top of page

Memory of a Killer Recap Season 1 Episode 2 Recap: Patrick Dempsey Plays Selective Memory in "Ferryman"

A person in a blue FBI jacket stands in a hallway, looking serious. The setting is an office corridor with fluorescent lighting.

The silver fox is back, and he’s already forgetting where he parked his getaway car. Following a pulse-pounding pilot, Memory of a Killer Season 1, Episode 2, "Ferryman," aired tonight on FOX, proving that being a hitman with early-onset Alzheimer’s is exactly as stressful as it sounds. If the premiere was about setting the stage, "Ferryman" is about the walls closing in both legally and neurologically on our favorite hitman, Angelo Flannery.


Hospital Gazes and Alibis

We pick up exactly where the premiere left us hanging: the hospital. Thankfully, Maria and the baby are physically fine, with the bullet only providing a terrifying graze. But while Maria is physically safe, the psychological trauma is just beginning. Enter Detective Dave Woods, who drags in Earl Hancock, the drunk driver who killed Dave's wife, under the suspicion that he’s finishing what he started after threatening Maria on the stand.


In a scene dripping with dramatic irony, Angelo watches the interrogation from behind the glass. Dave provides a solid alibi but drops a name that sends a shiver down the spine of the underworld: The Ferryman. This name acts as a cognitive trigger for Angelo, who immediately pivots into "protective papa" mode. We all knew Angelo was going to run his own off-the-books investigation, but watching him navigate his fading memory while hunting a phantom is the kind of high-stakes television we signed up for.



Trouble in Hitman Paradise

Over in the "Professional Murderer" department, Dutch is predictably livid. Angelo’s solo hit on Mosier in the pilot has Dutch

breathing down his neck, though it’s genuinely baffling that Dutch still has no clue about Angelo’s family life. How does a mob boss not do a basic background check on his top asset? Angelo manages to gaslight his way out of it, claiming he was with his bartender friend Nicki all night, but the ice is getting thin.


Dutch assigns Angelo a new job with Joe, the apprentice who is clearly the "participation trophy" of hitmen. Joe fumbles the drone work, leading to a messy hit that leaves Angelo threatening the kid's life. This partnership is a ticking time bomb and frankly, Joe doesn't look like he has the fuse for it.


Enter Gina Torres: The FBI Has Arrived

If you thought Angelo’s life was complicated, wait until you meet Agent Linda Grant. Making her debut this episode, Gina Torres brings a level of gravitas that makes every scene feel like a chess match. Within five minutes of investigating Maria’s shooting, she’s already looking at Angelo like he’s a puzzle she’s five seconds away from solving. The impending cat-and-mouse game between Dempsey and Torres is easily the most anticipated dynamic of the season.


A woman in an FBI jacket stands in a hallway, looking serious. She's wearing a light blue shirt, with fluorescent lights overhead.
© 2026 Fox Media LLC. CR: Christos Kalohoridis/FOX.


The Ferryman Revealed- Sort Of

Angelo’s side quest leads him to his bullet-maker contact, where we meet an apprentice who clearly didn't get the memo that Angelo isn't the guy you mes sup. We finally see Angelo throw his "scary weight" around and it’s a reminder that beneath the tailored suits and memory gaps, this man is a predator.


The episode culminates in a confrontation with the hitman hired to kill Maria. Before Angelo dispatches him with practiced ease, we learn the truth: The Ferryman is the one who authorized the hit. Angelo might have stopped the immediate threat, but he’s now in the crosshairs of a legendary underworld figure.


The Cracks in the Armor

While Angelo is winning gunfights, he’s losing the war with his own brain. In a heartbreakingly tense moment, he forgets where he parked his car, a small lapse for a normal person, but a death sentence for a man in his profession. Maria is also catching on; between the disappearing acts, the designer wardrobe, and a suspicious newspaper clipping, she’s realizing her father isn’t just a "consultant."


"Ferryman" is a stellar follow-up that raises the stakes while keeping the emotional core grounded in Angelo's deteriorating mind. Can he find The Ferryman before he forgets why he’s looking for him?


What did you think of the Ferryman reveal? Drop your theories in the comments!


What did you think?

  • Loved it

  • Hated it

  • So/So


bottom of page