreement. Rory takes a seat and there is a moment of awkward conversation between them. Until Melissa reveals she told Alex her true feelings for him, and like that it appears that the friendship is back on track, Melissa even meets Ben before they board the flight.  Melissa continues to be conflicted about whether she should go to the wedding. As she sits mulling over whether she should go, the flight attendant continues to announce vouchers. Finally, Melissa decides to trade in her 1st class ticket for layovers and connecting flights. This appears to be a step forward for Melissa, she is making a decision that is in her best interest. As she makes her way to her new flight, she sees her former self at the baggage cart smoking, this signifies change and growth. Melissa boards the flight and mentions that this is different from the stimulation. She meets a lovely older couple, who help her settle in and make her comfortable. As they are flying, they encounter turbulence which terrifies Melissa, especially after seeing one flight attendant looking horrified. After the turbulence has ceased, it is explained that the birds caused the commotion. Melissa is still shaken until another flight attendant comforts her explaining that the other flight attendant has a “resting scared face” and proceeds to gift her with first-time flyer wings for making it through.  After landing safely, Melissa's first action is to reach out to Terrance. She sends a picture showing that she landed in Charlotte. Terrance calls Melissa to inquire how she made it to Charlotte and not Hawaii. Terrance also congratulates Melissa on her first successful flight. As Melissa heads to her next flight she sees the statement “Do one thing that scares” with that she changes her flight. Melissa makes it safely to Chicago and visits a diner that was featured in Elise’s photo. While at the diner, she meets the owner who also had a relationship with Elise. During this conversation, Melissa confides that she has a confession and states committed fraud. The owner states he will forget about it if he can keep the picture of Elise. He also spoke to Melissa about living her life to the fullest, which she does for the rest of her Chicago trip even engaging in Wintertime Plunge at Michigan Lake. As she posts on social media, we can see those who love her are happy to see her enjoying herself and doing something she would not normally do.  Melissa arrives at the airport and meets Angie another airport cart driver. It appears some qualities of Angie resonate with her. She encourages her and boards her flight to go back to JFK. While waiting for the flight to take off, she receives an email from the furniture company stating that she will receive a settlement of 17,000. Life appears to be looking up for Melissa! But maybe not her brother, she leaves a voice message for Brian informing him of her windfall and jokes about him cheating on his wife. Unfortunately for Brian, he listens to this message in the car with his wife who overhears everything!  Once she lands, Terrance is waiting for her, just as they are walking towards each other to hug and maybe possibly a kiss, she is tackled and arrested for fraud and grand larceny!  What a way to end their season!  What did you think of the season? Drop a comment and vote in our poll below.

Empire Waist offers a refreshing take on body image and self-acceptance, presenting a narrative that resonates deeply in today’s society. The film’s exploration of body dysmorphia through Lenore’s journey is both poignant and uplifting. Mia Kaplan delivers a nuanced performance, capturing Lenore’s struggles and growth as she navigates her insecurities and the pressure to conform. The chemistry between Lenore and Kayla, played by Jemima Yevu, adds a layer of warmth and humor, making their friendship a focal point of the film. Their dynamic is both relatable and inspiring, showcasing the importance of community and support among those facing similar challenges. The witty dialogue keeps the tone light even when addressing heavier themes, striking a balance that invites both laughter and reflection. Rainn Wilson shines as Lenore’s eccentric father, providing comic relief while also being a source of encouragement. His character embodies the idea that family support can be a powerful force in overcoming self-doubt. In contrast, Missi Pyle’s portrayal of Lenore’s mother highlights the complexities of parental expectations and the struggle to find acceptance within one’s own family. As Lenore ventures into the fashion competition, the film emphasizes creativity as a means of empowerment. It not only challenges societal norms about beauty but also celebrates individuality and self-expression. Empire Waist is a remarkable debut from writer/director Claire Ayoub, showcasing her deft control over both tone and narrative structure. The pacing is spot-on, with every scene serving a purpose and contributing to the film’s heartfelt message. While some moments may lean into predictability or feature corny one-liners, the film's authenticity and unapologetic characters set it apart from typical teen dramas. Ayoub’s clever direction ensures that the raw fears and anxieties of adolescence are vividly depicted. A standout scene occurs during Lenore’s doctor visit, where an extended focus on her discomfort during a weigh-in powerfully conveys the weight of societal expectations. The unyielding camera captures her vulnerability, contrasting sharply with the film’s more lively moments. Mia Kaplan’s performance is a journey worth witnessing. Her transformation from a timid, anxious girl to a vibrant young woman is portrayed with nuance and depth. The evolution feels organic, unfolding gradually as Lenore faces various challenges and opportunities. Jemima Yevu’s Kayla brings an intriguing complexity to the story, though at times her performance can come off as slightly over-the-top. Still, her character’s mix of confidence and underlying struggles adds layers to their friendship dynamic. Missi Pyle’s portrayal of Lenore’s mother strikes a realistic chord, embodying the challenges of parental expectations and the impact of personal insecurities on a child’s self-image. The ensemble cast truly elevates an already impactful script, bringing a relatable and much-needed message about body positivity and self-acceptance to the forefront. One to look out for in the world of comedy is Tabyana Ali (Trina Robinson, General Hospital). Empire Waist is a testament to the power of friendship, creativity, and the journey towards self-love, making it a must-see for anyone looking for a heartfelt cinematic experience. Don’t miss Empire Waist when it premieres on September 27!

CBS has a brand new hit on their hands with Kathy Bates' Matlock. Millennials may be the final generation to have a fondness for NBC's Matlock. This sentiment might lead them to feel compelled to give the new reboot on CBS a chance this month. Whether or not this is good advice remains to be seen. Any prestige associated with the show is purely rooted in nostalgia. Fortunately, CBS's modern take on Matlock, a new legal drama created by Jennie Snyder Urman of Jane the Virgin, offers more than just nostalgia. It retains the light-hearted appeal of the original while presenting a sharper and more nuanced narrative that explores themes of justice and aging. The series also benefits from the presence of Oscar-winner Kathy Bates, who stars as Madeline "Matty" Matlock, a widowed retiree in her 70s returning to the legal field and facing underestimation from her colleagues despite her strong sense of justice. Watching Matty defy expectations is engaging, and Bates delivers a captivating performance, effortlessly transitioning between a seemingly frail elderly woman and a determined crusader. She brings a magnetic presence to the show. While the series' legal setting may seem generic, and its supporting cast diverse and appealing, few can match Bates' charisma. Urman seems aware of this dynamic, focusing on the intergenerational interactions between Matty and her younger colleagues rather than solely on legal jargon, at least in the initial episodes available for review and for this premiere episode. It is a missed opportunity not to see Bates command the courtroom more frequently, as her moments of legal prowess are truly remarkable. While the overall structure of Matlock 2024 mirrors the original, Urman is cautious about distinguishing the two. In a meta twist, Matty acknowledges the existence of the Griffith series and occasionally uses its iconic theme song for comedic effect, a deliberate attempt to address the inevitable comparisons made by nostalgic viewers. The humor in this regard may be obvious and repetitive, with Bates managing each instance with visible discomfort, as the association with the classic show's legacy appears burdensome. Despite being a star vehicle for Bates, the show relies heavily on the Matlock name. However, it also seems self-conscious about its connection to the original series. Nevertheless, the series exudes a positive energy. The pilot of the reboot, directed by Kat Coiro, sets a brisk pace that allows viewers to acclimate to the new Matlock universe. By the first commercial break, Matty has already joined the prestigious Jacobson Moore law firm, taken on her first case, and engaged with the fresh-faced cast. The show efficiently introduces characters like Olympia, a passionate attorney with ties to the firm's managing partner, Senior, and other supporting roles like Billy and Sarah, who add depth to the ensemble. New Matlock delves into more heartfelt themes compared to the original series, addressing grief and contemporary societal challenges. Matty's motivations go beyond financial gain, as she navigates personal struggles and aims to make a meaningful impact on her clients' lives. The show's tender moments showcase the cast's cohesion and potential for future seasons of engaging entertainment. While maintaining elements of the original series, Matlock 2024 presents a fresh perspective on legal drama, offering a blend of tradition and modern storytelling. Bates' portrayal of Matty Matlock adds depth and charisma to the show, proving that age is not a hindrance to talent and appeal. The big twist at the end of the pilot - What a cliffhanger! What did you think of the episode? Drop a comment.

Empire Waist is a heartfelt and humorous debut feature by Claire Ayoub, based on her personal essay “Notes to My Twelve-Year-Old Self.” The film stars Mia Kaplan as Lenore Miller, a high schooler who has always faced teasing and jeers because of her size. Lenore, a clothes-loving teenager, is about to revolutionize the fashion world with her own line of inclusive designs.  The story follows Lenore as she forms an unexpected friendship with Kayla (Jemima Yevu), a confident and extroverted fellow plus-size teen. Through this friendship, Lenore starts embracing her true self, despite the pressures from her diet-obsessed mother (Missi Pyle, Galaxy Quest) and the bullying from the popular kids at school. Lenore, along with her new group of friends who are each facing their own struggles, enters a fashion design contest.  Lenore and Kayla’s friendship is everything you want to see with young kids. Lenore is shy and reserved, wanting to hide her body as she was made to feel ashamed about her size. Kayla is the complete opposite - loud in her fashion choices and loud with her voice when standing up to school bullies and boys that want to hide their feelings for her. I sat down with director Claire Ayoub along with Mia Kaplan and Jemima Yevu to discuss why the film is important to girls and women everywhere. Check out our interview below on the Reel Chatter Podcast on YouTube:

"Boy Kills World" is a whirlwind of martial arts chaos, dark comedy, and visceral action that aims to deliver a high-octane experience for fans of the genre. Starring Bill Skarsgard as Boy, the film paints a vivid picture of a post-apocalyptic world ruled by the tyrannical Van Der Koy family, with Famke Janssen as the formidable Hilda Van Der Koy. The movie explores themes of revenge and resilience as Boy, left deaf and mute, embarks on a mission to avenge the brutal murder of his family. The film’s strength lies in its action sequences, which are reminiscent of the frenetic energy found in "Kill Bill." Skarsgard, despite his inability to speak, conveys a wide range of emotions through his expressive performance. His interaction with Yayan Ruhian, who plays the shaman and a martial arts maestro, is particularly compelling, as the two engage in dynamic fight scenes that are a highlight of the film. Michelle Dockery's role as Melanie Van Der Koy marks a significant departure from her previous roles, showcasing her versatility as she embraces a more abrasive and raw character. Her portrayal is a stark contrast to her refined Lady Mary Crawley from "Downton Abbey," adding an interesting layer to the film’s antagonist roster. However, the film does falter somewhat in its villainous portrayal. Famke Janssen's character, Hilda, while commanding when on screen, lacks sufficient backstory and depth. This leaves a gap in understanding her motivations and diminishes the impact of her villainy. The comedic elements, primarily provided by H. Jon Benjamin’s voice work and supporting characters like Isaiah Mustafa and Andrew Koji, offer a much-needed balance to the film's darker moments. The humor, though often tinged with a sarcastic edge, helps to lighten the otherwise intense atmosphere. Director Moritz Mohr's influences are clear, drawing from video games, Korean action cinema, Japanese anime, and classic horror. The film’s style is visually striking but sometimes overwhelming due to its use of shaky cam and rapid cuts during fight scenes. While the gore and bloodshed might be excessive for some viewers, they align with the film’s intent to deliver an intense and immersive action experience. Overall, "Boy Kills World" is a high-energy spectacle that delivers on its promise of martial arts mayhem and darkly comedic moments. It may not excel in every aspect, particularly in storytelling and character depth, but it provides an entertaining and visually engaging ride for fans of action-packed cinema. "Boy Kills World" is now streaming on Hulu.

Admittedly, I did not see the original before checking out Rupert Sanders’ take on the 1994 Alex Proyas classic The Crow . This is probably why I was able to enjoy it without what most struggled to do and that’s comparing the two films. We can talk about the original another time, but let’s focus on this reimagined, updated version that I thoroughly enjoyed.  Before I get into my thoughts, I’ll give a brief overview of what the film is about: Eric ( Bill Skarsgård ) and Shelly ( FKA twigs ) meet and quickly fall in love with each other. One night, they are both murdered, but only Eric’s soul resurfaces, caught in the limbo between life and death. He wants Shelly to come back and is told the only way that could happen would be to sacrifice himself and to right the wrongs that have happened before their deaths.  I went into the movie completely blind with no idea what was going to happen or what was supposed to happen (I didn’t see the trailer either, so yes, completely blind). The only thing I knew about this movie was that I wanted to see it and that it scored extremely low which further piqued my interest (weird right?). The start of the movie was living up to its score as I was completely confused at what I was watching for the first thirty minutes. It felt like I missed something or there’s a part of this movie missing because I didn’t see how Eric ended up in jail or if something in the flashbacks of him as a child became the reason for that.  When Eric sees Shelly it’s an instant connection like they knew each other their entire lives…and it's only been a few hours. It went from “who is that person” to “I love you and I will do anything for you” which was completely unbelievable to me, but it works for the story I guess. As I watch their fast track love story unfold, it’s not clear how they were both in the same prison (co-ed prison?), able to go to each other’s cells (again, co-ed prison?), and how very very easy it was for them to break out. Granted it was to escape the people trying to kill Shelly, but still, all they had to do was remove the trackers and hop the barbed wire fence and then ... freedom? Yeah, okay. What I did  warm up to, though, was the relationship between Eric and Shelly. Bill and FKA twigs’ chemistry in this movie was phenomenal and honestly it’s what woke me up.  The pacing of this movie was horrendous. I’m wondering, now, if poor editing is the reason this movie didn’t perform a lot better. It was lazy storytelling up until both Eric and Shelly were killed and I kid you not I said “finally!” while watching this part. No, not that they’re killed, but because I felt like the movie was finally starting. Eric is met with a strange man (not sure what to call him), but he informed Eric of what was happening: the people that killed him and Shelly made a deal with the devil to send innocent souls to hell. That is no way to balance the orders of life so what Eric must do now is create that balance. In order to do that he must kill the ones who killed him and Shelly.  The second half of the movie is what changed my opinion of it and it’s because of Bill’s amazing performance of Eric as he avenged Shelly’s death. I couldn’t help but be on the edge of my seat the entire time. The ending broke my heart though (I won’t spoil it), but it left room for this story to possibly continue which I would thoroughly enjoy. My honest opinion of this movie is that the editing could’ve been a lot better. Especially in the first half, but if we could get past that, then it was a solid retelling of the 1994 original. If there were maybe twenty more minutes to fill in those gaps missing from the start of the film, it would’ve flowed a lot better.  Score: 7/10 What did you think of the film? Drop a comment.

This season of Bel-Air introduced a new character by the name of Eli, played by newcomer Michael Govan Hackett. Eli stepped on the scene when he answered Ashley's ad regarding the band she wanted to put together. Arriving a little too late for the audition, Ashley decided to invite him in anyway to talk music. I caught up with Michael who goes by the stage name Govan about his dream come true role and his music. Check out our conversation below: